The Greek poet Pindar (c. 518-428 BC) composed victory odes for winners in the ancient Games, including the Olympics. He celebrated the victories of athletes competing in foot races, horse races, boxing, wrestling, all-in fighting and the pentathlon, and his Odes are fascinating not only for their poetic qualities, but for what they tell us about the Games. Pindar praises the victor by comparing him to mythical heroes and the gods, but also reminds the athlete of his human limitations. The Odes contain versions of some of the best known Greek myths, such as Jason and the Argonauts, and Perseus and Medusa, and are a valuable source for insights on Greek religion and ethics. Pindar's startling use of language, including striking metaphors, bold syntax, and enigmatic expressions, makes reading his poetry a uniquely rewarding experience. Anthony Verity's lucid translations stay as close as they can to the original Greek, without sacrificing readability. The text is complemented by a succinct introduction by Stephen Instone outlining the essential nature of Pindar's Odes as well as explaining the nature of the Games, the events, and the participants. Explanatory notes help the reader to navigate Pindar's sometimes compressed and allusive expressive technique.

The Complete Odes (Oxford World's Classics)

Literature & Fiction

Verity, Anthony

Pindar

History & Criticism

Oxford University Press

A key figure in the development of Western literature, the Greek poet Theocritus of Syracuse, was the inventor of "bucolic" or pastoral poetry in the first half of the third century BC. These vignettes of country life, which center on competitions of song and love are the foundational poems of the western pastoral tradition. They were the principal model for Virgil in the Eclogues and their influence can be seen in the work of Petrarch and Milton. Although it is the pastoral poems for which he is chiefly famous, Theocritus also wrote hymns to the gods, brilliant mime depictions of everyday life, short narrative epics, epigrams, and encomia of the powerful. The great variety of his poems illustrates the rich and flourishing poetic culture of what was a golden age of Greek poetry. Based on the original Greek text, this accurate and fluent translation is the only edition of the complete Idylls currently in print. It includes an accessible introduction by Richard Hunter that describes what is known of Theocritus, the poetic tradition and Theocritus' innovations and what exactly is meant by "bucolic" poetry.

Idylls (Oxford World's Classics)

Theocritus

This is a new annotated translation of the Greek poems of Theocritus of Syracuse (first half of the third century BC), the inventor of "bucolic" or "pastoral" poetry, the principal model for Virgil in the Eclogues, and hence a major figure in the literary traditions that antiquity bequeathed to Western literature.

Theocritus: Idylls

Classics

Twenty years after setting out to fight in the Trojan War, Odysseus is yet to return home to Ithaca. His household is in disarray: a horde of over 100 disorderly and arrogant suitors are vying to claim Odysseus' wife Penelope, and his young son Telemachus is powerless to stop them. Meanwhile, Odysseus is driven beyond the limits of the known world, encountering countless divine and earthly challenges. But Odysseus is "of many wiles" and his cunning and bravery eventually lead him home, to reclaim both his family and his kingdom. Homer's Odyssey rivals the Iliad as the greatest poem of Western culture and is perhaps the most influential text of classical literature. This elegant and compelling new translation is accompanied by a full introduction and notes that guide the reader in understanding the poem and the many different contexts in which it was performed and read.

The Odyssey (Oxford World's Classics)

Allan, William

HOMER

Poetry

"War, the bringer of tears..." War, glory, despair, and mourning: for 2,700 years The Iliad has gripped listeners and readers with the story of Achilles' anger and Hector's death. This tragic episode during the siege of Troy, sparked by a quarrel between the leader of the Greek army and its mightiest warrior, Achilles, is played out between mortals and gods, with devastating human consequences. It is a story of many truths, of awesome emotions, the quest for fame and revenge, the plight of women, and the lighthearted laughter of the gods. Above all, it confronts us with war in all its brutality - and with fleeting images of peace, which punctuate the poem as distant memories, startling comparisons, and doomed aspirations. The Iliad's extraordinary power testifies to the commitment of its many readers, who have turned to it in their own struggles to understand life and death. This elegant and compelling new translation is accompanied by a full introduction and notes that guide the reader in understanding the poem and the many different contexts in which it was performed and read.

