Filming Of Modern Life

GEORGE BAKER

Yve-Alain Bois

Leah Dickerman

Benjamin Buchloh

Malcolm Turvey

MIT Press]

Four key historians present a comprehensive history of art from the past century, documenting through 100 essays presented in a year-by-year format key events that contributed to the changing of artistic traditions and the invention of new practices and forms, in a volume complemented by more than 600 reproductions of some of the century's most important works.

Art Since 1900: Modernism, Antimodernism, Postmodernism

Hal Foster

Rosalind Krauss

Reference

Thames&Hudson

A landmark in art history and the most anticipated art publishing event of the new millennium. In this groundbreaking and original work of scholarship, four of the most influential and provocative art historians of our time have come together to provide a comprehensive history of art in the twentieth century, an age when artists in the United States, Europe, and elsewhere sought to overturn the traditions of the past and expectations of the present in order to invent new practices and forms. Adopting a unique year-by-year approach, Foster, Krauss, Bois, and Buchloh present more than 50 short essays, each focusing on a crucial event―the creation of a seminal work, the publication of an artistic manifesto, the opening of a major exhibition―to tell the story of the dazzling diversity of practice and interpretation that characterizes the art of the period. All the turning points and breakthroughs of modernism and postmodernism are explored in depth, as are the frequent and sustained antimodernist reactions that proposed alternative visions of art and the world. Illustrating the authors' texts are more than 300 of the most important works of the century, many reproduced in full color. The book's flexible structure and extensive cross-referencing allow readers to follow any one of the many narratives that unfold, whether that be the history of a medium such as photography or painting, the development of art in a particular country, the influence of a movement such as surrealism or feminism, or the emergence of a stylistic or conceptual category like abstraction or minimalism. Boxes give further background information on the important figures and issues. In their insightful introductions, the four authors explain the different methods of art history at work in the book, providing the reader with the conceptual tools for further study. A roundtable discussion at the close of the book considers the questions raised by the preceding decades and look ahead to the art of the future. A glossary of terms and concepts completes this extraordinary volume. 300 illustrations, 200 in color

Art Since 1900: Modernism, Antimodernism, Postmodernism, Vol. 1: 1900-1944

Arts & Photography

Benjamin H.D. Buchloh

History & Criticism

A landmark in art history and the most anticipated art publishing event of the new millennium. In this groundbreaking and original work of scholarship, four of the most influential and provocative art historians of our time have come together to provide a comprehensive history of art in the twentieth century, an age when artists in the United States, Europe, and elsewhere sought to overturn the traditions of the past and expectations of the present in order to invent new practices and forms. Adopting a unique year-by-year approach, Foster, Krauss, Bois, and Buchloh present more than 100 short essays, each focusing on a crucial event―the creation of a seminal work, the publication of an artistic manifesto, the opening of a major exhibition―to tell the story of the dazzling diversity of practice and interpretation that characterizes the art of the period. All the turning points and breakthroughs of modernism and postmodernism are explored in depth, as are the frequent and sustained antimodernist reactions that proposed alternative visions of art and the world. Illustrating the authors' texts are more than 600 of the most important works of the century, many reproduced in full color. The book's flexible structure and extensive cross-referencing allow readers to follow any one of the many narratives that unfold, whether that be the history of a medium such as photography or painting, the development of art in a particular country, the influence of a movement such as surrealism or feminism, or the emergence of a stylistic or conceptual category like abstraction or minimalism. Boxes give further background information on the important figures and issues. In their insightful introductions, the four authors explain the different methods of art history at work in the book, providing the reader with the conceptual tools for further study. Two roundtable discussions ―one at midcentury, the other at the close of the book―consider the questions raised by the preceding decades and look ahead to the art of the future. A glossary of terms and concepts completes this extraordinary volume. 600 illustrations, 400 in color

Art Since 1900: Modernism, Antimodernism, Postmodernism, Volumes 1-2 (College Text Paperback Two-Volume Edition)

