John Moores Liverpool Exhibition 20

Walker Art Gallery

The Art of the Beatles Exhibition Catalogue

walker Art Gallery Merseyside County Council

The Walker Art Gallery, Liverpool, was opened to the public in 1877, primarily to show the annual Autumn Exhibitions of the Royal Liverpool Academy. Many British contemporary works were purchased through this means - a selection process which was often farsighted and adventurous, and which continued well into the 20th century. Not surprisingly high and late Victorian art is strongly represented in the Gallery's holdings. There is a stunning collection of Pre-Raphaelite paintings, including works by Millais, Burne-Jones and Rossetti, among others. Through the acquisition of earlier art collections, many delightful pieces from other periods can also be found here, such as a quartet of Old Master paintings: a Rembrandt self-portrait, Rubens's Virgin and Child with St Elizabeth and the Child Baptist, a fine late Poussin landscape and one of Murillo's most endearing Virgin and Child panels. There are 17th-century Dutch landscapes, and a fine collection of early Italian and Mannerist paintings. This century has seen the purchase of paintings by Cezanne, Degas, Monet and Seurat, as well as Nicholson, Nash, and Hockney.It is the Victorian galleries that provide the core of the collection, however. Among these are Millais' Isabella, Dante's Dream by Rossetti and the ever-popular And when did you last see your father? by William Yeames. Together with some excellent 18th-century British pieces they make the Walker one of the finest collections of British art.

The Walker Art Gallery: Liverpool

Arts & Photography

Collections, Catalogs & Exhibitions

Scala Books

When time began to rant and rage: Figurative painting from twentieth-century Ireland

When Time Began to Rant and Rage: Figurative Painting from Twentieth-Century Ireland

Merrell Pub Ltd

The portly figure of Henry VIII depicted by Holbein may be very familiar, but this book reveals much more about the portrait, the sitter, the artist, and his workshop. It gathers together and analyzes the several copies and variants of Holbein’s Whitehall cartoon of Henry VIII, more than one of which is by the only significant painter immediately after Holbein in England, Hans Eworth. 
The book reveals for the first time the results of extensive technical analysis and historical research undertaken on surviving versions of the portrait in the Walker Art Gallery, Chatsworth, Petworth, Trinity College, Cambridge, and elsewhere. It throws light not only on Henry VIII but on the Tudor court and on courtiers who, for their own purposes, wished to keep his memory alive after his death. The book explores how and when the portraits were painted and the motivation behind their production and also traces how they affected subsequent portrayals of the monarch, down to film and television. 
The book accompanies an important exhibition at the Walker Art Gallery, Liverpool, where Xanthe Brooke is curator and David Crombie painting conservator.

Henry VIII Revealed: Holbein's Portrait and Its Legcy

HOLBEIN, Hans

Crombie, David

Brooke, Xanthe

History & Criticism

Paul Holberton Pub

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