Stated First Edition in fine condition in a fine condition dust jacket.

The Artificial Kid

Sterling, Bruce

Harper and Row

Islands in the Net

Literature & Fiction

Contemporary

Legend paperbacks

Involution Ocean

Science Fiction & Fantasy

Fantasy

Science Fiction

Penguin Books, Ltd.

"Shaping Things is about created objects and the environment, which is to say, it's about everything," writes Bruce Sterling in this addition to the Mediawork Pamphlet series. He adds, "Seen from sufficient distance, this is a small topic."  Sterling offers a brilliant, often hilarious history of shaped things. We have moved from an age of artifacts, made by hand, through complex machines, to the current era of "gizmos." New forms of design and manufacture are appearing that lack historical precedent, he writes; but the production methods, using archaic forms of energy and materials that are finite and toxic, are not sustainable. The future will see a new kind of object—we have the primitive forms of them now in our pockets and briefcases: user-alterable, baroquely multi-featured, and programmable—that will be sustainable, enhanceable, and uniquely identifiable. Sterling coins the term "spime" for them, these future manufactured objects with informational support so extensive and rich that they are regarded as material instantiations of an immaterial system. Spimes are designed on screens, fabricated by digital means, and precisely tracked through space and time. They are made of substances that can be folded back into the production stream of future spimes, challenging all of us to become involved in their production. Spimes are coming, says Sterling. We will need these objects in order to live; we won't be able to surrender their advantages without awful consequences.  The vision of Shaping Things is given material form by the intricate design of Lorraine Wild. Shaping Things is for designers and thinkers, engineers and scientists, entrepreneurs and financiers—and anyone who wants to understand and be part of the process of technosocial transformation.

Shaping Things

Arts & Photography

Mit Pr

A guide to the next great wave of technology―an era of objects so programmable that they can be regarded as material instantiations of an immaterial system.
"Shaping Things is about created objects and the environment, which is to say, it's about everything," writes Bruce Sterling in this addition to the Mediawork Pamphlet series. He adds: "Seen from sufficient distance, this is a small topic."
Sterling offers a brilliant, often hilarious history of shaped things. We have moved from an age of artifacts, made by hand, through complex machines, to the current era of "gizmos." New forms of design and manufacture are appearing that lack historical precedent, he writes; but the production methods, using archaic forms of energy and materials that are finite and toxic, are not sustainable. The future will see a new kind of object; we have the primitive forms of them now in our pockets and briefcases: user-alterable, baroquely multi-featured, and programmable, that will be sustainable, enhanceable, and uniquely identifiable. Sterling coins the term "spime" for them, these future-manufactured objects with informational support so extensive and rich that they are regarded as material instantiations of an immaterial system. Spimes are designed on screens, fabricated by digital means, and precisely tracked through space and time. They are made of substances that can be folded back into the production stream of future spimes, challenging all of us to become involved in their production. Spimes are coming, says Sterling. We will need these objects in order to live; we won't be able to surrender their advantages without awful consequences.
The vision of Shaping Things is given material form by the intricate design of Lorraine Wild. Shaping Things is for designers and thinkers, engineers and scientists, entrepreneurs and financiers; and anyone who wants to understand and be part of the process of technosocial transformation.

Shaping Things (Mediaworks Pamphlets)

History

The MIT Press

Spasm is the 1990s. A theory-fiction about the crash world of virtual reality, from the cold sex of Madonna Mutant, the pure sex of Michael Jackson and the dead sex of Elvis to the technological fetishes of Silicon Valley. Written from the perspectives of cultural politics, music, photography, cinema and cyber-machine art,Spasm explores the ecstasy and fadeout of wired culture. Here, we suddenly find ourselves the inhabitants of a glittering, but vaguely menacing, technological galaxy where the machines finally begin to speak.
Spasm is a book/CD to take along with you on your hacker journey of the electronic frontier.

Spasm: Virtual Reality, Android Music and Electric Flesh (Culture Texts)

Kroker, Arthur

History & Criticism

St. Martin's: Griffin

Ascendancies

Politics & Social Sciences

Sociology

Ace Books

Alongside William Gibson and Neal Stephenson, Bruce Sterling stands at the forefront of a select group of writers whose pitch-perfect grasp of the cultural and scientific zeitgeist endows their works of speculative near-future fiction with uncanny verisimilitude. To read a novel by Sterling is to receive a dispatch from a time traveler. Now, with The Caryatids, Sterling has written a stunning testament of faith in the power of human intellect, creativity, and spirit to overcome any obstacle–even the obstacles we carry inside ourselves. The world of 2060 is divided into three spheres of influence, each fighting with the others over the resources of fallen nations and an environment degraded almost to the point of no return. There is the Dispensation, centered in Los Angeles, where entertainment and capitalism have fused with the highest of high-tech. There is the Acquis, a Green-centered collective that uses invasive neurological technology to create a networked utopia. And there is China, the sole surviving nation-state, a dinosaur that has prospered only by pitilessly pruning its own population. Products of this monstrous world, the daughters of a monstrous mother, and–according to some–monsters themselves, are the Caryatids: the four surviving female clones of a mad Balkan genius and wanted war criminal now ensconced, safely beyond extradition, on an orbiting space station. Radmila is a Dispensation star determined to forget her past by building a glittering, impregnable future. Vera is an Acquis functionary dedicated to reclaiming their home, the Croatian island of Mljet, from catastrophic pollution. Sonja is a medical specialist in China renowned for selflessly risking herself to help others. And Biserka is a one-woman terrorist network. The four “sisters” are united only by their hatred for their “mother”–and for one another. When evidence surfaces of a coming environmental cataclysm, the Dispensation sends its greatest statesman–or salesman–John Montgomery Montalban, husband of Radmila, and lover of Vera and Sonja, to gather the Caryatids together in an audacious plan to save the world.

The Caryatids

Mystery, Thriller & Suspense

Thrillers & Suspense

Del Rey

“Gleeful, shrewd, speculative, cynical, closely observed . . . The Zenith Angle offers wisdom and solace, thrills and laughter.”—The Washington Post “Compelling and important . . . A darkly comic fable of info-war, the black budget, über-geek idealism, and the politics of Homeland Insecurity.”—William Gibson, author of Pattern Recognition Pioneering computer wizard Derek “Van” Vandeveer has been living extra-large as a VP for a booming Internet company. But the September 11 attacks on America change everything. Recruited as the key member of an elite federal computer-security team, Van enters the labyrinthine trenches of the Washington intelligence community. His special genius is needed to debug the software glitch in America’s most crucial KH-13 satellite, capable of detecting terrorist hotbeds worldwide. But the problem is much deeper. Now Van must make the unlikely leap from scientist to spy, team up with a ruthlessly resourceful ex-Special Forces commando, and root out an unknown enemy—one with access to a weapon of untold destructive power. “Great fun . . . A cyberthriller of 21st-century technologies [that] peeps wittily behind the national security scenes of a modern superpower.”—New Scientist “A comedic thriller for the homeland security era.”—Entertainment Weekly

The Zenith Angle: A Novel

United States

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