Looks at the history of attempts to ban or censor rock music, and recounts how it has been blamed for crime, suicide, drug abuse, and teenage pregnancies

Anti-Rock: The Opposition to Rock N' Roll

Arts & Photography

Martin, Linda

Segrave, Kerry

Music

Archon Books

Rock is a music of rebellion against authority, and has consequently frightened and outraged people throughout its forty-year history. Anti-Rock is the first book to detail the objections of rock's detractors. Critics from parents to religious groups, industry executives to scientists, government spokesmen to eccentric crusaders, have all attacked rock vehemently with comments such as "It's the jungle strain gets 'em all worked up"; it's "one step from fascism"; and "These deafening, dope-ridden, degenerate mob scenes have no more place in our America than would a publicly promoted gang rape." Here is: Albert Goldman, writing in the New York Times in 1968, comparing Mick Jagger to Adolf Hitler. A 1981 university study concluding that prolonged exposure to disco music "causes homosexuality in mice and deafness in pigs." Dr. John, a New York physician, writing in 1977 that rock music causes "a breakdown in the synchronization of the two sides of the brain." Tipper Gore, the former Vice-President's wife, co-chair of the Parents Music Resource Center and author of Raising PG Kids in an X-Rated Society, commenting on heavy metal lyrics: "I'm a fairly with-it person, but this stuff is curling my hair."

Anti-Rock: The Opposition To Rock 'n' Roll

Da Capo Press

The Sexual Harassment of Women in the Workplace, 1600 to 1993

Politics & Social Sciences

Social Sciences

McFarland Publishing

Each year, men spend an enormous amount of time and money searching for a cure to male pattern baldness. Numerous psychological assessments indicate that the reasons behind their futile efforts are sound: attitudes toward bald men are overwhelmingly negative. From the first torturous attempts at hair implants early in this century to the faddish, well-hyped drug treatments of today, the extremes to which men have gone in an effort to regrow hair or cover their bald scalps are examined in this work. The various causes for baldness advanced by credible members of the medical establishment over the years are detailed, as well as instances of outright quackery prompted by numerous individuals and companies. Wigs, weaving, transplants, flaps and scalp reduction are among the techniques explained.

Baldness: A Social History

Medical Books

Though the history of tipping can be traced to the Middle Ages, the practice did not become widespread until the late 19th century. Initially, Americans reviled the custom, branding it un-American and undemocratic. The opposition gradually faded and tipping became an American institution. From its beginnings in Europe to its development as a quintessentially American trait, this work provides a social history of tipping customs and how the United States became a nation of tippers.

Tipping: An American Social History of Gratuities

Business & Money

Economics

Once the major Hollywood studios got over their loathing of television as an entertainment medium, they moved quickly to dominate both domestic and international programming. In the United States, the eight major studios controlled an overwhelming majority of all programming by the early 1950s. Their efforts in foreign markets were not quite so successful, but by the 1990s U.S. distributors controlled about 75 percent of the international television trade. Hollywood's efforts in television were often thwarted by governments that recognized the airwaves as a public resource and intervened in varying degrees to keep the studios' programming off the air in their countries. Still the U.S. industry found various ways to provide American fare to foreign viewers. Even into the 1980s, for example, some Hollywood shows could be bought by foreign broadcasters for fees as low as $25 per segment. Despite these efforts the American studios have never been able to completely dominate foreign airwaves. Viewers usually prefer their own, domestic fare to that offered by Hollywood. This history fully documents the U.S. television industry's efforts in foreign markets and how it continues to look for new markets.

American Television Abroad: Hollywood's Attempt to Dominate World Television

Humor & Entertainment

Television

The relationship of Hollywood and television, initially turbulent, has ultimately been profitable from the first sally in what was expected to be a war of attrition, up through the soliciting of movies by major networks, independent stations, basic cable networks, premium cable channels, pay-per-view systems and even the corner video store. When their initial efforts to acquire ownership interests in television outlets were thwarted, Hollywood's major movie studios determined to withhold from the tube not only their films but also their actors, no doubt in hopes of making the rival medium appear a weak substitute for cinema. With ticket sales shrinking and television set purchases booming, the studios, erasing their last contemptuously drawn line in the sand, grudgingly released their films to television-and made a fortune.

Movies at Home: How Hollywood Came to Television

Movies

Shoplifting is a practice that has been engaged in for centuries, but it was only after the Civil War that the prevalence of shoplifting and societal awareness of it, became significant. In the 1860s the typical shoplifter was from the lower classes; by 1900 it was an upper-class woman who shoplifted from a huge department store "because" she was a "kleptomaniac", and in the 1960s it was teenagers stealing for kicks. Shoplifting: A Social History looks at the activity of shoplifting for the last 140 years: the types of people singled out as the principal offenders, retailers' ambivalent responses to the activity, selective prosecution, the utilization of high-tech antitheft devices, and suing shoplifters to recover costs. Also examined are media accounts which have often used exaggerated numbers when discussing the activity and the effect of private justice on the offense. Discrepancies in treatment of lower-class women versus "respectable" women shoplifters will be of interest to women's studies scholars.

Shoplifting: A Social History

Health, Fitness & Dieting

Psychology & Counseling

McFarland

In 1907, the editor of The New York Times wrote, "Employers, naturally, look to the young. A man or woman of advanced years is too apt to be given to old-fashioned ways of doing things, and open to suspicion of having the unforgivable fault, in modern business, of slowness." Age discrimination has existed throughout the 20th century, sometimes in the public eye and sometimes not. This book examines the problem as it relates to the employment sector in the United States throughout the century: how the issue has been treated by the media, what is the extent of age bias, how older workers were viewed, the reasons and rationales presented by business enterprises for their refusal to hire older workers, and the responses of governments to the problem. Some foreign data are used for comparison purposes; age bias exists in all industrial societies, regardless of the type of government a country provides for itself.

Age Discrimination by Employers

This work traces the history of the jukebox from its origins in the invention of the phonograph by Thomas Alva Edison in the 1880s up to its relative modern obscurity. The jukebox's first twenty years were essentially experimental because of the low technical quality and other limitations. It then practically disappeared for a quarter-century, beaten out by the player piano as the coin-operated music machine of choice. But then, new and improved, it reemerged and quickly spread in popularity across America, largely as a result of the repeal of Prohibition and the increased number of bars around the nation. Other socially important elements of the jukebox's development are also covered: it played patriotic tunes during wartime and, located in youth centers, entertained young people and kept them out of "trouble." The industry's one last fling due to a healthy export trade is also covered, and the book rounds out with the decline in the 1950s and the fadeout into obscurity. Richly illustrated.

Jukeboxes: An American Social History

McFarland Company

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Books by Segrave, Kerry