The Ark in Park: The Story of Lincoln Park Zoo

Drawing visitors to the heart of Chicago's north side for 135 years, Lincoln Park Zoo is one of the oldest and most popular zoos in America. This thorough and fascinating history of the zoo combines archival materials, photographs, and oral histories to chronicle the zoo's development and chart the unique role it has played not just in the growth of Chicago but in the establishment of zoos in cities across America.   Lincoln Park Zoo was established in 1868 when New York's Central Park Commissioners sent the Lincoln Park Commissioners the gift of two pairs of swans. The swans were such a popular attraction that the park commissioners began acquiring other animals and building quarters for them, adding a bear cage, a bison enclosure, a sea lion pool, an eagle exhibit, and an animal house, all before 1900.   Although the zoo was initially conceived as a primarily recreational attraction, its mission has evolved over time, with conservation, science, and education now forming central elements. Starting in 1884, when the zoo saw what was reportedly the first-ever birth of a North American bison in captivity, Lincoln Park Zoo has been part of the effort to study and protect endangered species from all over the world.   This comprehensive history of Lincoln Park Zoo also tells the wider story of the growth of the American zoo movement and the changes that have occurred in the past century, as zoos evolved from a leisure pursuit into a multimillion-dollar industry and an invaluable participant in global conservation efforts.    

The Ark in Park: THE STORY OF LINCOLN PARK ZOO

History

ROSENTHAL, Mark

Tauber, Carol

Uhlir, Edward

Americas

University of Illinois Press

Looks at the development of Chicago's Lincoln Park Zoo, from its beginning in 1868 to the present day.

Joseph Beuys (1921–1986)―a German sculptor and performance artist--became one of the most influential figures in modern and contemporary art. His charismatic presence, extraordinary life, and unconventional artistic style (incorporating ritualized movement and sound, and materials such as fat, felt, earth, honey, blood, and even dead animals) gained him international notoriety during the 1960s, 70s, and 80s. Beuys’s innovative influence is particularly felt in the field of sculpture, whose definition he expanded to encompass performance art, vitrine cases, and site-specific environments. This beautifully illustrated book investigates Beuys’s sculpture, arguably the most fundamental portion of his artistic work, as well as his extraordinary influence. Featured objects include a stunning selection of Beuys’s remarkable vitrines―sly cousins of standard museum presentations, featuring both hand-made and found objects serving as “exhibitions” on Beuys’s own topics; blackboards on which he recorded his lectures and performances; room-sized environments; and many other sculptural projects that frequently served as physical documentation for Beuys’s performances. With a comprehensive chronology of Beuys’s activities as an artist and activist, this book is essential for those interested in the life, work, and legacy of one of the art world’s most intriguing figures.

Joseph Beuys: Actions, Vitrines, Environments

Arts & Photography

History & Criticism

Other Distribution

This delightful book places the artist within the context of Surrealism so that his achievement is more profoundly understood. Alexander Calder (1898-1976) is a key presence in the history of modern art, and yet he is rarely seen or remembered in the context from which he initially emerged as an artist. When Calder became "Calder" – well known for his signature mobiles and stabiles – it was due to a unique variety of presiding influences. His artistic parentage consisted of Marcel Duchamp, who provided the name of and concept for the mobile; Piet Mondrian, who introduced pure abstraction to him; and Joan Miró, who communicated the central theses of Surrealism. Although Calder went on to play a major role in Surrealist manifestations during the formative years of the movement, including being shown in the defining 1936 "Exposition surréaliste d'objets" in Paris, he has since been separated from those beginnings. Indeed, at this point in time, Calder is never included in exhibitions of Surrealist art, even though he was incubated by that phenomenon and contributed mightily to it.
This book will put the artist back in midst of Surrealism so that his achievement is more profoundly understood within that context. Works by artists such as Miró, Max Ernst, Yves Tanguy, and René Magritte will delineate the Surrealist milieu and some of its chief aspects. The following theses are also explored: Calder's wit, caricature, and linear flights of fancy; his marvelous personages and fantastic creatures; biomorphic forms from an imaginary vision of nature; and his constellations, apparent views of celestial space.

The Surreal Calder

Serraller, Francisco Calvo

Yale University Press

One of the leading proponents of the Pop Art movement, Jasper Johns culled his source material from popular culture with a preoccupation for the enigmatic character of everyday objects, language and numeric systems. This modest volume reviews the artist's broad career via his works on paper and plastic, surveying 30 objects spanning the years 1955-2001, charting his interests, techniques and aesthetic evolution.

Jasper Johns: Drawings

The Menil Collection

For decades, commentators have acknowledged Andy Warhol's phenomenal impact on contemporary art. Unlike the many existing books about the artist, Regarding Warhol: Fifty Artists, Fifty Years is the first full-scale exploration of his tremendous reach across several generations of artists who in key ways respond to his groundbreaking work. Examining in depth the nature of the Warhol sensibility, the book is organized around five significant themes in the artist's work: popular consumer culture and tabloid news; portraiture and the cult of celebrity; issues of sexual identity and gender; artistic practices such as seriality, abstraction, and appropriation; and the role of collaboration in Warhol's ventures into filmmaking, publishing, and the creation of environments and spectacles. Each theme is delineated with visual "dialogues" between prime examples of Warhol's work and works in various media by some sixty other artists, among them John Baldessari, Robert Gober, Jeff Koons, Gerhard Richter, Cindy Sherman, and Ryan Trecartin. These juxtapositions not only demonstrate Warhol's overt influence but also suggest how artists have either worked in parallel modes or developed his model in dynamic new directions. The volume includes a major essay by Mark Rosenthal, original interviews with a number of the artists featured in the book, and a visual archive and extensive illustrated chronology that chart the "Warhol effect" over the past fifty years.

Regarding Warhol: Sixty Artists, Fifty Years

Alteveer, Ian

Prather, Marla

Lowery, Rebecca Skafsgaard

Metropolitan Museum of Art

A landmark publication focusing on both Rivera and Kahlo during a critical year in each of their careers From April 1932 through March 1933, Diego Rivera (1886–1957) and Frida Kahlo (1907–1954) spent a dramatic and pivotal sojourn in Detroit. Against the backdrop of the Great Depression and amid labor protests in the city, Rivera created his Detroit Industry murals, one of the most important and accomplished works of art made in the United States in the 20th century, for the Detroit Institute of Arts. Kahlo, meanwhile, developed her own artistic identity almost unnoticed, emerging with an oeuvre of extraordinarily expressive work. For this beautifully illustrated catalogue, Mark Rosenthal and a team of scholars have written essays that examine the artists, the city of Detroit in this period, and the commissioning of the murals by Edsel Ford, the patron, and William Valentiner, then director of the museum. Rivera’s cartoons for the murals are highlighted along with new archival research conducted by Rivera’s grandson, Juan Rafael Coronel Rivera. Featuring more than 100 color illustrations of works by both artists, this book presents Detroit as a profoundly important place for the artistic development of Rivera and Kahlo.

Diego Rivera and Frida Kahlo in Detroit

Detroit Institute of Arts

Jasper Johns: Work since 1974

Thames and Hudson in association with the Philadelphia Museum of Art

Text in English and Italian. Prepared for the 43rd Venice Biennale (La 43a Biennale di Venezia). Notes. Selected Bibliography. 110p. Foldout of Voice 2 (1982).

Jasper Johns: Work Since 1974

Individual Artists

Thames&Hudson

Describes briefly the characteristics and natural environment of various predatory animals and discusses some of their problems in finding food.

Predators (New True Book)

Children's Books

Childrens Pr

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Books by ROSENTHAL, Mark