Martirologio Romano (Spanish Edition)

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The Memory of Bones: Body, Being, and Experience among the Classic Maya (Joe R. and Teresa Lozano Long Series in Latin American and Latino Art and Culture)

History

Houston, Stephen D.

Taube, Karl

Stuart,David

Americas

University of Texas Press

All of human experience flows from bodies that feel, express emotion, and think about what such experiences mean. But is it possible for us, embodied as we are in a particular time and place, to know how people of long ago thought about the body and its experiences? In this groundbreaking book, three leading experts on the Classic Maya (ca. AD 250 to 850) marshal a vast array of evidence from Maya iconography and hieroglyphic writing, as well as archaeological findings, to argue that the Classic Maya developed a coherent approach to the human body that we can recover and understand today. The authors open with a cartography of the Maya body, its parts and their meanings, as depicted in imagery and texts. They go on to explore such issues as how the body was replicated in portraiture; how it experienced the world through ingestion, the senses, and the emotions; how the body experienced war and sacrifice and the pain and sexuality that were intimately bound up in these domains; how words, often heaven-sent, could be embodied; and how bodies could be blurred through spirit possession. From these investigations, the authors convincingly demonstrate that the Maya conceptualized the body in varying roles, as a metaphor of time, as a gendered, sexualized being, in distinct stages of life, as an instrument of honor and dishonor, as a vehicle for communication and consumption, as an exemplification of beauty and ugliness, and as a dancer and song-maker. Their findings open a new avenue for empathetically understanding the ancient Maya as living human beings who experienced the world as we do, through the body.

The Memory of Bones: Body, Being, and Experience among the Classic Maya

Politics & Social Sciences

Houston, Stephen

Social Sciences

The myths of the Aztec and Maya derive from a shared Mesoamerican cultural tradition. This is very much a living tradition, and many of the motifs and gods mentioned in early sources are still evoked in the lore of contemporary Mexico and Guatemala. Professor Taube discusses the different sources for Aztec and Maya myths. The Aztec empire began less than 200 years before the Spanish conquest, and our knowledge of their mythology derives primarily from native colonial documents and manuscripts commissioned by the Spanish. The Maya mythology is far older, and our knowledge of it comes mainly from native manuscripts of the Classic period, over 600 years before the Spanish conquest. Drawing on these sources as well as nineteenth- and twentieth-century excavations and research, including the interpretation of the codices and the decipherment of Maya hieroglyphic writing, the author discusses, among other things, the Popol Vuh myths of the Maya, the flood myth of Northern Yucatan, and the Aztec creation myths.

Aztec and Maya Myths (Legendary Past)

Literature & Fiction

United States

The myths and beliefs of the great pre-Columbian civilizations of Mesoamerica have baffled and fascinated outsiders ever since the Spanish Conquest. Yet, until now, no single-volume introduction has existed to act as a guide to this labyrinthine symbolic world.The Gods and Symbols of Ancient Mexico and the Maya is the first-ever English-language dictionary of Mesoamerican mythology and religion. Nearly 300 entries, from accession to yoke, describe the main gods and symbols of the Olmecs, Zapotecs, Maya, Teotihuacanos, Mixtecs, Toltecs, and Aztecs. Topics range from jaguar and jester gods to reptile eye and rubber, from creation accounts and sacred places to ritual practices such as bloodletting, confession, dance, and pilgrimage. In addition, two introductory essays provide succinct accounts of Mesoamerican history and religion, while a substantial bibliographical survey directs the reader to original sources and recent discussions. Dictionary entries are illustrated with photographs and specially commissioned line drawings. Mary Miller and Karl Taube draw on their research in the fast-changing field of Maya studies, and on the latest Mexican discoveries, to produce an authoritative work that will serve as a standard reference for students, scholars, and travelers. Photographs and illustrations throughout

An Illustrated Dictionary of the Gods and Symbols of Ancient Mexico and the Maya

Miller, Mary Ellen

Thames&Hudson

The myths of the Aztec and Maya derive from a shared Mesoamerican cultural tradition. This is very much a living tradition and many of the motifs and gods mentioned in early sources are still evoked in the lore of contemporary Mexico and Central America. Professor Taube discusses the different sources for Aztec and Maya myths. The Aztec empire began less than 200 years before the Spanish conquests and knowledge of their mythology derives primarily from native colonial documents and manuscripts commissioned by the Spanish. The Maya mythology is far older and evidence survives from native writing and art of the classic period, over 600 years before the Spanish conquest. Drawing upon these sources, as well as 19th- and 20th-century excavations and research, including the interpretation of the codices and decipherment of Maya hieroglyphic writing, the author discusses, amongst others, the "Popol Vuh" myths of the Maya, the flood myth of northern Yucatan and the Aztec creation myths.

Aztec and Maya Myths

British Museum Pubns Ltd

Shows and describes pottery, carvings, and textiles produced by the Indians of Mexico

The Albers Collection of Pre-Columbian Art (Detroit Institute of Art)

Arts & Photography

Hudson Hills Pr

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