Tremor

Teju Cole

Faber&Faber

NAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY DWIGHT GARNER, THE NEW YORK TIMES • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY San Francisco Chronicle | NPR | The Root | The Telegraph | The Globe and MailNATIONAL BESTSELLER • FINALIST, PHILLIS WHEATLEY BOOK AWARD • TEJU COLE WAS NAMED ONE OF THE MOST INFLUENTIAL AFRICANS OF THE YEAR BY NEW AFRICAN MAGAZINEFor readers of Chimamanda Ngozi Adichie and Michael Ondaatje, Every Day Is for the Thief is a wholly original work of fiction by Teju Cole, whose critically acclaimed debut, Open City, was the winner of the PEN/Hemingway Award and a finalist for the National Book Critics Circle Award, and was named one of the best books of the year by more than twenty publications.   Fifteen years is a long time to be away from home. It feels longer still because I left under a cloud.   A young Nigerian living in New York City goes home to Lagos for a short visit, finding a city both familiar and strange. In a city dense with story, the unnamed narrator moves through a mosaic of life, hoping to find inspiration for his own. He witnesses the “yahoo yahoo” diligently perpetrating email frauds from an Internet café, longs after a mysterious woman reading on a public bus who disembarks and disappears into a bookless crowd, and recalls the tragic fate of an eleven-year-old boy accused of stealing at a local market.   Along the way, the man reconnects with old friends, a former girlfriend, and extended family, taps into the energies of Lagos life—creative, malevolent, ambiguous—and slowly begins to reconcile the profound changes that have taken place in his country and the truth about himself.  In spare, precise prose that sees humanity everywhere, interwoven with original photos by the author, Every Day Is for the Thief—originally published in Nigeria in 2007—is a wholly original work of fiction. This revised and updated edition is the first version of this unique book to be made available outside Africa. You’ve never read a book like Every Day Is for the Thief because no one writes like Teju Cole.  Praise for Every Day Is for the Thief“A luminous rumination on storytelling and place, exile and return . . . extraordinary.”—San Francisco Chronicle   “Cole is following in a long tradition of writerly walkers who, in the tradition of Baudelaire, make their way through urban spaces on foot and take their time doing so. Like Alfred Kazin, Joseph Mitchell, J. M. Coetzee, and W. G. Sebald (with whom he is often compared), Cole adds to the literature in his own zeitgeisty fashion.”—The Boston Globe  “Crisp, affecting . . . Cole constructs a narrative of fragments, a series of episodes that he allows to resonate.”—The New York Times Book Review  “Hugely rewarding . . . both a celebration of one of the world’s most vibrant cities and a lament over what can be one of the most frustrating and difficult places to live. It is also a story of family breakup and an uneasy homecoming—the narrator has been away for fifteen years and must relearn how to navigate a place that was once home.”—NPR“[Every Day Is for the Thief has] a restraint that allows [Cole] to slip in these exquisitely rendered observations on life, love, art that leave you feeling richer and more attuned to your own reality once you’ve finished reading.”—Dinaw Mengestu, The AtlanticFrom the Hardcover edition.

Every Day is for the Thief

KNOWN AND STRANGE THINGS

Known and Strange Things

Arts & Photography

History & Criticism

The shadow of a tree in upstate New York. A hotel room in Switzerland. A young stranger in the Congo. In Blind Spot , readers will follow Teju Cole's inimitable artistic vision into the visual realm, as he continues to refine the voice and intellectual obsessions that earned him such acclaim for Open Cit y. In more than 150 pairs of images and surprising, lyrical text, Cole explores his complex relationship to the visual world through his two great passions: writing and photography. Blind Spot is a testament to the art of seeing by one of the most powerful and original voices in contemporary literature.

