Profits You Can Trust gives managers, directors, lenders, audit partners and analysts a clear framework to demystify global financial reporting in a market fraught with danger. Filled with provocative and enlightening examples, it offers a fresh perspective and clear guidance for everyone involved withfinancial reporting strategy and communication, as well as specific and easily understood questions that must be asked to avoid accounting landmines that can destroy even the most successful business. The authors begin with an overview of the challenges of financial literacy for business decision-makersoperating in both U.S. and global environments, the reasons decision-makers tacitly "conspire" to inflate stated revenues and reduce stated costs, and how "small" lies inevitably lead to bigger ones. Next, using easy-to-understand examples, they discuss six key accounting minefields in detail. These includerevenue recognition; provision for uncertain future costs; asset values; risk management and the use of derivatives; related party transactions; and performance benchmarking. Finally, they turn to the key questions and lessons arising from recent financial scandals, including accounting firm conflict ofinterest; why Generally Accepted Accounting Practices aren't always sufficient; assessing mergers, acquisitions, and restructuring reserves; and the appropriate role of non-financial measurements such as balanced scorecards.

Profits You Can Trust: Spotting & Surviving Accounting Landmines

Sherman, David

Young,David

Collingwood, Harris

Computers & Technology

Ft Pr

Literary modernism emerged as death, stripped in the developing world of traditional meanings and practices, became strange. The sea-change over the first part of the twentieth century in how people died and tended corpses-the modernization of death-was a crucial context in which modernist writers developed their new novelistic and poetic techniques. They sought ways to renovate mortal obligations in an age of the obsolescence of the dead.For many years, the flesh-and-blood body has been a central protagonist in literary scholarship--the body in pain, the body as spectacle and performance, embodiments of social identity--but the body in its mortality, as corpse, has not received sustained critical attention. Filling this gap, In a Strange Room investigates modernism's preoccupation with corpses, death rituals, and the ethical demands the dead make on the living who survive them.Informed by insights from psychology, anthropology, political theory, and philosophy, David Sherman shows how modernist aesthetics sought to re-animate the complex meanings and values of dead bodies during an era of their efficient, medical administration and hygienic disposal. The modernist imagination reckoned with the processes by which the modern corpse became a secularized object increasingly subject to scientific inquiry, governmental regulation, specialized medical technologies, and new forms of market exchange. Chapters explore representations of state power over the war dead in Virginia Woolf and Wilfred Owen, the narrative problem of the unburied corpse in As I Lay Dying and Ulysses, mortal obligation as erotic desire in Eliot's The Waste Land and Djuna Barnes's Nightwood, and mortuary pedagogies embedded in elegies by Wallace Stevens and William Carlos Williams.Gathering examples from fiction, poetry, and the visual arts, In a Strange Room considers the changing relationship between aesthetics and mortality during the first half of the twentieth century. New attitudes toward dying and dead bodies demanded modernism's strange, bracing ways of representing ethics at the limits of life.

In a Strange Room: Modernism's Corpses and Mortal Obligation (Modernist Literature and Culture)

Literature & Fiction

History & Criticism

Oxford University Press

“Hard to put down . . . Any book written by Cragg and Sherman is bound to be addictive, and this is the first in what promises to be a great adventure series. First to Fight is rousing, rugged, and just plain fun.”—Ralph Peters, New York Times bestselling author of Red Army “Marines, we have just become a low-tech deep recon patrol . . .” Stranded in a hellish alien desert, stripped of their strategic systems, quick reaction force, and supporting arms, and carrying only a day's water ration, Marine Staff Sergeant Charlie Bass and his seven-man team faced a grim future seventy-five light-years from home. The only thing between his Marines and safety was eighty-five miles of uncharted, waterless terrain and two thousand bloodthirsty savages with state-of-the-art weapons in their hands and murder on their minds. But the enemy didn't reckon on the warrior cunning of Marines’ Marine Charlie Bass and the courage of the few good men who would follow him anywhere--even to death. . .

First to Fight (Starfist, Book 1)

Science Fiction & Fantasy

Cragg, Dan

Science Fiction

Del Rey

Combat, betrayal, and murder at the edge of human space . . . Deployed to assist the oligarchs of Wanderjahr in putting down a rebellion that threatens the planet's political and economic stability, the Marines must fight two wars at the same time . . . one against the resourceful, well-led guerrillas and another with the entrenched police bureaucracy. But who is the real enemy and who can be trusted? On Wanderjahr, nothing is as it seems—not even the animal life—and everyone has his own agenda. Inexorably, the Marines of the 34th FIST are drawn deeper and deeper into the politics of a world where murder, terror, and betrayal are the accepted methods of government . . . and everyone is ripe for an old-fashioned butt-kickin'.