History

Although Mondrian is generally recognized for his powerful influence on twentieth-century art, architecture and design, his achievement as a painter has been underestimated. This comprehensive monograph traces Mondrian's career, from his early Dutch landscapes at the turn of the century to the dazzlingly rhythmic compositions he painted in New York at the end of his life. In this volume, his identity as a modern artist is addressed in detail. While the continuity within his entire evolution is fully explored, particular attention is paid to moments of dramatic change: his discovery of modernism and later of cubism; his struggle toward abstraction; his invention of the "neoplastic" style for which he is best known; and his dynamic development of that style from the 1930s until the end of his career. An emphasis on Mondrian's pictorial development also involves an emphasis on his working process. While this volume stresses the modernity of Mondrian's work, it demonstrates, especially in its presentation of his unfinished works, that Mondrian's abstract art was far from mathematical, either in its origins or in its expression; rather, it was the product of a highly intuitive mind and hand, gradually working toward carefully modulated but far from measurable compositional solutions. In the present volume, the texture and autograph surface of each work are taken into account, and Mondrian's original framing decisions have been recorded and reproduced, often for the first time. Yve-Alain Bois's major essay on the artist's career focuses especially on the invention and development of Mondrian's neoplastic style. In examining the parallel evolution of the artist's theory and his art, Bois supports the painter's own rejection of any interpretation of his abstract work as either geometric or symbolic, and demonstrates that far from constituting a formal exercise, neoplasticism offered an entirely new articulation of painting and thought. Bois pays particular attention to the late work and to the ways in which the artist conceived it as a critique of his earlier achievements. Hans Janssen explores the relationship between theory and practice in Mondrian's neoplasticism. From the early landscapes and throughout the mature career, he sees a fundamental continuity in the role of the symbolic. The fully illustrated Chronology of the artist's life and work and the Catalogue by Joop Joosten and Angelica Z. Rudenstine contain much new documentation, as well as extensive and largely unpublished quotations from Mondrian's correspondence with his contemporaries.

Piet Mondrian: 1872-1944

Hans Janssen

Angelica Zander Rudenstine

Joop Joosten

Bulfinch Pr

Book by Richard S. Field, Mel Bochner, Yale University Art Gallery (Cor), Bruce Boice, Yve-Alain Bois, James Meyer, Rosalind E. Krauss

Thought Made Visible: 1966-1973

Richard S. Field

Mel Bochner

Yale University Art Gallery (Cor)

Bruce Boice

James Meyer

Rosalind E. Krauss

Collections, Catalogs & Exhibitions

Yale Univ Art Gallery

Fiercely competitive, Matisse and Picasso engaged in one of the most formidable artistic dialogues of this century. The intense beginning of the relationship between the two artists - from the time they met in 1906 until 1917, when Matisse left for Nice - has already been amply studied, but their continuous exchange during the second part of their careers has never been examined in detail. In Matisse and Picasso, Yve-Alain Bois stages the intertwined evolution of the two giants of modern art as if it were an ongoing game of chess between two masters. As Joachim Pissarro points out in the foreword of this volume, Matisse and Picasso's dense plot and rich narrative make this work read more like a suspense novel than a traditional art history treatise. Bois' thoroughly researched historical demonstration is supported by striking visual juxtapositions of works by the two artists brought together here for the first time, making this long-awaited study a major contribution to the history of twentieth-century art.

Matisse and Picasso

Paris: Flammarion

Henri Matisse: Three Decades of Drawings from the Pierre and Maria-Gaetana Matisse Foundation

Gerald Peters Gallery

Commemorating the 50th anniversary of his de ath, this is an extensive study of the life and work of the Dutch artist Mondrian and introduces new information about h is life. '

Piet Mondrian 1872 - 1944

Photography & Video

Leonardo Arte

Used. Very Good conditions. May have soft reading marks and name of the previous owner.

Piet Mondrian, 1872-1944

Leonardo Arte / Museum of Modern Art

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