Translated, this correspondence, from 1863-76, is unique in the history of French literature. Never have two great writers set down their ideas so candidly and over so long a period on the most varied topics, including the genesis of their own writings, a commentary on the Paris theatre, gossip from the literary world and their own domestic lives.

Flaubert/Sand Correspondence

Literature & Fiction

STEEGMULLER, Francis

History & Criticism

Harvill Press

Cocteau: A Biography.

Arts & Photography

Constable, London

Flaubert and Madame Bovary (Constable Crime)

Farrar, Straus and Company

Portrays the life and literary career of Guillaume Apollinaire and discusses his friendships with artists including Picasso and Braque

Apollinaire : a Poet among the Painters

Pelican

Apollinaire: Poet Among the Painters

Portrays the life and literary career of Guillaume Apollinaire and discusses his friendships with artists including Picasso and Braque

Biographies & Memoirs

Puffin

Born in Australia, Shirley Hazzard first moved to Naples as a young woman in the 1950s to take up a job with the United Nations. It was the beginning of a long love affair with the city. The Ancient Shore collects the best of Hazzard’s writings on Naples, along with a classic New Yorker essay by her late husband, Francis Steegmuller. For the pair, both insatiable readers, the Naples of Pliny, Gibbon, and Auden is constantly alive to them in the present.
With Hazzard as our guide, we encounter Henry James, Oscar Wilde, and of course Goethe, but Hazzard’s concern is primarily with the Naples of our own time—often violently unforgiving to innocent tourists, but able to transport the visitor who attends patiently to its rhythms and history. A town shadowed by both the symbol and the reality of Vesuvius can never fail to acknowledge the essential precariousness of life—nor, as the lover of Naples discovers, the human compassion, generosity, and friendship that are necessary to sustain it.
Beautifully illustrated by photographs from such masters as Henri Cartier-Bresson and Herbert List, The Ancient Shore is a lyrical letter to a lifelong love: honest and clear-eyed, yet still fervently, endlessly enchanted.
“Much larger than all its parts, this book does full justice to a place, and a time, where ‘nothing was pristine, except the light.’”—Bookforum
“Deep in the spell of Italy, Hazzard parses the difference between visiting and living and working in a foreign country. She writes with enormous eloquence and passion of the beauty of getting lost in a place.”—Susan Slater Reynolds, Los Angeles Times
“The two voices join in exquisite harmony. . . . A lovely book.”—Booklist, starred review

The Ancient Shore: Dispatches from Naples

HAZZARD, SHIRLEY

University of Chicago Press

Born in Australia, Shirley Hazzard first moved to Naples as a young woman in the 1950s to take up a job with the United Nations. It was the beginning of a long love affair with the city. The Ancient Shore collects the best of Hazzard’s writings on Naples, along with a classic New Yorker essay by her late husband, Francis Steegmuller. For the pair, both insatiable readers, the Naples of Pliny, Gibbon, and Auden is constantly alive to them in the present. With Hazzard as our guide, we encounter Henry James, Oscar Wilde, and of course Goethe, but Hazzard’s concern is primarily with the Naples of our own time—often violently unforgiving to innocent tourists, but able to transport the visitor who attends patiently to its rhythms and history. A town shadowed by both the symbol and the reality of Vesuvius can never fail to acknowledge the essential precariousness of life—nor, as the lover of Naples discovers, the human compassion, generosity, and friendship that are necessary to sustain it. Beautifully illustrated by photographs from such masters as Henri Cartier-Bresson and Herbert List, The Ancient Shore is a lyrical letter to a lifelong love: honest and clear-eyed, yet still fervently, endlessly enchanted. “Much larger than all its parts, this book does full justice to a place, and a time, where ‘nothing was pristine, except the light.’”—Bookforum “Deep in the spell of Italy, Hazzard parses the difference between visiting and living and working in a foreign country. She writes with enormous eloquence and passion of the beauty of getting lost in a place.”—Susan Slater Reynolds, Los Angeles Times “The two voices join in exquisite harmony. . . . A lovely book.”—Booklist, starred review

Francis Steegmuller's beautifully executed double portrait of Madame Bovary and her maker is a remarkable and unusual biographical study, a sensitive and detailed account of how an unpromising young man turns himself into one of the world's greatest novelists. Steegmuller starts with the young Flaubert, prone to mysterious fits, hypochondriacal, at odds with and yet dependent on his bourgeois family. Then, drawing on Flaubert's voluminous correspondence, Steegmuller tracks his subject through friendships and love affairs, a trip to the Orient, nervous breakdown and tenuous recovery, and finally into the study, where a mind at once restless and jaded finds a focus in the precisely detailed reality of an imagined woman, utterly ordinary in her unhappiness, whose story was to revolutionize literature.

Flaubert and Madame Bovary: A Double Portrait

Arts & Literature

Univ of Chicago Pr

Flaubert in Egypt: A sensibility on tour; a narrative drawn from Gustave Flaubert's travel notes & letters,

Travel

Africa

Little, Brown & Co. An Atlantic Monthly Press Book

Le Hibou Et La Poussiquette

Little,Brown & Company

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Books by STEEGMULLER, Francis