Degas is renowned for his masterful studies of the human body - powerfully rendered paintings of dancers, jockeys, washerwomen and bathers. It is less well known, however, that he also produced challenging and varied landscapes at almost every phase of his career - from his early travels in Italy, to his association with the Impressionist movement, and into his final decades. Remarkably, Degas chose the subject of landscape for his only one-person show in 1892.This lavishly illustrated book by Richard Kendall is the first to deal with Degas' landscapes, relating them to his other work and to his evolving views of art. Kendall demolishes the myth of Degas' indifference to the landscape itself and to the painters of landscape art. He traces Degas' first experiments in watercolour, oil and etching; his progress as a painter of equestrian scenes and pastel seascapes in the 1860s; and his association with Pissarro, Cassatt and Gauguin and rivalry with Monet and Cezanne in the middle of his career. Kendall provides a detailed examination of Degas' audacious colour monotypes from the early 1890s, showing how they reveal the artist's engagement with contemporary colour printing, his interest in Japanese art, his involvement with symbolism and his affinity for contemporary philosophy and literature. He concludes by discussing the last flowering of Degas' landscape activity - the little-known series of paintings produced at Saint-Valery-sur-Somme in the late 1890s - and with the help of photographic evidence proves that these pictures relate directly to surviving streets and buildings, often in radical and innovative ways.Handsomely illustrated with many previously unpublished works, this book demonstrates that Degas had an affectionate, original and complex relationship with the landscape, a relationship that has profound implications for his more familiar repertoire of subjects.

Degas Landscapes

Arts & Photography

RICHARD KENDALL

Collections, Catalogs & Exhibitions

Yale University Press

Through his representation of modern subjects such as ballet dancers and race horses, his constant questioning of traditional artistic practices, and his vital engagement with Parisian society, Edgar Degas (1834–1917) helped to define the beginnings of modernism in visual culture at the end of the nineteenth century. This engaging book yields new scholarship on works by Degas in the collection of the Yale University Art Gallery and provides in-depth discussion of works of art in every medium explored by this innovative artist. Extended entries by distinguished scholars including Richard Kendall and Edgar Munhall provide a complete review of the artist’s working methods. The book also introduces several important pieces by Degas that have rarely been available for view by the public, including a notable wax figure and several unique prints and works on paper.

Edgar Degas: Defining the Modernist Edge

Jennifer Gross

History & Criticism

Yale University Art Gallery

DEGAS BY HIMSELF is a milestone in published approaches to the work of this remarkable figure. No other book has illustrated so many of Degas' works in colour, including his best-known paintings and sketches, as well as many works that will be unfamiliar to most people. The book draws on a range of sources - the artist's own notebooks and letters, as well as anecdotes and memoirs from his intimate circle - to trace a vivid portrait of Degas and reveal intimate aspects of his life and personality. His notebooks and letters show him as a forceful and expressive writer; there are letters to friends and customers, urgent messages to exhibitors at the Impressionist exhibition and, finally, a number of short and sad letters from his last years. Degas was also known as a wit and conversationalist, provoking a number of his friends to write down his words for posterity. For the first time, reminiscences and reported remarks have been brought together, conjuring up an unexpected picture of the artist as a man of wisdom and good humour.

Degas by Himself : Drawings, Paintings, Writings

Illustrated

Dealing With Degas: Representations of Women and the Politics of Vision

Rizzoli

Seeks to illuminate the themes present in the artist's works, presenting new material about his highly informed relationship with the ballet of the nineteenth century.

Degas and the Dance

Jill DeVonyar

Sharon AvRutick

Lillian Browse

Harry N. Abrams

Van Gogh's Van Goghs : Masterpieces from the Van Gogh Museum Amsterdam

Individual Artists

The loan to The National Gallery by the collector Mr Heinz Berggruen of 69 works by six artists - Cezanne, Seurat, Braque, Miro, Van Gogh and Picasso - is celebrated by an exhibition and an accompanying catalogue. The Berggruen Collection is noted for its major works by key figures of the modern movement, including 41 works by Picasso representing most of the important phases in his career. It complements The National Gallery's collection of Post-impressionist paintings. The works - which include oils, watercolours, drawings and sculptures - are discussed by art historian Richard Kendall, and each is illustrated by a full-page colour plate. A profile of Heinz Berggruen and his role as an art collector is provided by the art dealer Camilla Cazalet. Lizzie Barker of the Gallery Staff examines the relationship between the loan pictures and The National Gallery Collection.

Van Gogh to Picasso: The Berggruen Collection at the National Gallery

Architecture

Natl Gallery England

History and Techniques of the Great Masters Cezanne

Eagle Editions

Howard Hodgkin - New Paintings 2007-2011

GAGOSIAN GALLERY

See the best price to sell, buy, or rent books by RICHARD KENDALL. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by RICHARD KENDALL