Chef Mike Roy explores American cooking in this 1974 volume. He takes wide-ranging recipes -- some of which are classic dishes prepared from scratch, while others employ mixes and canned stocks for ease and simplicity -- and woven them together with a thread of commentary on the American panorama past and present.

Mike Roy's American kitchen,

Roy, Michaël

Harper's Magazine Press

Antebellum slave narratives have taken pride of place in the American literary canon. Once ignored, disparaged, or simply forgotten, the autobiographical narratives of Frederick Douglass, Harriet Jacobs, and other formerly enslaved men and women are now widely read and studied. One key aspect of the genre, however, has been left unexamined: its materiality. What did original editions of slave narratives look like? How were these books circulated? Who read them? In Fugitive Texts, Michaël Roy offers the first book-length study of the slave narrative as a material artifact. Drawing on a wide range of sources, he reconstructs the publication histories of a number of famous and lesser-known narratives, placing them against the changing backdrop of antebellum print culture. Slave narratives, he shows, were produced through a variety of print networks. Remarkably few were published under the full control of white-led antislavery societies; most were self-published and distributed by the authors, while some were issued by commercial publishers who hoped to capitalize on the success of Harriet Beecher Stowe's Uncle Tom's Cabin. The material lives of these texts, Roy argues, did not end within the pages. Antebellum slave narratives were "fugitive texts" apt to be embodied in various written, oral, and visual forms. Published to rave reviews in French, Fugitive Texts illuminates the heterogeneous nature of a genre often described in monolithic terms and ultimately paves the way for a redefinition of the literary form we have come to recognize as "the slave narrative."

Fugitive Texts: Slave Narratives in Antebellum Print Culture

Literature & Fiction

History & Criticism

University of Wisconsin Press

Pits and Boots derives from excavations carried out in 2007-8, in advance of an extension to the Bon Accord Centre in Aberdeen, that uncovered the backlands of an area that would have formed part of the industrial quarter of the medieval town. The site is well-dated by dendrochronology, augmented by artefactual evidence, and indicates activity from the late 12th century AD into the early modern period, with a particularly intensive period in the 13th century. Structural evidence consists primarily of the backland boundaries, hearth/ovens, several wood-lined wells and many large pits. It is the contents of these pits and wells which forms the core of this monograph. The waterlogged conditions within the pits and wells has meant that a remarkable assemblage of organic remains including leather, wooden artefacts, textiles, animal pelts, fibres, and cordage has survived. The leather assemblage is the largest ever to be found in Scotland and has revealed a range of activities associated with the use of animal hides, from hide processing to tanning and shoemaking. The wood assemblage is also extensive and includes bowls, platters, coopered vessels and tools. Metalwork, crucibles, clay mould fragments and ceramics all testify to the industrial nature of the area, while the large quantities of animal and fishbone demonstrate that butchery on an industrial scale took place in the area. The excavation charts the changing nature of this once-peripheral area of Aberdeen, from an industrial zone in the medieval period, to horticultural and domestic spaces in post-medieval times, and has thus greatly enhanced our knowledge of Scottish urban development.

Pits and Boots: Excavation of Medieval and Post-Medieval Backlands Under the Bon Accord Centre, Aberdeen

History

Europe

Archaeopress

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