Bucolic Suite

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Ralph Vaughan Williams

Music

OUP Oxford

Oxford Choral Music, Benedicite Vocal Score.

Benedicite for Soprano Solo, Chorus, and Orchestra: Vocal Score (The Words Taken From the Song of the Three Holy Children and a Poem By J. Austin (1613-1669)) (Oxford Choral Music))

Oxford University Press

Opera voice score in English with German translation.

The Pilgrim's Progress: A Morality in a Prologue, for Acts and an Epilogue Founded on Bunyan's Allegory of the Same Name

Oxford University Press, USA

Sir John in Love An Opera in Four Acts

"O How Amiable" (SATB choir with organ/piano accompaniment) (Oxford Church Music, Catalogue No. 42.056)

The one-act ballet Job has been described as one of Vaughan Williams's mightiest achievements. It is a work which, in a full production, combines painting, literature, music, and dance. The work was inspired by William Blake's Illustrations of the Book of Job, and includes quotations from the King James Bible. The result is a musical masterpiece, combining the ancient and the modern: Vaughan Williams's earlier style is in evidence, including tranquil pastoral melodies, but the work also anticipates the composer's later style. This new, scholarly edition, edited by Julian Rushton, will replace the existing OUP edition from 1934, and will include detailed preliminary matter, comprising a preface, sources and editorial method, and detailed textual notes.

Job: A Masque for Dancing

Oxford University Press(UK)

Three Preludes for Organ

Franklin Classics Trade Press

Heirs and rebels: Letters written to each other and occasional writings on music

GUSTAV HOLST

Imogen Holst

Ursula Vaughan Williams

Cooper Square Publishers

A Selection Of Collected Folk-Songs Volume 1

VARIOUS

Music Sales America

Vaughan Williams' masterpiece for string orchestra was given its premiere on September 6th, 1910 at the Three Choirs Festival in Gloucester Cathedral with the London Symphony Orchestra under the composer's direction. It was an immediate success, but the composer revised the piece twice (1913 and 1919) before it's first publication in 1921. The Phrygian-mode Tallis melody upon which the work is based originally appeared in Archbishop Parker's Psalter of 1567 with the text "Why fum'th in fight the Gentiles spite." This newly engraved and edited score, based upon the 1921 Curwen score, has a vastly improved layout designed for ease of study and performance.

Fantasia on a Theme By Thomas Tallis

Serenissima Music, Incorporated

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Books by Ralph Vaughan Williams