I.N.R.I.: Iesus Nazareus Rex Iuderoum; Jesus of Nazareth, King of the Jews. The story of Jesus has been continually reinvented and reinterpreted, in fact and in fiction, over the course of the last two millennia. Yet the visual iconography has remained largely that of the Renaissance. Now, at the turn of the twenty-first century, writer Serge Bramly and photographer Bettina Rheims have turned to photography -- the most contemporary of art forms -- as well as to the original biblical texts and legends to present the life and death of Jesus in a series of stunning tableaux and an evocative, meaningful text. The words of the apostles are retold in contemporary and accessible language, at once a rereading, synthesis, transposition, and commentary on the four gospels. In the photographs, characters such as Mary and Joseph, John the Baptist, and Mary Magdalene are placed in sites ranging from the beautiful island of Majorca, Spain, to an abandoned hospital on the outskirts of Paris. Jesus' birth occurs in a rough garage, where he is attended not only by the three kings but by people drawn from the surrounding streets; his miracles and cures address the ailments of all times; the Sermon on the Mount is a dramatic piece of performance art; and his crucifixion is that of every man, and every woman. Bramly and Rheims' re-creation of the ancient story is a true modern icon.

I.N.R.I.

Bramly, Serge

Rheims, Bettina

Literature & Fiction

The Monacelli Press

Bettina Rheims came to worldwide fame in the early 80s with sensational nudes and portraits. As a sequel to her legendary, mostly black-and-white publication Female Trouble, first published by Schirmer/Mosel in 1989, More Trouble presents new photographic visions of glamour, beauty, fashion, sex, and seduction, created from the 90s to the present day. They include portraits of Kylie Minogue, Madonna, Charlotte Gainsbourg, Ludivine Sagnier, Emmanuelle Beart, Brooke Shields, Liv Tyler, Isabella Rossellini, Salma Hayek, to name just a few. This time, however, her pictures are mostly in color. And they include men, such as Jackie Chan, Michael Douglas, James King, Tupac Shakur, Mickey Rourke, Marilyn Manson, and Emir Kusturica. Once again, Bettina Rheims proves her extraordinary originality, her empathy, her sense of style, and her feeling for pictorial eroticism.

Bettina Rheims: More Trouble

Arts & Photography

Individual Artists

Schirmer/Mosel

Bettina Rheims and Serge Bramly's Rose, c'est Paris is both a photographic monograph and a feature-length film on DVD. This extraordinary work of art, in two different but interlocking and complimentary formats, defies easy categorization. For in this multi-layered opus of poetic symbolism, photographer Bettina Rheims and artist Serge Bramly evoke the City of Light in a completely novel way: this is a Paris of surrealist visions, confused identities, artistic phantoms, unseen manipulation, obsession, fetish, and seething desire. Equal parts erotica, fashion shoot, art monograph, metaphysical mystery, social and cultural archaeology of the French capital, and neo-noir arthouse film—Rose, c'est Paris is all this and more. In a surrealistic inversion of the oft-imitated 1954 Parisian photobook by Ed van Elsken, Love On The Left Bank, this mesmerising work is the meandering tale of twin sisters, known only as B and R, and a third principal—the city itself. When R returns to their apartment and learns that B has been abducted following a violent struggle, a dreamlike detective story unfolds in black and white on the streets, in the cafés and cabarets, groceries and museums, usines abondonées, and grands hotels of Paris. But even this notional plot is submerged under layers of echoes, of references and homages to artists like René Magritte, Marcel Duchamp, Salvador Dalí, and Man Ray; to the brilliant amorality of the Fantômas pulp novels of the early 20th century and to various mythical sites and monuments of Paris. What happened to the missing sister? Was there a plot? Was she really kidnapped? Is she alive or dead? Was it murder? Suicide? Or just a nightmare? Or is she now a punk rocker, a prostitute, a cabaret dancer, or possibly even a nun? Did she marry and flee to India? Does R know more than she claims? Or perhaps B has adopted her sister's identity—and it is in fact R who has gone missing... Rheims and Bramly create a series of extraordinary tableaux suggesting all these possibilities and many more. Featuring a host of extraordinary figures, notably Naomi Campbell, Michelle Yeoh, Monica Bellucci, Charlotte Rampling, Valérie Lemercier, Inès Sastre, Anna Mouglalis, Audrey Marnay, Anthony Delon, Rona Hartner, Jean-Pierre Kalfon, Azzedine Alaïa, Louise Bourgoin and Hélèna Noguerra, to family members, fashion models, porn stars and the beautiful people of Paris, Rose, c'est Paris is immediately accessible as a delicious visual treat, a refreshingly original work of erotica, and a celebration of Paris that sidesteps all the usual clichés. And yet the work remains infinitely mysterious in the way it plays with genre and narrative, allusion and expectation. Like the city itself, it can never be fully defined or explained, only experienced again and again. *Available in a XL-format Collector's Edition of 1,500 copies, each numbered and signed by Bettina Rheims and Serge Bramly. Also available in two Art Editions of 100 copies each, with a signed and numbered original print.