School of Fire (Starfist, Book 2)

Genre Fiction

It’s the 25th century, but the Marines are still looking for a few good men . . . “Marines ain't supposed to sit. We're supposed to kill.” After the resource-rich planet Diamunde is seized by the armed forces of industrialist Marston St. Cyr, the Confederation Marines face their most desperate battles yet against the mechanized forces of the bloody usurper. Promised a walkover by military planners, instead the Marines must run a gauntlet of steel, with weaponry three hundred years out of date. For the Confederation's invasion army to seize the planet, the Marine FISTs first have to secure a planethead against St. Cyr's much larger forces which are equipped with superior weapons. Together with their outgunned comrades, the Marines of 34th FIST must do the impossible—or die . . .

Steel Gauntlet (Starfist, Book 3)

Through three centuries of interstellar travel, intelligent alien life- forms had never been encountered . . . until now. When a scientific team exploring an obscure planet fails to make its regular communications check, the Marines of third platoon are sent to investigate. They prepare for a routine rescue operation, but what they find on Society 437 is a horror beyond description. Only a handful of ragtag pirates who were in the wrong place at the very worst time have survived, and there is little trace of the scientists. What happened to the scientists? Why have the pirates been spared? Gunnery Sergeant Bass and the men of third platoon are about to find out, and the answer carries a terrifying implication for the Marines—and the entire human race.

Blood Contact (Starfist, Book 4)

A terrifying secret, an evil coterie of ruthless masterminds, a murderous battle of cunning and deadly skill—it’s time to send in the Marines! After the Confederation makes a shocking discovery on an alien world, a nefarious band of opportunists from the highest echelons of power plot to steal the vast riches for themselves. Along with the ability to crush any resistance, these moguls possess spacecraft, unlimited resources, and a deadly arsenal of cutting-edge weapons. The only one without a price tag is the Confederation president. Now she is sending Gunnery Sergeant Bass, the men of third platoon, and a single special agent to expose the shadowy figures behind the corruption. And so, on an obscure planet, home to unimaginable treasure and an unsettling species, the toughest fighters in Human Space confront their fiercest battle. For there will be no losers in this war, only the triumphant, the dead, and the vanished . . .

Technokill (Starfist, Book 5)

Six agents have died hideously trying to penetrate the crime families behind a vast empire of pleasure and debauchery-- Now it's up to the Marines to break the circle. Most people will visit Havanagas only in their dreams, for few can afford the exclusive resort planet that recreates ancient worlds and caters to every taste. Witches are burned at the stake in medieval towns while riotous hordes fill Rome's Coliseum to watch gladiators battle. Even the basest of human lusts are satiated by deadly sex acts and a thriving slave trade. The crime bosses' control of Havanagas and its people is brutally effective. Now three Marines from Co. L's 3rd Platoon--masquerading as discharged military buddies on holiday--are going in to break the kingpins' bloody stranglehold. From bordellos and rebellious enclaves to the very pit of the Coliseum filled with deadly beasts, Corporal Pasquin and Lance Corporals Claypoole and Dean face certain death with only their wits and skills as weapons. But they're Marines, built to survive. . . .

Hangfire (Starfist, Book 6)

The Marines were told it was a simple peasant rebellion–but the mission proved to be far deadlier. . . . Gunny Charlie Bass isn’tthe only Marinemystified by the order sending the entire 34thto put down a few seditious serfs on planet Kingdom. Rumors swirl of a deadly alien invasion. But few believe that such sentient beings exist. Except Gunny Bass and the Marines of the 3rd platoon, who once fought enemy aliens called Skinks–fierce, fanatical fighters with hideous weapons who attack for no other reason but to kill. Then, while slogging through Kingdom’s fetid swamps, the Marines are attacked by awesome unseen weapons that could destroy half a platoon with one shot. Clearly they are facing no normal enemy. And if their adversaries are Skinks, one FIST isn’t enough. Third platoon’s orders are to penetrate deeper into the bloody jungle hell–and find out what happens when a few good men bite the bullet. . . .

Kingdom's Swords (Starfist, Book 7)

A few good Marines beat the fierce, fanatical aliens once before. But that was a skirmish–not a full-scale invasion. The truth is out. No longer are the Skinks just a horrible secret haunting the Marines of Company L. Now the aliens are all-too-real invaders whose savage attacks have devastated planet Kingdom, a world of squabbling religions where the men of the 34th FIST confront a desperate situation. Cities that haven’t already been reduced to rubble are under siege, while starving refugees roam the land. And still the Skinks come, rising from stinking primordial swamps to slake their thirst for slaughter, armed with an uncanny ability to locate the enemy and with weapons so deadly that a single blast can drop a warplane or a decimate a squad. It’s painfully evident that 34th FIST is no match for these near-invincible killers, which is why third platoon’s been ordered to whip the citizens of Kingdom into fighting shape. With their backs to the wall and time running out, there’s only one way the Marines can turn these timid, quarrelsome men into warriors: Take the battle to the enemy. It’s a brilliant strategy, sure to succeed–if it doesn’t get them killed first. . . .

Kingdom's Fury (Starfist, Book 8)

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Books by Sherman, David