Homer's mythological tales of war and homecoming, the Iliad and the Odyssey, are considered to be two of the most influential works in the history of Western literature. Yet their author, 'the greatest poet that ever lived' is something of a mystery. By the 6th century BCE, Homer had already become a mythical figure, and even today the debate continues as to whether he ever existed. In this accessible and concise introduction, Barbara Graziosi considers Homer's famous works and their impact on readers throughout the centuries. She shows how the Iliad and the Odyssey benefit from a tradition of reading that spans well over two millennia, from the impressive scholars at the library of Alexandria, in the third and second centuries BCE, who wrote some of the first commentaries on the Homeric epics. Summaries of these scholars' notes made their way into the margins of Byzantine manuscripts; from Byzantium the annotated manuscripts travelled to Italy; and the ancient notes finally appeared in the first printed editions of Homer, eventually influencing our interpretation of Homer's work today. Along the way, Homer's works have inspired artists, writers, philosophers, musicians, playwrights, and film-makers. Exploring the main literary, historical, cultural, and archaeological issues at the heart of Homer's works, Graziosi analyses the enduring appeal of Homer and his iconic works.

Homer

Literature & Fiction

Graziosi, Barbara

History & Criticism

Oxford University Press

"War, the bringer of tears..." War, glory, despair, and mourning: for 2,700 years The Iliad has gripped listeners and readers with the story of Achilles' anger and Hector's death. This tragic episode during the siege of Troy, sparked by a quarrel between the leader of the Greek army and its mightiest warrior, Achilles, is played out between mortals and gods, with devastating human consequences. It is a story of many truths, of awesome emotions, the quest for fame and revenge, the plight of women, and the lighthearted laughter of the gods. Above all, it confronts us with war in all its brutality - and with fleeting images of peace, which punctuate the poem as distant memories, startling comparisons, and doomed aspirations. The Iliad's extraordinary power testifies to the commitment of its many readers, who have turned to it in their own struggles to understand life and death. This elegant and compelling new translation is accompanied by a full introduction and notes that guide the reader in understanding the poem and the many different contexts in which it was performed and read.

The Iliad: (OWC Hardback) (Oxford World's Classics Hardback Collection)

Verity, Anthony

HOMER

This collection of essays explores the crucial place of Homer in the shifting cultural landscape of the twentieth century. It argues that Homer was viewed both as the founding father of the Western literary canon and as sharing important features with poems, performances, and traditions which were often deemed neither literary nor Western: the epics of Yugoslavia and sub-Saharan Africa, the keening performances of Irish women, the spontaneous inventiveness of the Blues. The book contributes to current debates about the nature of the Western literary canon, the evolving notion of world literature, the relationship between orality and the written word, and the dialogue between texts across time and space. Homer in the Twentieth Century contends that the Homeric poems play an important role in shaping those debates and, conversely, that the experiences of the twentieth century open new avenues for the interpretation of Homer's much-travelled texts.

Homer in the Twentieth Century: Between World Literature and the Western Canon (Classical Presences)

Greenwood, Emily

Essays & Correspondence

Homer's mythological tales of war and homecoming, the Iliad and the Odyssey, are widely considered to be two of the most influential works in the history of western literature. Yet their author, 'the greatest poet that ever lived' is something of a mystery. By the 6th century BCE, Homer had already become a mythical figure, and today debate continues as to whether he ever existed. In this Very Short Introduction Barbara Graziosi considers Homer's famous works and their impact on readers throughout the centuries. She shows how the Iliad and the Odyssey benefit from a tradition of reading that spans well over two millennia, stemming from ancient scholars at the library of Alexandria, in the third and second centuries BCE, who wrote some of the first commentaries on the Homeric epics. Summaries of these scholars' notes made their way into the margins of Byzantine manuscripts; from Byzantium the annotated manuscripts travelled to Italy; and the ancient notes finally appeared in the first printed editions of Homer, eventually influencing our interpretation of Homer's work today. Along the way, Homer's works have inspired artists, writers, philosophers, musicians, playwrights, and film-makers. Exploring the main literary, historical, cultural, and archaeological issues at the heart of Homer's narratives, Graziosi analyses the enduring appeal of Homer and his iconic works. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable. This book was previously published in hardback as Homer.

Homer: A Very Short Introduction (Very Short Introductions)

This collection of essays explores the crucial place of Homer in the shifting cultural landscape of the twentieth century. It argues that Homer was viewed both as the founding father of the Western literary canon and as sharing important features with poems, performances, and traditions which were often deemed neither literary nor Western: the epics of Yugoslavia and sub-Saharan Africa, the keening performances of Irish women, the spontaneous inventiveness of the Blues. The book contributes to current debates about the nature of the Western literary canon, the evolving notion of world literature, the relationship between orality and the written word, and the dialogue between texts across time and space. Homer in the Twentieth Century contends that the Homeric poems play an important role in shaping those debates and, conversely, that the experiences of the twentieth century open new avenues for the interpretation of Homer's much-travelled texts.

