The second half of the twentieth century has seen British artists, architects, and designers assuming a central role on the world stage. Starting in the years of reconstruction after the war, the young began to challenge accepted artistic values, looking at popular culture for their inspiration; the iconoclasm of the Pop movement has continued to be one of the most vital ingredients of the British art scene. In the year-by-year record that this book provides, the work of newcomers making their first impact is seen alongside that of outstanding artists in their maturity, with connections and contradictions across the entire visual scene--from architecture, interior design, furniture, and the decorative arts to painting, sculpture, and graphic art. Pictures and text explore the many factors that contributed to the special character of British art. The unique system of artists teaching in art schools, the worlds of fashion and pop music, political and social developments: the response of the best artists to these influences has always been original and questioning and has opened new avenues for future development. The book is organized by decade, and the achievements of each are highlighted by statements from a distinguished group of artists, designers, collectors, and critics who have themselves made a significant contribution to each decade. Encouragement, challenge, and opposition have all provided stimulus for creative talents that have been able to override the changes of taste and fashion. The book features the work of more than 250 artists, from Henry Moore, David Hockney, Francis Bacon, and Lucian Freud to James Stirling, Richard Rogers, Neville Brody, and Damien Hirst. The publication is also a celebration of the first fifty years of Thames and Hudson--founded by Walter Neurath in 1949--and the role that the publishing house has played in educating the public and supporting the arts during this period.

Vision: 50 Years of British Creativity, A Celebration of Art, Architecture and Design

Arts & Photography

HARRISON, Martin

Frayling, Christopher

Serota, Nicholas

Craig-Martin, Michael

HOCKNEY, DAVID

BRAGG, MELVYN

SYLVESTER, David

History & Criticism

Thames&Hudson

How do we see art? How is it displayed? One hundred years ago, the way art was shown was intended to educate. Galleries reflected the curator's view at the expense of differing viewpoints. Today, not only do museums and galleries celebrate differences of expression, they welcome the collaboration of living artists, promoting an active dialogue between the present and the past. Museums are no longer just repositories, but rather sites of experience where the mind is often engaged as much as the eye. This is the first coherent account of the changing attitudes to the way art is presented in museums of modern art. Nicholas Serota examines the relationship between the artist, the public, and the curator. He takes us into the artist's studio, itself a paradigm of display, and then on a knowledgeable and wide-ranging international tour of museums, galleries, and installations. With authority and insight, he provides an expert view of the ways we can expect art to be displayed in the twenty-first century. paper ISBN 0-500-55029-8 6-1/4" x 8-1/2"

Experience or Interpretation: The Dilemma of Museums of Modern Art (Twenty-Eighth of the Walter Neurath Memorial Lectures)

This richly illustrated Tiny Folio™ volume surveys British painting, watercolors, and sculpture from the sixteenth century to the present. With masters such as William Blake, William Hogarth, George Stubbs, Thomas Gainsborough, Joseph Mallord William Turner, Dante Gabriel Rossetti, James McNeill Whistler, John Singer Sargent, Henry Moore, Francis Bacon, Lucian Freud, and David Hockney, the Tate Gallery offers work to please every taste. The gallery, which was opened in London in the summer of 1897 by the Prince of Wales, is best known for its modern art collections, but-as this little compendium makes wonderfully clear-it encompasses the full sweep of British art, from ornate aristocratic portraits and vivacious hunting scenes to the Pre-Raphaelites languid femmes fatales.

Treasures of British Art: Tate Gallery (Tiny Folio Series)

UPSTONE, Robert

Abbeville Press

A series of exhibitions and accompanying catalogues organized by the Whitney Museum of American Art, New York, Views from Abroad examines the complex artistic crosscurrents between Europe and America in 20th-century art. This latest volume, subtitled American Realities, highlights a wide range or masterworks from the Whitney's Permanent Collection. Exploring the themes of allegory, symbolism, and narrative as central to American art, it also reconsiders the relationship of these themes to abstraction. Essays reexamine the legacy of modern and contemporary American art, explicitly focusing on radical approaches to the depiction of people and places.

Views from Abroad: American Realities : European Perspectives on American Art 3

Weinberg, Adam D.

Nairne, Sandy

Harry N.Abrams, Inc.

