Despite holding the Laureateship from 1913 to his death in 1930, Robert Bridges is better known today as the editor and champion of his friend Gerard Manley Hopkins than as a poet in his own right. In this, the first full-length biography, Catherine Phillips seeks to redress the balance by focusing on Bridges's long and full life, and on his achievements as a poet and literary commentator. Interested throughout his life in orthography and etymology, he co-founded the Society for Pure English in 1913, while his fascination with science, philosophy, music, and literature led to friendships with Roger Fry, W.B. Yeats, Hopkins, and George Santayana. Drawing on previously unpublished material and family archives, this is a revealing study of a complex and troubled man and the times in which he lived.

Robert Bridges: A Biography

Phillips, Catherine

Biographies & Memoirs

Oxford University Press

Gerard Manley Hopkins initially planned to become a poet-artist. For five years he trained his eye, learned about contemporary art and architecture, and made friends in the Pre-Raphaelite circle. In her fascinating and beautifully illustrated book, Catherine Phillips, whose knowledge of Hopkins's poems is second to none, uses letters, new archival material, and contemporary publications to reconstruct the visual world Hopkins knew between 1862 and 1889, and especially in the 1860s, with its illustrated journals, art exhibitions, Gothic architecture, photographic shows, and changing art criticism. Phillips identifies three artistic contexts for the Hopkins's life: his childhood circle of artistic relatives who were important in shaping his early vision; his friends at university and the criticism he absorbed while there that inflected his view as a young man; and the mature religious beliefs which came to govern his understanding of a visual world interconnected with an eternal one. With chapters devoted to Hopkins own drawings, and to visual theories of the time, Phillips is able to suggests fresh links between this visual world and the startling originality of Hopkins's mature writing that will impact radically on our understanding of Hopkins's practice as a poet.

Gerard Manley Hopkins and the Victorian Visual World

Arts & Photography

History & Criticism

Hopkins's letters are his secular confessional, and if we wish to understand the man and his poetry, this is material we cannot ignore. This is where his mind allowed itself its most expansive and unfettered expression. This edition adds 43 letters to the total printed by Claude Colleer Abbott in his three-volume major edition of the mid-twentieth century. It further improves on the earlier editions in four ways: in its accuracy, in its order, in its inclusiveness, and in the thoroughness of its annotation. It is a completely new presentation of the letters, set out on radically different lines from earlier editions. It includes all the letters from Hopkins, but adds all the extant letters which were written to him. It is set out in a single chronological sequence, placing all the replies and queries at their appropriate place within the correspondence, thus providing as far as can be achieved, a narrative sequence. This acts in many ways as an informal intellectual biography of Hopkins, tracking his early ideas, his anxieties, his conversion, his friendships, his priesthood, his disappointments, and his ideas on literature and life. The transcriptions not only revise a large number of readings, but include all legible deletions and corrections, allowing the reader to follow the hesitancies and adjustments of Hopkins's mind. Like most nineteenth-century poets, Hopkins never published a theoretical account of his work and his thoughts on poetry, but what he had to say can be found in these letters, and their extensive use by critics and poets indicates their richness as a source of ideas on Hopkins's poetry and on poetry and poetics in general.

The Collected Works of Gerard Manley Hopkins: Volumes I and II: Correspondence

Literature & Fiction

Thornton, R. K. R.

British & Irish

Backed by solid scientific research and the author’s keen insight into the dynamics of physiology, nutrition and metabolism, nutritionist Chris Aceto proves there is an alternative to diets that are rich in carbohydrates. 
Aceto lays down a rational approach to low carb dieting. With great clarity and simplicity, he explains how to get started, how to overcome roadblocks and why a low carb plan can be so successful in burning off body fat. 
Readers of The Low Carb Rule &amp; Recipe Book experience: Rapid Weight Loss Greater Energy Less Hunger! 
You’ll find low carb dieting a breeze with a collection of over 225 delicious low carb recipes complete with carb counts and detailed nutrition information.

The Low Carb Rule & Recipe Book

Aceto, Chris

Club Creavalle Inc

Considerations on the Causes of the High Price of Grain, and Other Articles of Provision

History

BiblioLife

Saving More Than Seeds: Practices and Politics of Seed Saving

Saving More Than Seeds advances understandings of seed-people relations, with particular focus on seed saving. The practice of reusing and exchanging seeds provides foundation for food production and allows humans and seed to adapt together in dynamic socionatural conditions. But the practice and its practitioners are easily taken for granted, even as they are threatened by neoliberalisation. Combining original ethnographic research with investigation of an evolving corporate seed order, this book reveals seed saving not only as it occurs in fields and gardens but also as it associates with genebanking, genetic engineering, intellectual property rights, and agrifood regulations. Drawing on diverse social sciences literatures, Phillips illustrates ongoing practices of thinking, feeling, and acting with seeds, raising questions about what seed-people relations should accomplish and how different ways of relating might be pursued to change collective futures.

