"This stirring volume of extraordinary photographs, presenting our times in all their elegance, squalor, courage, hope, betrayal, agony, sacrifice, heroism, and majesty, is as unsparing of its audience as it was unsparing of its photographers. . . . These pictures demand involvement." ―William Manchester, from the text From the grandly historic to the poignantly human, from battlefield violence to the gentle pleasures of peace, In Our Time captures the past fifty years of the world in over three hundred memorable photographs, including many in color.As the distinguished historian William Manchester explains in his provocative text, the book is a distinctive blend of reporting and art that inevitably engages the heart and mind of the viewer. Each picture is a comment upon our experience of the twentieth century.The photographers represented here all belong to Magnum, a collective founded in 1947 to give photojournalists artistic freedom and control over the rights to their work. Magnum's archives are a repository of the masterpieces of photography of the past half-century.Not since the landmark photographic exhibition "The Family of Man" have so many brilliant photographs documented such a range of human experience.

In Our Time: The World As Seen by Magnum Photographers

Arts & Photography

Ritchin, Fred

eastman-kodak-company

LACOUTURE, Jean

MANCHESTER, William

American Federation of Arts

Minneapolis Institute Of Arts

Photography & Video

W.W.Norton&Company

A fascinating look at the perils and possibilities of photography in a digital age.After Photography examines the myriad ways in which the digital revolution has fundamentally altered the way we receive visual information, from photos of news events taken by ordinary people on cell phones to the widespread use of image surveillance. In a world beset by critical problems and ambiguous boundaries, Fred Ritchin argues that it is time to begin energetically exploring the possibilities created by digital innovations and to use them to better understand our rapidly changing world. Ritchin―one of our most influential commentators on photography―investigates the future of visual media as the digital revolution transforms images into a hypertextual medium, fundamentally changing the way we conceptualize the world. Simultaneously, the increased manipulation of photographs makes photography suspect as reliable documentation, raising questions about its role in recounting personal and public histories. In the tradition of John Berger and Susan Sontag, Ritchin analyzes photography's failings and reveals untapped potentials for the medium. 50 color illustrations

After Photography

"This stirring volume of extraordinary photographs, presenting our times in all their elegance, squalor, courage, hope, betrayal, agony, sacrifice, heroism, and majesty, is as unsparing of its audience as it was unsparing of its photographers. . . . These pictures demand involvement." ―William Manchester, from the text From the grandly historic to the poignantly human, from battlefield violence to the gentle pleasures of peace, In Our Time captures the past fifty years of the world in over three hundred memorable photographs, including many in color. As the distinguished historian William Manchester explains in his provocative text, the book is a distinctive blend of reporting and art that inevitably engages the heart and mind of the viewer. Each picture is a comment upon our experience of the twentieth century. The photographers represented here all belong to Magnum, a collective founded in 1947 to give photojournalists artistic freedom and control over the rights to their work. Magnum's archives are a repository of the masterpieces of photography of the past half-century. Not since the landmark photographic exhibition "The Family of Man" have so many brilliant photographs documented such a range of human experience.

In Our Time: The World as Seen by Magnum Photographers

In the tradition of John Berger and Susan Sontag, Fred Ritchin analyzes photography’s failings and reveals untapped potentials for this evolving medium. One of our most influential commentators on photography investigates the future of visual media as the digital revolution transforms images, changing the way we conceptualize the world. From photos of news events taken on cell phones to the widespread use of image surveillance, digital media has fundamentally altered the way we receive visual information. Simultaneously, the increased manipulation of photographs has made photography suspect as reliable documentation, raising questions about its role in recounting personal and public histories. In a world beset by critical problems and ambiguous boundaries, Ritchin argues that it is time to begin energetically exploring possibilities created by technological innovations, and to use them to better understand our rapidly changing world. 50 illustrations

