A Philip Roth Reader

Literature & Fiction

PHILIP ROTH

Contemporary

Vintage

Radio actor Iron Rinn is a big Newark roughneck lighted by a brutal personal secret from which he is perpetually in flight. An idealistic Communist, an uneducated ditchdigger turned popular performer, a six-foot, six-inch Abe Lincoln look-alike, he emerges from serving in WW2 passionately committed to making the world a bet

I Married a Communist

Literary

Title: I Married a Communist Binding: Paperback Author: PhilipRoth Publisher: VintageBooksUSA

I Married a Communist [I MARRIED A COMMUNIST]

What if a look-alike stranger stole your name, usurped your biography, and went about the world pretending to be you? In his extraordinary new book, his most ingenious and original work since "The Counterlife", Phillip Roth confronts his double, an imposter whose self-appointed task is to lead the jews out of Israel and back to Europe, a moses in reverse and a monstrous nemesis to the 'real' Philip Roth. Suspenseful, hilarious hugely impassioned, pulsing with intelligence and narrative energy, "Operation Shylock" is at once a spy story, a political thriller, a meditation on identity, and a confession.

Operation Shylock : A Confession

The professor of desire

As a student in college, David Kepesh styles himself as 'a rake among scholars, a scholar among rakes' - an identity that will cling to him for a lifetime. As Philip Roth follows Kapesh from the domesticity of childhood out into the vast wilderness of erotic possibility, from a menage a trois in London to the depths of loneliness in New York, Kapesh confronts the central dilemma of pleasure: how to make a truce between dignity and desire; and how to survive the ordeal of an unhallowed existence.

The Professor of Desire

Vintage Books USA

Coleman Silk has a secret. But it's not the secret of his affair, at seventy-one, with a woman half his age. And it's not the secret of his alleged racism, which provoked the college witchhunt that cost him his job. Coleman's secret is deeper, and it lies at the very core of who he is, and he has kept it hidden from everyon

The Human Stain

Vin.Intl.

No matter how much you know, no matter how much you think, no matter how much you plot and you connive and you plan, you’re not superior to sex. With these words our most unflaggingly energetic and morally serious novelist launches perhaps his fiercest book. The speaker is David Kepesh, white-haired and over sixty, an eminent cultural critic and star lecturer at a New York college–as well as an articulate propagandist of the sexual revolution. For years he has made a practice of sleeping with adventurous female students while maintaining an aesthete’s critical distance. But now that distance has been annihilated. The agency of Kepesh’s undoing is Consuela Castillo, the decorous and humblingly beautiful 24-year-old daughter of Cuban exiles. When he becomes involved with her, Kepesh finds himself dragged–helplessly, bitterly, furiously–into the quagmire of sexual jealousy and loss. In chronicling this descent, Philip Roth performs a breathtaking set of variations on the themes of eros and mortality, license and repression, selfishness and sacrifice. The Dying Animal is a burning coal of a book, filled with intellectual heat and not a little danger.

The Dying Animal

Portnoy's Complaint (Vintage Blue)

Nathan Zuckerman is visiting Prague, where intellectuals come searching for Kafta, where misfits who don't submit decently to their misfortunes act out a comedy of manners in decadence. Here Zuckerman meets Olga, and brings home lessons for the American writer - lessons about oppression and resilience, laughter and Kafta, and more.

The Prague Orgy

Vintage/Ebury (a Division of R

The Anatomy Lesson

'The Anatomy Lesson is a ferocious, heartfelt book - lavish with laughs and flamboyant inventions' John Updike With his fortieth birthday receding into the distance, along with his hairline and his most successful novel, the writer Nathan Zuckerman comes down with a mysterious affliction - pure pain, beginning in his neck and shoulders, invading his torso, and taking possession of his spirit. Zuckerman, whose work was his life, finds himself physically unable to write a line. He treks from one doctor to another, but none can find a cause for the pain and nobody can assuage it. Could it be, he wonders to himself, that the cause of the pain is nothing less than the books he has written? As he grapples with this possibility, he tries an onslaught of painkillers, then vodka, and finally marijuana. He contemplates threatening the pain with suicide, attempting to scare it out of his system. He toys with the prospect of a dramatic career change. What will it take for the pain to finally leave him alone?

World Literature

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Books by PHILIP ROTH