'A diary of photographs so powerful you feel you could step into them … an astonishingly vivid journalist of both words and image' Herald Lee Miller’s work for Vogue from 1941–1945 sets her apart as a photographer and writer of extraordinary ability. The quality of her photography from the period has long been recognized as outstanding, and its full range is shown here, accompanied by her brilliant despatches. Starting with her first report from a field hospital soon after D-Day, the despatches and nearly 160 photographs show war-ravaged cities, buildings and landscapes, but above all they portray the war-resilient people – soldiers, leaders, medics, evacuees, prisoners of war, the wounded, the villains and the heroes. There is the raw edge of combat portrayed at the siege of St Malo and in the bitterly fought Alsace campaign, and the disbelief and outrage Miller describes on witnessing the victims of Dachau. The war’s horror is relieved by the spirit of post-liberation Paris, where she inudulged in frivoluous fashions and recorded memorable conversations with Picasso, Cocteau, Eluard, Aragon and Colette. The book ends with Miller’s first-on-the-scene report giving a sardonic description of HItler’s abandoned house in Munich, and the looting and burning of his alpine fortress at Berchtesgaden, which marked a symbolic end to the war. David E. Scherman, the renowned war photojournalist who shared many of Miller’s assignments, contributes a foreword.

Lee Miller's War (Compact New ed) /anglais

Arts & Photography

Penrose, Anthony

Photography & Video

Thames&Hudson

Insights into the home of surrealists Lee Miller and Roland Penrose.\nFollowing the austere and traumatic years of World War II, surrealists Lee Miller and Roland Penrose made their home at Farleys in the Sussex countryside. Penrose, a painter, author, and collector, and Miller, a photographer and war correspondent, moved to Farleys not to settle down, but to create, entertain, and inspire. In this book their son, Antony Penrose, recalls visitors and occasions at Farleys with a fascinating insight into his parents' lives. This accessible book includes images of the array of visitors during the 1950s against the backdrop of Farleys as it transforms from a traditional farmhouse into a twentieth-century international hub of art with unexpected innovative decoration, surreal living, and daring.

Surrealist Weekends: Farleys in the Fifties

Farley’s House and Gallery

The beautifully illustrated book of Love Letters between Lee Miller and Roland Penrose begins when they first met at a fancy dress party in Paris, June 1937. Through the letters it tracks their love affair, adventures, creative work, involvement with the surrealist art movement, scandal and laughs to the background of a world that is building up to the beginning of the Second World War.

Love Letters: Bound in Gold Handcuffs

Biographies & Memoirs

Miller, Lee

Arts & Literature

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