Bettina Rheims/Serge Bramly. Rose - c'est Paris Rheims, Bettina and Bramly, Serge Rheims, Bettina and Bramly, Serge Rheims, Bettina and Bramly, Serge Rheims, Bettina and Bramly, Serge Rheims, Bettina and Bramly, Serge Rheims, Bettina and Bramly, Serge Rheims, Bettina and Bramly, Serge Rheims, Bettina and Bramly, Serge Rheims, Bettina and Bramly, Serge Rheims, Bettina and Bramly, Serge Rheims, Bettina and Bramly, Serge Rheims, Bettina and Bramly, Serge Rheims, Bettina and Bramly, Serge Rheims, Be

TASCHEN ESPAÑA, S.A.U.

Femme Fantômas: A detective story, told in photos and film, that unfolds in the streets, cafés, cabarets, abandoned factories, and grand hotels of Paris Bettina Rheims and Serge Bramly’s Rose, c’est Paris is both a photographic monograph and a feature-length film on DVD. This extraordinary work of art, in two different but interlocking and complementary formats, defies easy categorization. For in this multi-layered opus of poetic symbolism, photographer Bettina Rheims and writer Serge Bramly evoke the City of Light in a completely novel way: this is a Paris of surrealist visions, confused identities, artistic phantoms, unseen manipulation, obsession, fetish, and seething desire. Equal parts erotica, fashion shoot, art monograph, metaphysical mystery, social and cultural archaeology of the French capital, and neo-noir art-house film—Rose, c’est Paris is the steamy tale of twin sisters, known only as B and Rose, and a third principal—the city itself. An abduction leads to a detective story that unfolds in the streets, cafés, cabarets, museums, abandoned factories, and grand hotels of Paris. What happened to the missing sister? Was there a plot? Was she really kidnapped? Is she alive or dead? Is it in fact a case of mistaken identity? Rheims and Bramly create a series of extraordinary tableaux suggesting all these possibilities and many more, featuring a host of celebrity figures, including Naomi Campbell, Michelle Yeoh, Monica Bellucci, Charlotte Rampling, Valérie Lemercier, Inès Sastre, Anna Mouglalis, Audrey Marnay, Anthony Delon, Rona Hartner, Jean-Pierre Kalfon, Azzedine Alaïa, Louise Bourgoin, and Hélèna Noguerra. After our limited and art editions, this book is now available in a standard edition. Text in English, French, and German

Rose, C'est Paris

Taschen America, LLC

Bettina Rheims Female Trouble (Schirmer Art Books on Art, Photography and Erotics)

Photography & Video

Schirmer Art Books

Female Trouble

Schirmer Books

Modern Lovers

Distributed Art Pub Inc

Chambre Close

Harlow was unable to finish her story. Her last lines are about a friend of hers who fell to AIDS. And it was that illness which cut short this work, her work. She entrusted those close to her to finish, fully aware that her days were numbered. We put together her notes, tape-recorded and written down. Not a word was crossed out in her chapters, written in a single, incisive outpouring.

Harlow, Kim

Gina Kehayoff Pub

Famous women - singers and models such as Madonna and Karen Mulder - and anonymous "beauties" pose in provocative outfits, semi-clad or naked in hotel rooms. Chambre Close and Pourquoi m'as-tu abandonnee are being shown for the first time in large format in the Museum of Art in Frankfurt/Main. For a moment it seems as if we are looking through the eyes of a male voyeur. But when we look closer, it becomes clear that we are witnessing a dialogue between women. Women from completely different backgrounds - from an employee of the electricity company to a black police inspector - pursue their own erotic fantasies in hotel rooms, observed by Bettina Rheims, a photographer whose viewpoint at the decisive moment is most definitely not male. But this is not as obvious as it seems, for in spite of the frankness of the photographs, they need to be studied with a great deal of attention.

A Room in the Museum of Modern Art in Frankfurt/Main

Ammann, Jean-Christophe

Museum Fur Moderne Kunst (Frankfurt Am Main, Germany)

See the best price to sell, buy, or rent books by Rheims, Bettina. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Rheims, Bettina