Today, one hundred years after his birth and a generation after his death, Alberto Giacometti is recognized as one of the small group of modern masters who dominated art during much of the twentieth century. This centennial volume both celebrates his achievement and reexamines his work, and thus contributes to a more focused concentration on the art itself 
The importance of reassessing Giacometti's work resides not only in each new generation finding a somewhat different artist than its forebears, but also in that each fresh look tends to impede the spread of myths and generalizations that shield us from the complexities of a great artist's oeuvre. This publication is meant to extend popular and critical understanding of Giacometti's achievement and to return the reader to the center of Giacometti's work, where new insights can only be revealed by the objects themselves.

Alberto Giacometti

Christian Klemm

Carolyn Lachner

Tobia Bezzola

Anne Umland

Sports & Outdoors

Abrams

This is the most comprehensive survey in many years of the work of one of the 20th century's greatest artists, Alberto Giacometti (1901-1966). Published to celebrate the centennial of his birth, the book accompanies an exhibition jointly organized by The Museum of Modern Art, New York, and the Kunsthaus Zürich. 
The Swiss-born Giacometti was a supremely inventive sculptor as well as a painter and draftsman of the highest distinction. This volume includes many of his early Cubist-influenced and Surrealist works, often slyly humorous and allusively erotic, as well as his masterful drawings and paintings, and the elongated sculptures of the human head and figure for which he is best known. Published with the full involvement of the Alberto Giacometti Foundation, this will become the standard reference on the artist. 200 illustrations, 100 in full color and 100 duotone, 272 pages, 9 1/2 x 11 3/4" A Museum of Modern Art Book

Museum of Modern Art

First published in 1984, photographer Willy Spillers scenes from New Yorks notoriously crime-ridden subway system retrospectively tell a different story, one of glitz and colour, curiosity and amusement. Today we can look back at his images with a more objective feeling, finding not the sensationalism, danger, and voyeurism proclaimed by the media at the time, but rather the fascination of this young European newcomer to the Big Apple with its people, neon lights, movement, and relentless energy. Captured on Kodachrome slide film, Spillers visions of the citys sordid underground transportation system fall right in line with other pioneers who first documented New York in colour.

Willy Spiller - Hell On Wheels

Arts & Photography

Photography & Video

Sturm & Drang

Christian Schad 1894-1982

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Books by Tobia Bezzola