Willem De Kooning: Paintings

This beautiful book presents a retrospective of eighty of Willem de Kooning`s finest paintings and painted works on paper. The book reassesses de Kooning`s critical status as one of America`s greatest and most influential artists, examines the complexity of his painting techniques, and places him in the context of other artists and art movements of his era. The book serves as the catalogue for a major exhibition of de Kooning`s work presented at the National Gallery of Art in Washington, the Metropolitan Museum in New York, and the Tate Gallery in London.

Willem de Kooning: Paintings

Arts & Photography

Shiff, Richard

Prather, Martha

SYLVESTER, David

History & Criticism

National Gallery Washington

David Sylvester here muses on key artists of the twentieth century and their nineteenth-century forebears. In the process, he offers profound insights into their practice of art. Focusing on the spectator's instinctive emotional and physical response to paintings by such artists as Picasso, Matisse, de Kooning, Newman, and Warhol, Sylvester brings an inspiring sense of the relevance and importance of art to life. Added to this updated edition are essays on Pollock, Twombly, and Serra, among others.

About Modern Art

Yale University Press

David Sylvester has been called "the best living writer in English about modern art" (Daily Telegraph). With his expertise, sympathy, and provocative style, he is unique in his ability to talk freely with influential artists. This astounding book includes 21 interviews, recorded over the past forty years, with leading American artists. Together they illuminate all the great developments in American art. Here are the views of David Smith, Richard Serra, Willem de Kooning, Barnett Newman, Franz Kline, Philip Guston, Robert Rauschenberg, Jasper Johns, Frank Stella, Claes Oldenburg, Roy Lichtenstein, Helen Frankenthaler, Louise Nevelson, and more. Conversations from the 1960s vividly conjure up the New York art scene immediately after the war, when the newly arrived Europeans met the Americans who had worked together in the Depression, their different traditions colliding and fusing as they walked the city, talked and worked together. Others, like those with Carl Andre, Cy Twombly, Alex Katz, and Jeff Koons, speak straight from today. No one but Sylvester could have produced this intricate collage, this chorus of voices that blend to create one of the most revealing and unusual histories of American art in the twentieth century.

Interviews with American Artists

The second half of the twentieth century has seen British artists, architects, and designers assuming a central role on the world stage. Starting in the years of reconstruction after the war, the young began to challenge accepted artistic values, looking at popular culture for their inspiration; the iconoclasm of the Pop movement has continued to be one of the most vital ingredients of the British art scene. In the year-by-year record that this book provides, the work of newcomers making their first impact is seen alongside that of outstanding artists in their maturity, with connections and contradictions across the entire visual scene--from architecture, interior design, furniture, and the decorative arts to painting, sculpture, and graphic art. Pictures and text explore the many factors that contributed to the special character of British art. The unique system of artists teaching in art schools, the worlds of fashion and pop music, political and social developments: the response of the best artists to these influences has always been original and questioning and has opened new avenues for future development. The book is organized by decade, and the achievements of each are highlighted by statements from a distinguished group of artists, designers, collectors, and critics who have themselves made a significant contribution to each decade. Encouragement, challenge, and opposition have all provided stimulus for creative talents that have been able to override the changes of taste and fashion. The book features the work of more than 250 artists, from Henry Moore, David Hockney, Francis Bacon, and Lucian Freud to James Stirling, Richard Rogers, Neville Brody, and Damien Hirst. The publication is also a celebration of the first fifty years of Thames and Hudson--founded by Walter Neurath in 1949--and the role that the publishing house has played in educating the public and supporting the arts during this period.

Vision: 50 Years of British Creativity, A Celebration of Art, Architecture and Design

HARRISON, Martin

Frayling, Christopher

Serota, Nicholas

Craig-Martin, Michael

HOCKNEY, DAVID

BRAGG, MELVYN

Thames&Hudson

"Ninety-five percent of people are absolute fools, and they're bigger fools about painting than anything else. . . . Hardly anyone really feels about painting: they read things into it--even the most intelligent people--they think they understand it, but very, very few people are aesthetically touched by painting."--Francis Bacon Controversial in both life and art, Francis Bacon was one of the most important painters of the twentieth century. His monumental, unsettling images have an extraordinary power to disturb, shock, and haunt the spectator, "to unlock the valves of feeling and therefore return the onlooker to life more violently." Eminent writer and curator David Sylvester provides the definitive account of the career of an artist whose friend and collaborator he was for more than forty years. Drawing on his unparalleled personal knowledge of Bacon's inspirations and intentions, he first offers a critical overview of the development of Bacon's work from 1933 to the early 1990s, and then addresses its crucial aspects. Sylvester also reproduces previously unpublished extracts from his celebrated conversations with Bacon in which the artist speaks about himself, modern painters, and the art of the past. Finally, he gives a brief account of Bacon's life, correcting errors that elsewhere have been presented as facts. Accompanying the incisive and revealing text are reproductions of almost every Bacon work discussed, including twelve triptych fold-outs. The most complete work on Bacon yet, this book constitutes a portrait of one of the creative geniuses of our age by a writer of comparable distinction. 230 illustrations, 84 in color.

