What is the role of poetry in bringing about change? This book explores that question in the writings of Percy Bysshe Shelley, examining his fascination with the role of contingency in physical and historical processes. In considering the long-standing debate over Shelley's philosophical stance, Hugh Roberts turns to the poet's reading of Lucretius to show how Shelley developed an alternative approach to the issues of history, change, time, and process—one that incorporates the most compelling features of skepticism and idealism. He sheds new light on the importance of De rerum natura to Shelley's thought, and through extended readings of The Revolt of Islam and The Triumph of Life he shows the poet struggling with the intellectual limitations of Romanticism and the Enlightenment and moving beyond them. Roberts then deploys some of the key concepts from the new science of chaos theory to illuminate the wider implications of Shelley's approach. He shows how with the help of this new paradigm much that has seemed baffling about the poet falls into place—most notably a new understanding of political process that allows us to better comprehend Shelley's claim that "poets are the unacknowledged legislators of the world." Readings of a number of Shelley's poems and prose works demonstrate the wide-ranging implications of this approach for our understanding of his entire oeuvre. Shelley and the Chaos of History presents a Shelley whose investigations into the nature of history and the role of poetry lead us beyond contemporary deconstructionist-historicist debates. It shows that the complexity of Shelley's engagement with the major philosophical issues of his time has been greatly underestimated.

Shelley and the Chaos of History: A New Politics of Poetry (Literature and Philosophy)

Literature & Fiction

Roberts, Hugh

British & Irish

Penn State University Press

What is the role of poetry in bringing about change? This book explores that question in the writings of Percy Bysshe Shelley, examining his fascination with the role of contingency in physical and historical processes. In considering the long-standing debate over Shelley's philosophical stance, Hugh Roberts turns to the poet's reading of Lucretius to show how Shelley developed an alternative approach to the issues of history, change, time, and process—one that incorporates the most compelling features of skepticism and idealism. He sheds new light on the importance of De rerum natura to Shelley's thought, and through extended readings of The Revolt of Islam and The Triumph of Life he shows the poet struggling with the intellectual limitations of Romanticism and the Enlightenment and moving beyond them. 
Roberts then deploys some of the key concepts from the new science of chaos theory to illuminate the wider implications of Shelley's approach. He shows how with the help of this new paradigm much that has seemed baffling about the poet falls into place—most notably a new understanding of political process that allows us to better comprehend Shelley's claim that "poets are the unacknowledged legislators of the world." 
Readings of a number of Shelley's poems and prose works demonstrate the wide-ranging implications of this approach for our understanding of his entire oeuvre. Shelley and the Chaos of History presents a Shelley whose investigations into the nature of history and the role of poetry lead us beyond contemporary deconstructionist-historicist debates. It shows that the complexity of Shelley's engagement with the major philosophical issues of his time has been greatly underestimated.

George IV (1762-1830) was a gifted royal patron whose love of fine objects and taste for the theatrical and the romantic are well documented. In this pioneering study Hugh Roberts focuses on the King's last and greatest commission: the rebuilding and refurnishing of the Private Apartments at Windsor Castle. Drawing on much previously unpublished material, including royal correspondence, original accounts, and detailed inventories, he reconstructs George IV's ambitious program. Always over budget, and never delivered swiftly enough for his liking, the project was still unfurnished when the King died in 1830. Much of the surviving furniture is still in its original setting at Windsor, and it is published here for the first time. Virtually every identified item is illustrated, and there are high-quality reproductions of the richly colored room designs and original drawings requested by the King. The furniture and fittings now form part of the Royal Collection, and they can still be seen in their superb surroundings when the Apartments are opened to the public each year. 486 color illustrations.

For the King's Pleasure: The Furnishing and Decoration of George IV's Apartments at Windsor Castle

Crafts, Hobbies & Home

Antiques & Collectibles

Thames&Hudson

Journeys with Open Eyes

i2i Publishing

An Urban Profile of the Middle East (Routledge Library Editions: Society of the Middle East)

Changes in economic and social conditions throughout the Middle East have been profound, and perhaps nowhere has this been more evident than in the field of urban development and town planning. This book, first published in 1979, provides a view of the Middle East as it undergoes transition by identifying and analysing the symptoms of change.

Reference

Routledge

Sheriff Nottingham's Holiday Herald: Equal Night. 2nd Issue. Available March 20, 2015 in celebration of the Vernal Equinox.

Sheriff Nottingham 2

Blim, Chris

Orear, Quinlan

Piet, Matt

Conto, La Tisha

Literary

Createspace Independent Pub

Through the pages of his daily journal, 75-year old Hugh Roberts shares his journey through grief following the death of his wife. He is haunted by indecision, wondering what he should do now to live a new, "abundant life" full of meaning and passion.Daily meditations evolve into conversations with Spirit (God by any name), whose voice gently encourages the widower to let go of his insecurity and share more of himself with others. Hugh joins a small healing-through-writing group for people who have suffered from the impact of cancer and begins to write and reflect on what his soul reveals. After seven decades of low self-esteem, living convinced that he was never good enough, the author learns to accept himself just as he is, free from pervasive self-doubts. But as a key friendship deepens, he wonders: is it too soon to risk this new-found freedom by falling in love again? Or is it too late?

SoulScript: Journaling My Way to Self-Discovery and Love (1)

Self-Help

Self-Esteem

BookBaby

The first comprehensive study of William Ince and John Mayhew's famous eighteenth-century cabinetmaking partnership, complemented by high-quality photographs of their work.\nThe partnership of William Ince (1737–1804) and John Mayhew (1736–1811) ran from 1758 to 1804, and was one of the most enduring and well-connected collaborations in Georgian London's tight-knit cabinetmaking community. The partners' clientele was probably larger, and their work was arguably more influential over a longer period, than most other leading metropolitan makers – perhaps even than that of their older contemporary, the celebrated Thomas Chippendale.\nDespite their considerable output and an impressive tally of clients and commissions, much of Ince and Mayhew's work has remained unidentified until recent times. The authors' substantial research in private family archives, county record offices and bank archives has allowed them to uncover much new evidence about the business and its influence within cabinetmaking circles. In Industry and Ingenuity, the results of these new investigations are presented alongside an impressive selection of more than 500 colourful, vibrant photographs of Ince and Mayhew's works, many previously unpublished, which together emphasise the partnership's proper position in the pantheon of great eighteenth-century cabinetmakers.

Industry and Ingenuity: The Partnership of William Ince and John Mayhew

Arts & Photography

Cator, Charles

History & Criticism

Philip Wilson Publishers

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