Gerhard Richter: Panorama: A Retrospective

Tate

David Sylvester, who died in June 2001, was one of the most prominent writers on art and makers of exhibitions during the last fifty years. He has been described as the greatest critic to be awarded the the Golden Lion a the Venice Biennale. "Looking at Modern Art" accompanies the exibition at Tate Modern that was conceived by Sylvester, and which serves as a memorial to his approach.

Looking at Modern Art: In Memory of David Sylvester

Tate Gallery Publishing Ltd

Born in London in 1932, Howard Hodgkin is one of the foremost British painters of his generation. Painted on wood in thick swathes of colour, his paintings can often appear purely abstract. In fact, they are attempts to recapture the sensation of specific moments from the memory, and transform them into pictures that get to the-heart of being itself. Many of these paintings are based on Hodgkin's friends, and, are thus technically portraits, although Hodgkin makes no attempt to portray people realistically. Although a title and a specific outcome for a picture are chosen at the outset, the process of painting is often improvisatory built up from the application of spots, blobs, arcs and thick bands of intense colour. Published to accompany a major retrospective touring exhibition curated by Tate Director Sir Nicholas Serota, the book will be the most thorough survey of Hodgkin's career to date, giving new insights into the artist's motivations and technique.

Howard Hodgkin /anglais

, 272 pages, with colour illustrations throughout

Cy Twombly Cycles and Seasons (Paperback) /anglais

Reference

Richter, Gerard, Mark Godfrey and Nicholas Serota (eds.). Gerhard Richter: Panorama. London, Tate Publishing, 2011. 24.5 cm x 29 cm. 304 pages. Illustrations in colour and black and white throughout. Original, illustrated softcover. Excellent condition with only very minor signs of external wear. Gerhard Richter is widely seen as one of the most important painters at work in the world today. Born in Dresden, Germany, in 1932, he left for the West in 1961, settling in Dusseldorf, where he held his first exhibition in 1963. He has exhibited internationally for the last five decades, including retrospectives in New York, Paris and Dusseldorf. He lives and works in Cologne. As the artist draws near to his eightieth birthday in 2012, Tate Modern in collaboration with the Neue Nationalgalerie, Berlin, and the Centre Pompidou, Paris, is staging a major retrospective exhibition. While many previous books have focused on one aspect of Richter's work, this stunningly illustrated survey encompasses his entire oeuvre, including photo-paintings, abstracts, land and seascapes, portraits, glass and mirror works, drawings and photographs. Nicholas Serota, Director of Tate, has conducted a new interview with Richter, covering his life and achievements. An array of international critics and curators each examine a specific period of the artist's career, bringing fresh perspectives to bear and placing individual works in the context of world events. With extensive comparative works, studio photographs, a chronology and a selective bibliography, this monumental book is a fitting tribute to one of the world's greatest living artists.(Amazon).

Gerhard Richter: Panorama

Individual Artists

Tate Publishing(UK)

One of the most influential American artists of the post-war period, Donald Judd changed the course of modern sculpture. Beginning as an art critic and then a painter, Judd moved into three dimensions with the box-like structures he produced in the early 1960s, either arranged on the gallery floor or mounted on the wall. Initially constructed by hand, the sculptures were later industrially manufactured in galvanized iron, steel, Plexiglas, and plywood. His use of vibrant color, polished and reflective metals, and brightly hued lacquer confounded and continues to confound expectations of what "minimalist" sculpture should look like. This lavishly illustrated survey features 41 works from collections around the world, many of them large scale, each illustrated with full catalogue entries alongside many other major works by Judd. Contributors Nicholas Serota (Director of the Tate), Rudi Fuchs (former Director of The Stedelijk Museum, Amsterdam), American critics Richard Schiff and David Raskin, and British artist and critic David Batchelor explore the conflicts between previous critical interpretations of Judd and his own philosophical, political, and moral understanding of his work. Judd's critical response to the work of other artists is examined, as is the importance of color to his work, and his reaction to new man-made materials and artificially generated color in the late-20th-century environment. A section on Judd's installations at Marfa in Texas, and an extensive new chronology, compiled by Judd's assistant, Jeff Kopie, are also included. Donald Judd compromises the most thorough and up-to-date publication on Judd in print today.

Donald Judd

Shiff, Richard

Batchelor, David

Jervis, John

Raskin, David

D.A.P./Tate

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