Looking Back at Francis Bacon

BACON, FRANCIS

Magritte

Biographies & Memoirs

Menil

Nine interviews with Francis Bacon spanning over twenty years from 1962 to 1986 which give invaluable insight into the creative mind of one of the twentieth century’s greatest artistsSince its first publication, this book―with its subsequent revised and augmented editions―has been considered a classic of its kind. As a discussion of the problems of making art it has been widely influential, not only among artists but among writers and musicians. It has also been seen as the most revealing portrait that exists of one of the most singular artistic personalities of our time.Bacon’s obsessive thinking about how to remake the human form in paint finds unique expression in his encounters with the distinguished art writer David Sylvester over a period of twenty-five years. In these masterfully and creatively reconstructed interviews, Sylvester provided unparalleled access to the thought, work, and life of one of the creative geniuses of the twentieth century. 146 illustrations

Interviews with Francis Bacon

Thames and Hudson

Ever since its first publication, this book - with its subsequent revised and augmented editions - has been considered a classic of its kind, and that reputation has become worldwide. As a discussion of problems of making art today it has been widely influential not only among artists but among writers and musicians. It has also been seen as the most revealing portrait that exists of one of the most singular artistic personalities of our time. Bacon's obsessive thinking about how to remake the human form in pain finds unique expression in his encounters with the distinguished art writer David Sylvester over a period of twenty-five years. In these masterfully and creatively reconstructed interviews, Sylvester has provided unparalleled access to the thought, work, and life of one of the creative geniuses of our century. With Bacon's recent death, no other work will ever match this achievement.

Nine interviews with Francis Bacon spanning over twenty years from 1962 to 1986 which give invaluable insight into the creative mind of one of the twentieth century’s greatest artists
Since its first publication, this book―with its subsequent revised and augmented editions―has been considered a classic of its kind. As a discussion of the problems of making art it has been widely influential, not only among artists but among writers and musicians. It has also been seen as the most revealing portrait that exists of one of the most singular artistic personalities of our time.
Bacon’s obsessive thinking about how to remake the human form in paint finds unique expression in his encounters with the distinguished art writer David Sylvester over a period of twenty-five years. In these masterfully and creatively reconstructed interviews, Sylvester provided unparalleled access to the thought, work, and life of one of the creative geniuses of the twentieth century. 146 illustrations

Francis Bacon (1909-1992) is widely acknowledged as one of the greatest British artists of this century. For over fifty years the intense emotions conveyed in his works have shocked and enthralled an ever-growing audience. David Sylvester, a leading Bacon scholar, brings together many of the artist's best paintings involving the human figure, the central subject of his work. Bacon's diverse body imagery can be seen in his self-portraits; nude studies; portraits of friends such as Henrietta Moraes, George Dyer, and Lucian Freud; and his series of Popes. Many of Bacon's prototypes were "found" images: reproductions of Michelangelo, Velásquez, Degas, Muybridge's photographs of the human figure in motion, film stills from Eisenstein's Battleship Potemkin, magazine photos of politicians and boxers. Bacon disliked working directly from a model and therefore often commissioned photographs, especially from John Deakin. A prolific creator of self-portraits, Bacon painted dozens, mostly small canvases of his head. Usually three are put together to form a triptych; sometimes one appears as a solo canvas or as a unit in a triptych along with other people's heads. One of the most powerful is a full-length portrait, the Sleeping Figure of 1974, painted from a photograph of him stretched out on a hospital bed. Other paintings portray bodies wracked by violence—a wailing mouth, a cry of despair. Sylvester's observations show how certain images were linked to incidents in Bacon's life, such as childhood fear of his father and his lifelong devotion to his nanny. The catalog includes paintings that date from 1945 to the mid-1980s, including single canvases and triptychs from collections around the world.

Francis Bacon: The Human Body

University of California Press

See the best price to sell, buy, or rent books by SYLVESTER, David. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by SYLVESTER, David

See the best price to sell, buy, or rent books by SYLVESTER, David. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Willem de Kooning: Paintings

About Modern Art

Interviews with American Artists

Vision: 50 Years of British Creativity, A Celebration of Art, Architecture and Design

Looking Back at Francis Bacon

Magritte

Interviews with Francis Bacon

Interviews with Francis Bacon

Interviews with Francis Bacon

Francis Bacon: The Human Body