Politics & Social Sciences

Social Sciences

Routledge

The German gem-engraver, medallist, and amateur scholar Lorenz Natter (1705- 1763), was so impressed by the size and quality of the collections of ancient and later engraved gems which he found in Britain that he proposed the publication of an extraordinarily ambitious catalogue – Museum Britannicum – which would present engravings and descriptions of the most important pieces. He made considerable progress to this end, producing several hundred drawings, but in time he decided to abandon the near completed project in the light of the apparent lack of interest shown in Britain. Only one of the intended plates in its final form ever appeared, in a catalogue which he published separately for Lord Bessborough’s collection. On Natter’s death the single copy of his magnum opus vanished mysteriously, presumed lost forever. All hope of recovering Natter’s unpublished papers seemed vain, and their very existence had come to be doubted. Yet they were to be found more than two hundred years after his death, in Spring 1975, when the classical scholar and renowned expert in gems, Oleg Neverov, chanced upon them at the bottom of a pile of papers in the archives of the State Hermitage Museum in St Petersburg. Neverov and his colleague Julia Kagan carried out the initial research on the Hermitage manuscripts and produced the first published account of this archival treasure. The present volume builds upon their earlier work to produce the first comprehensive publication of Museum Britannicum, offering full discussion in English and presenting Natter’s drawings and comments alongside modern information on the gems that can be identified and located through fresh research. This book is the result of a ten-year collaboration between scholars on the Beazley Archive gems research programme at Oxford’s Classical Art Research Centre and the State Hermitage Museum. It fulfills Natter’s vision for the Museum Britannicum – albeit two and a half centuries late – to the benefit of art historians, cultural historians, curators, and gem-lovers of today. Table of Contents Preface PART 1: I. An Anglo-Russian Project II. Lorenz Natter. Early Career III. Natter in Britain IV. Natter in Russia V. The Museum Britannicum Rediscovered VI. Afterword PART 2: VII. The Museum Britannicum: the catalogue and drawings VIII. The Collectors and their Gems IX. Lorenz Natter’s own Collection X. Natter’s own Index of the Museum Britannicum XI. Natter’s Treatise and miscellaneous drawings Index of gem subjects Index of inscriptions General Index to Part 1, and VIII

Natter’s Museum Britannicum: British gem collections and collectors of the mid-eighteenth century

Wagner, Claudia

BOARDMAN, JOHN

Kagan, Julia

Archaeopress Archaeology

What happens when you want to take a holiday, or even just pop out for a drink, and your dog looks up at you with those expectant eyes? Do you know which pubs welcome muddy paws with a bowl of water and a dog biscuit? Or where you and your dog can both enjoy a comfortable overnight stay? From the editors of the UK's No 1 travel guide, the much loved Good Pub Guide, comes the latest edition of the Good Guide to Dog Friendly Pubs, Hotels and B&amp;Bs. Featuring fully updated information, the guide provides you with hundreds of wonderful places in the UK to drink, eat, and stay with your pet. With this book to hand, there's no need to leave your dog at home. Faithful friends deserve a break, too!

Good Guide to Dog Friendly Pubs, Hotels and B&Bs: 6th Edition

Crafts, Hobbies & Home

Pets & Animal Care

Ebury Press

The German gem-engraver, medallist, and amateur scholar Lorenz Natter (1705-1763), was so impressed by the size and quality of the collections of ancient and later engraved gems which he found in Britain that he proposed the publication of an extraordinarily ambitious catalogue - Museum Britannicum - which would present engravings and descriptions of the most important pieces. He made considerable progress to this end, producing several hundred drawings, but in time he decided to abandon the near completed project in the light of the apparent lack of interest shown in Britain. Only one of the intended plates in its final form ever appeared, in a catalogue which he published separately for Lord Bessborough's collection. On Natter's death the single copy of his magnum opus vanished mysteriously, presumed lost forever. All hope of recovering Natter's unpublished papers seemed vain, and their very existence had come to be doubted. Yet they were to be found more than two hundred years after his death, in Spring 1975, when the classical scholar and renowned expert in gems, Oleg Neverov, chanced upon them at the bottom of a pile of papers in the archives of the State Hermitage Museum in St Petersburg. Neverov and his colleague Julia Kagan carried out the initial research on the Hermitage manuscripts and produced the first published account of this archival treasure. The present volume builds upon their earlier work to produce the first comprehensive publication of Museum Britannicum, offering full discussion in English and presenting Natter's drawings and comments alongside modern information on the gems that can be identified and located through fresh research. This book is the result of a ten-year collaboration between scholars on the Beazley Archive gems research programme at Oxford's Classical Art Research Centre and the State Hermitage Museum. It fulfills Natter's vision for the Museum Britannicum - albeit two and a half centuries late - to the benefit of art historians, cultural historians, curators, and gem-lovers of today.

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