The revolution caused by artificial intelligence in terms of what a photograph can and cannot do is profound. This book looks at photography's strengths, what it has meant for individuals and for society, its massive transformations caused by a variety of factors in the digital age, and the newer possibilities for image making. These include old and new media, with an emphasis on synthetic imaging as both a positive and terrifying development. In 1840, a year after photography's invention, the painter Paul Delaroche exclaimed, "From now on, painting is dead." Photography was quicker and cheaper as a representational medium and more realistic, its invention also liberated painters to become much more adventurous, embracing approaches that included impressionism, cubism, minimalism, and abstract expressionism. So too photographers are being challenged today. Many have responded with new strategies, but more innovation is needed. Can photographers be as radically expansive and revolutionary as painters were? Can they preserve or even expand the photograph's role in society as a credible witness? Can the photographic image morph into forms previously unimagined? The Synthetic Eye is about this transformative revolution. How can synthetic imagery be utilized to amplify our understanding of ourselves and our worlds? Can an alternative photography deepen and expand the medium's previous reach? What are the pitfalls? How will our senses of the real, the possible, and the actual be affected?

The Synthetic Eye: Photography Transformed in the Age of AI

Thames&Hudson

The first complete illustrated bibliography of 1,000 iconic photobooks created by members of the renowned photo agency
Published on the occasion of Magnum Photos' seventieth anniversary, this fascinating in-depth survey brings Magnum's history alive through the genre of the photobook ? an essential vehicle for photographers to share their work.
Its pages include unpublished behind-the-scenes material, together with ephemera from the photographers' archives about the making of their books. With an introduction by Fred Ritchin and texts by Carole Naggar, this book explores the evolution of the photobook, as well as the important role that Magnum has played in the history of documentary photography.

Magnum Photobook: The Catalogue Raisonné

Naggar, Carole

Individual Artists

Phaidon Press

Looks briefly at the history of photojournalism, and discusses the danger posed by computer manipulated photographic images

In Our Own Image: The Coming Revolution in Photography : How Computer Technology Is Changing Our View of the World (Writers and Artists on Photography)

Aperture

In Our Own Image: The Coming Revolution in Photography (Writers and Artists on Photography Series)

An Uncertain Grace represents Salgado's journey through poor villages in the Andes, shanty communities of miners in the Brazilian jungle, and refugee camps in famine-stricken Ethiopia, Chad and Mali. This book is one of the most important visual records of life in the twentieth century. Sebastião Salgado has been awarded virtually every major photographic prize in France, Germany, Holland, Spain, Sweden and the United States. A former member of Magnum Photos and recipient of the W. Eugene Smith Grant in Humanistic Photography, he has twice been named Photographer of the Year by the International Center of Photography.

Sebastião Salgado: An Uncertain Grace

GALEANO, EDUARDO

Back in stock! From the birth of photojournalism and the rise of the picture press, beginning with seminal international periodicals like Vu and Life, to the sci-fi setting of MIT's Media Lab and the possibility of a "hyper-photography" that would capture our dreams and thoughts, Fred Ritchin's In Our Own Image is a classic account of technology's impact on what we see, and, ultimately, what we believe, about the world. A seminal text that has shaped the debate about digital imaging since its initial publication in 1990, this edition has been updated throughout to reflect recent changes in technology--for example, the exponential growth of the World Wide Web--and includes a substantial new foreword by the author.

In Our Own Image: The Coming Revolution in Photography (Writers and Artists on Photography)

See the best price to sell, buy, or rent books by Ritchin, Fred. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Ritchin, Fred

See the best price to sell, buy, or rent books by Ritchin, Fred. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

In Our Time: The World As Seen by Magnum Photographers

After Photography

In Our Time: The World as Seen by Magnum Photographers

After Photography

The Synthetic Eye: Photography Transformed in the Age of AI

Magnum Photobook: The Catalogue Raisonné

In Our Own Image: The Coming Revolution in Photography : How Computer Technology Is Changing Our View of the World (Writers and Artists on Photography)

In Our Own Image: The Coming Revolution in Photography (Writers and Artists on Photography Series)

Sebastião Salgado: An Uncertain Grace

In Our Own Image: The Coming Revolution in Photography (Writers and Artists on Photography)