Blind Spot

Photography & Video

Open City: A Novel

Random House]

Every Day Is for the Thief: Fiction

Music & Literature 3 brings to light the life's work of three artists who have to date been denied--by geography, by language, and by politics--their rightful positions on the world stage. The Australian writer Gerald Murnane, a rumored Nobel Prize candidate, has been deemed 'a genius on the level of Beckett' by Teju Cole, who opens this issue with a spirited exchange of long letters with the Aussie great. For the first time, Murnane's entire catalog is introduced by top writers and critics, and we glimpse his three remarkable archives, which the author insists will remain unpublished until after his death. 'The Interior of Gaaldine,' the infamous text that explains his fourteen-year absence from the world of fiction, rounds out more than 120 pages of new material on and by one of our finest yet little-known Anglophone writers. The issue's second half is devoted to the Slovak composer Vladimír Godár and his unlikely collaborator, the Moravian violinist-singer Iva Bittová, who honed their crafts under the pall of the Communist regime and who only in recent years have begun cultivating worldwide audiences. Now, for the first time, Godár's artistic writings as well as his manuscripts are available in English, alongside a portfolio of photographs and an oral history of Bittová's career, as told by some of her closest collaborators and artistic partners.

Music & Literature No. 3

et.al.

Hari Kunzru

Gerald Murnane

Vladimír Godár

Iva Bittová

Music & Literature, Inc.

Every Day is for the Thief is an account of a Nigerian in the diaspora who returns home after many years abroad. The book gains its strength as much from its subject matter (contemporary Lagosian life as experienced by a visiting former resident) as from its prose style (reminiscent of John Berger and J.M. Coetzee). Teju Cole's nuanced book explores themes as diverse as the minor joys of daily Lagosian existence and the crudities of contemporary forms of corruption. His work is both a critique and a message of hope to a Nigeria rapidly in transformation.

Every Day Is for the Thief

RECORDED BOOKS^

Product Description The picturesque vistas and apparent stability of Switzerland have made it an elusive subject for contemporary photography. Over a five-year period (2014 – 2019), Cole found a distinctly new way to look at a country that has been the quintessence of tourist experience for almost two centuries. Fernweh muses on the German word for a longing to be elsewhere. Cole’s meditative and scrupulously composed work, made with colour film, is evocative of the hidden history of the Alpine nation as well as of its highly curated terrain. Returning to Switzerland year after year, Cole shares the patience and mild palette of luminaries of contemporary European photography — but the constructivist tension in these images is all his own. With photographs shot in every corner of the country — from Vaud to Graubünden to Lugano — Fernweh creates a vision of Switzerland that, though largely devoid of human presence, is rich in human traces; none more so than Cole’s own distinct way of seeing. About the Author Teju Cole (né en 1975) est photographe, écrivain et auteur de plusieurs livres. Son travail photographique fait partie de nombreuses collections, dont le Metropolitan Museum of Art. Il a fait l’objet d’expositions individuelles à la Fondazione Forma de Milan (2016), au Strauhof de Zurich (2018) et à la Fondation Lannan de Santa Fe (2018). Romancier et essayiste de renom, il a reçu le prix PEN/Hemingway (2012), le Focus Award for Excellence in Photographic Writing (2016) et une bourse Guggenheim (2018). Il est actuellement professeur au département d’études anglaises de l’Université Harvard et critique invité du programme de photographie de l’Université Yale.

FERNWEH

MACK BOOKS

In the period leading up to the November 3, 2020 elections in the United States, Teju Cole began to photograph his kitchen counter in Cambridge, Massachusetts. Working in the still life tradition of Chardin, Cezanne, and the Dutch masters, as well as such contemporary photographers as Laura Letinsky and Jan Groover, he photographed every day over the course of five weeks. Unlike those illustrious forbears, Cole left his arrangements entirely to chance, “the bowls and plates moving in their unpredictable constellations.” What emerges is a surprising portrait, across time, of one kitchen counter in one home at a time of social, cultural, and political upheaval. Alongside the photographs is a long written essay, as wide-ranging in its concerns—hunger, fasting, mourning, slavery, intimacy, painting, poetry and the history of photography—as the photographs are delimited in theirs. The text and photographic sequences are interspersed with an anonymous handwritten eighteenth century cookbook from Cambridge. Golden Apple of the Sun is a luminous and humane work, presented with the formal boldness and oblique intelligence we have come to expect from Teju Cole.

GOLDEN APPLE OF THE SUN

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Books by Teju Cole