The Iliad: (OWC Hardback) (Oxford World's Classics Hardback Collection)

Graziosi, Barbara

Xenophon was acknowledged in Antiquity as a philosopher, a historian (third in the triad of great Classical historians, alongside Herodotus and Thucydides), and a literary artist. His narrative was appreciated for its literary qualities including its charm, wit, vigour, and sweetness (for which he was hailed as 'Attic Muse': Diogenes Laertius, 2.6.57).\nThe Oeconomicus describes Socrates conversing on the topic of successful management of one's oikos (household, estate). The focus is a well-to-do Athenian household, which proves a testing ground for the moral qualities or 'gentlemanliness' of the male head of household, but also a space in which the role and agency of women turns out to be key. Symposium shifts to the male space of the men's quarters of the private home, to describe an evening of conversation and entertainment at the house of an Athenian plutocrat. Far from being simply a lighthearted affair, the conversation probes timeless questions regarding wisdom, love, and female capacity, and over it looms the deadly serious matter of Socrates' trial and death.\nBoth works are rich sources for Athenian social history of the Classical period. Oeconomicus in particular offers insights on the role and status of women in Ancient Athens. Xenophon doesn't, however, passively reflect the social realities he saw around him or supply snapshots of historical actuality.

Estate Management and Symposium (Oxford World's Classics)

Xénophon

A key figure in the development of Western literature, the Greek poet Theocritus of Syracuse, was the inventor of "bucolic" or pastoral poetry in the first half of the third century BC. These vignettes of country life, which center on competitions of song and love are the foundational poems of the western pastoral tradition. They were the principal model for Virgil in the Eclogues and their influence can be seen in the work of Petrarch and Milton. Although it is the pastoral poems for which he is chiefly famous, Theocritus also wrote hymns to the gods, brilliant mime depictions of everyday life, short narrative epics, epigrams, and encomia of the powerful. The great variety of his poems illustrates the rich and flourishing poetic culture of what was a golden age of Greek poetry. Based on the original Greek text, this accurate and fluent translation is the only edition of the complete Idylls currently in print. It includes an accessible introduction by Richard Hunter that describes what is known of Theocritus, the poetic tradition and Theocritus' innovations and what exactly is meant by "bucolic" poetry. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

The Greek poet Pindar (c. 518-428 BC) composed victory odes for winners in the ancient Games, including the Olympics. He celebrated the victories of athletes competing in foot races, horse races, boxing, wrestling, all-in fighting and the pentathlon, and his Odes are fascinating not only for their poetic qualities, but for what they tell us about the Games. Pindar praises the victor by comparing him to mythical heroes and the gods, but also reminds the athlete of his human limitations. The Odes contain versions of some of the best known Greek myths, such as Jason and the Argonauts, and Perseus and Medusa, and are a valuable source for insights on Greek religion and ethics. Pindar's startling use of language, including striking metaphors, bold syntax, and enigmatic expressions, makes reading his poetry a uniquely rewarding experience. Anthony Verity's lucid translations stay as close as they can to the original Greek, without sacrificing readability. The text is complemented by a succinct introduction by Stephen Instone outlining the essential nature of Pindar's Odes as well as explaining the nature of the Games, the events, and the participants. Explanatory notes help the reader to navigate Pindar's sometimes compressed and allusive expressive technique. About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

"Tell me, Muse, of the man of many turns, who was driven / far and wide after he had sacked the sacred city of Troy" Twenty years after setting out to fight in the Trojan War, Odysseus is yet to return home to Ithaca. His household is in disarray: a horde of over 100 disorderly and arrogant suitors are vying to claim Odysseus' wife Penelope, and his young son Telemachus is powerless to stop them. Meanwhile, Odysseus is driven beyond the limits of the known world, encountering countless divine and earthly challenges. But Odysseus is 'of many wiles' and his cunning and bravery eventually lead him home, to reclaim both his family and his kingdom. The Odyssey rivals the Iliad as the greatest poem of Western culture and is perhaps the most influential text of classical literature. This elegant and compelling new translation is accompanied by a full introduction and notes that guide the reader in understanding the poem and the many different contexts in which it was performed and read.

The Odyssey (Oxford World's Classics Hardback Collection)

See the best price to sell, buy, or rent books by Verity, Anthony. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Verity, Anthony

See the best price to sell, buy, or rent books by Verity, Anthony. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

The Complete Odes (Oxford World's Classics)

Idylls (Oxford World's Classics)

Theocritus: Idylls

The Odyssey (Oxford World's Classics)

The Iliad: (OWC Hardback) (Oxford World's Classics Hardback Collection)

Estate Management and Symposium (Oxford World's Classics)

Idylls (Oxford World's Classics)

The Complete Odes (Oxford World's Classics)

The Odyssey (Oxford World's Classics Hardback Collection)