Although widely beloved for its playfulness and comic sensibility, Chaucer’s poetry is also subtly shot through with dark moments that open into obscure and irresolvably haunting vistas, passages into which one might fall head-first and never reach the abyssal bottom, scenes and events where everything could possibly go horribly wrong or where everything that matters seems, if even momentarily, altogether and irretrievably lost. And then sometimes, things really do go wrong. Opting to dilate rather than cordon off this darkness, this volume assembles a variety of attempts to follow such moments into their folds of blackness and horror, to chart their endless sorrows and recursive gloom, and to take depth soundings in the darker recesses of the Chaucerian lakes in order to bring back palm- or bite-sized pieces (black jewels) of bitter Chaucer that could be shared with others . . . an assortment, if you will. Not that this collection finds only emptiness and non-meaning in these caves and lakes. You never know what you will discover in the dark. Contents: Candace Barrington, "Dark Whiteness: Benjanim Brawley and Chaucer" -- Brantley L. Bryant & Alia, "Saturn's Darkness" -- Ruth Evans, "A Dark Stain and a Non-Encounter" -- Gaelan Gilbert, "Chaucerian Afterlives: Reception and Eschatology" -- Leigh Harrison, "Black Gold: The Former (and Future) Age" -- Nicola Masciandaro, "Half Dead: Parsing Cecelia" -- J. Allan Mitchell, "In the Event of the Franklin's Tale" -- Travis Neel & Andrew Richmond, "Black as the Crow" -- Hannah Priest, "Unravelling Constance" --  Lisa Schamess, "L'O de V: A Palimpsest" -- Myra Seaman, "Disconsolate Art" -- Karl Steel, "Kill Me, Save Me, Let Me Go: Custance, Virginia, Emelye" -- Elaine Treharne, "The Physician's Tale as Hagioclasm" -- Bob Valasek, "The Light has Lifted: Pandare Trickster" -- Lisa Weston, "Suffer the Little Children, or, A Rumination on the Faith of Zombies" -- Thomas White, "The Dark Is Light Enough: The Layout of the Tale of Sir Thopas." This assortment of dark morsels also features a prose-poem Preface by Gary Shipley.

Dark Chaucer: An Assortment

Literature & Fiction

Seaman, Myra

History & Criticism

Punctum Books

Fragments for a History of a Vanishing Humanism brings together scholars working in prehistoric, classical, medieval, and early modern studies who are developing, from longer and slower historical perspectives, critical post/humanisms that explore: 1) the significance (historical, sociocultural, psychic, etc.) of human expression and affectivity; 2) the impact of technology and new sciences on what it means to be a human self; 3) the importance of art and literature in defining and enacting human selves; 4) the importance of history in defining the human; 5) the artistic plasticity of the human; 6) the question of a human collectivity—what is the value, and peril, of “being human” or “being post/human” together?; and finally, 7) the constructive, and destructive, relations (aesthetic, historical, and philosophical) of the human to the nonhuman. This volume, edited by Myra Seaman and Eileen A. Joy, insists on the always provisional and contingent formations of the human, and of various humanisms, over time, while also aiming to demonstrate the different ways these formations emerge (and also disappear) in different times and places, from the most ancient past to the most contemporary present. The essays are offered as “fragments” because the authors do not believe there can ever be a “total history” of either the human or the post/human as they play themselves out in differing historical contexts. At the same time, the volume as a whole argues that defining what “the human” (or “post/human”) is has always been an ongoing, never finished cultural project.

Fragments for a History of a Vanishing Humanism (Interventions: New Studies Medieval Cult)

Joy, Eileen A.

Ohio State University Press

Fragments for a History of a Vanishing Humanism brings together scholars working in prehistoric, classical, medieval, and early modern studies who are developing, from longer and slower historical perspectives, critical post/humanisms that explore: 1) the significance (historical, sociocultural, psychic, etc.) of human expression and affectivity; 2) the impact of technology and new sciences on what it means to be a human self; 3) the importance of art and literature in defining and enacting human selves; 4) the importance of history in defining the human; 5) the artistic plasticity of the human; 6) the question of a human collectivity—what is the value, and peril, of “being human” or “being post/human” together?; and finally, 7) the constructive, and destructive, relations (aesthetic, historical, and philosophical) of the human to the nonhuman. This volume, edited by Myra Seaman and Eileen A. Joy, insists on the always provisional and contingent formations of the human, and of various humanisms, over time, while also aiming to demonstrate the different ways these formations emerge (and also disappear) in different times and places, from the most ancient past to the most contemporary present. The essays are offered as “fragments” because the authors do not believe there can ever be a “total history” of either the human or the post/human as they play themselves out in differing historical contexts. At the same time, the volume as a whole argues that defining what “the human” (or “post/human”) is has always been an ongoing, never finished cultural project.

Objects of affection recovers the emotional attraction of the medieval book through an engagement with a fifteenth-century literary collection known as Oxford, Bodleian Library Manuscript Ashmole 61. Exploring how the inhabitants of the book's pages - human and nonhuman, tangible and intangible - collaborate with its readers then and now, this book addresses the manuscript's material appeal in the ways it binds itself to different cultural, historical and material environments. In doing so it traces the affective literacy training that the manuscript provided its late-medieval English household, whose diverse inhabitants are incorporated into the ecology of the book itself as it fashions spiritually generous and socially mindful household members.

Objects of affection: The book and the household in late medieval England (Manchester Medieval Literature and Culture)

Manchester University Press

Objects of affection recovers the emotional attraction of the medieval book through an engagement with a fifteenth-century literary collection known as Oxford, Bodleian Library Manuscript Ashmole 61. Exploring how the inhabitants of the book's pages - human and nonhuman, tangible and intangible - collaborate with its readers then and now, this book addresses the manuscript's material appeal in the ways it binds itself to different cultural, historical and material environments. In doing so it traces the affective literacy training that the manuscript provided its late-medieval English household, whose diverse inhabitants are incorporated into the ecology of the book itself as it fashions spiritually generous and socially mindful household members.

See the best price to sell, buy, or rent books by Seaman, Myra. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Seaman, Myra

See the best price to sell, buy, or rent books by Seaman, Myra. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Dark Chaucer: An Assortment

Fragments for a History of a Vanishing Humanism (Interventions: New Studies Medieval Cult)

Fragments for a History of a Vanishing Humanism (Interventions: New Studies Medieval Cult)

Objects of affection: The book and the household in late medieval England (Manchester Medieval Literature and Culture)

Objects of affection: The book and the household in late medieval England (Manchester Medieval Literature and Culture)