How was the poet Homer imagined by ancient Greeks? This book looks at stories circulating between the sixth and fourth centuries BC about his birth, name and origin, blindness and his relationship to other poets and his descendants. The work studies the ancient reception of the Homeric poems, and looks at it in relation to modern representations of Homer, ancient and modern conceptions of authorship, and the "Homeric Question".

Inventing Homer: The Early Reception of Epic (Cambridge Classical Studies)

Cambridge University Press

Biographies & Memoirs

Arts & Literature

This book offers a new approach to the study of Homeric epic by combining ancient Greek perceptions of Homer with up-to-date scholarship on traditional poetry. Part I argues that, in the archaic period, the Greeks saw the lliad and Odyssey neither as literary works in the modern sense nor as the products of oral poetry. Instead, they regarded them as belonging to a much wider history of the divine cosmos, whose structures and themes are reflected in the resonant patterns of Homer's traditional language and narrative techniques. Part II illustrates this claim by looking at some central aspects of the Homeric poems: the gods and fate, gender and society, death, fame and poetry. Each section shows how the patterns and preoccupations of Homeric storytelling reflect a historical vision that encompasses the making of the universe, from its beginnings when Heaven mated with Earth, to the present day.

Homer: The Resonance of Epic (Classical Literature and Society)

Haubold, Johannes

Bristol Classical Press

An elegant and entertaining account of the transformations of the Greek gods across the ages, from antiquity to the Renaissance and the present day
The gods of Olympus are the most colorful characters of Greek civilization: even in antiquity, they were said to be cruel, oversexed, mad, or just plain silly. Yet for all their foibles and flaws, they proved to be tough survivors, far outlasting classical Greece itself. In Egypt, the Olympian gods claimed to have given birth to pharaohs; in Rome, they led respectable citizens into orgiastic rituals of drink and sex. Under Christianity and Islam they survived as demons, allegories, and planets; and in the Renaissance, they triumphantly emerged as ambassadors of a new, secular belief in humanity. Their geographic range, too, has been little short of astounding: in their exile, the gods and goddesses of Olympus have traveled east to the walls of cave temples in China and west to colonize the Americas. They snuck into Italian cathedrals, haunted Nietzsche, and visited Borges in his restless dreams.
In a lively, original history, Barbara Graziosi offers the first account to trace the wanderings of these protean deities through the millennia. Drawing on a wide range of literary and archaeological sources, The Gods of Olympus opens a new window on the ancient world, religion, mythology, and its lasting influence.

The Gods of Olympus: A History

Religion & Spirituality

Metropolitan Books

"AN ENGAGING INTRODUCTION TO A FASCINATING TOPIC . . . GRAZIOSI NARRATES THE MANY METAMORPHOSES OF THE GREEK GODS WITH HUMOR AND ERUDITION."―The Christian Science Monitor The gods of Olympus are the most colorful characters of Greek civilization: even in antiquity, they were said to be cruel, oversexed, mad, or just plain silly. Yet for all their foibles and flaws, they proved to be tough survivors, far outlasting their original worshippers. In Egypt, the Olympian gods claimed to have given birth to pharaohs; in Rome, they led respectable citizens into orgiastic rituals of drink and sex. Under Christianity and Islam they survived as demons, allegories, and planets. And in the Renaissance, they triumphantly emerged as ambassadors of a new, secular belief in humanity. In a lively, original history of mythology, Barbara Graziosi offers the first account to trace the wanderings of these inventive deities through the millennia. Drawing on a wide range of literary and archaeological sources, The Gods of Olympus opens a new window on the ancient world and its lasting influence.

Picador

See the best price to sell, buy, or rent books by Graziosi, Barbara. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Graziosi, Barbara

See the best price to sell, buy, or rent books by Graziosi, Barbara. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Homer

The Iliad: (OWC Hardback) (Oxford World's Classics Hardback Collection)

Homer in the Twentieth Century: Between World Literature and the Western Canon (Classical Presences)

Homer: A Very Short Introduction (Very Short Introductions)

Homer in the Twentieth Century: Between World Literature and the Western Canon (Classical Presences)

Inventing Homer: The Early Reception of Epic (Cambridge Classical Studies)

Inventing Homer: The Early Reception of Epic (Cambridge Classical Studies)

Homer: The Resonance of Epic (Classical Literature and Society)

The Gods of Olympus: A History

The Gods of Olympus: A History