A study of world architecture as seen through the eyes of ninety great masters of the camera, this magnificently produced book includes some of the earliest and finest photographs of architectural subjects. It takes us from the Paris of Atget and Baldus to Beato's imperial Japan, and from August Sander's vision of Germany between the Wars to Atlanta after Sherman's march.Among the other photographers represented in the book's 148 plates are Talbot, Fenton, and F. H. Evans in Britain; Macpherson and Ponti in Italy; Salzman in Jerusalem; Chamay in Mexico; and Watkins, Stieglitz, Steichen, Abbot, and O'Sullivan in the United States.Phyllis Lambert's introduction discusses the importance of photography to the architect and architectural historian. Richard Pare's essay examines the history of architectural photography and photographic techniques. The extensive catalog by Catherine Evans Inbusch and Marjorie Munsterberg provides detailed information on the photographs and biographies of the photographers.Richard Pare is Curator of Photographs at the Canadian Centre for Architecture where Phyllis Lambert is founder and director. All of the photographs in this book were selected from the Centre's collection. Photography and Architecture: 1839-1939 was originally published by the Centre with Callaway Editions in 1982 and is now distributed by The MIT Press.

Photography and Architecture: 1839-1939

Arts & Photography

Pare, Richard

Collections, Catalogs & Exhibitions

Mit Pr

Tadao Ando: the Colours of light is a landmark in architectural publishing. An exquisite work of art in its own right, it is the result of ten years' collaboration between the English photographer Richard Pare and the internationally renowned architect Tadao Ando. Japan's leading architect, Tadao Ando (b 1941) was recently awarded the 1995 Pritzker Architecture Prize for his 'consistent and significant contributions to the built environment'. This book includes twenty-seven of Ando's buildings, completed over the last decade, including such notable projects as the Kidosaki House, Tokyo, 1986, the Church on the Water, Hokkaido, 1988, the Naoshima Contemporary Art Museum and Annexe, 1992 and 1995, and the recently completed buildings for Benetton in Treviso, Italy, 1995, and the Meditation Space for Unesco, Paris, 1995. Richard Pare's images break with previous conventions of architectural representation; they convey his interest in distilling the 'essence' of Tadao Ando's buildings rather than producing literal portraits. Pare concentrates on the subtle effects that natural light has on architecture; working without the aid of artificial effects he captures as directly as possible the colour and atmosphere of Ando's spaces.

Tadao Ando : The Colours of Light

Andō, Tadao

Architecture

Phaidon Inc Ltd

The result of ten years of collaboration between English photographer Richard Pare and the internationally renowned Japanese architect Tadao Ando, this book provides a photographic view of Ando's work. Pare has built up a portfolio of 200 images in which he has tried to distil the essence of each building. The book approaches Ando's work from a different angle, exploring the atmosphere, light and shade of his spaces.

Tadao Ando : The Colours of Light (Mini Edition)

Heneghan, Tom

Phaidon Press

Tadao Ando: couleurs de lumière

PHAIDON FRANCE

Roger Fenton (Masters of Photography)

Roger Fenton achieved widespread fame for his coverage of the Crimean War, as it was the first extensive photographic documentation of a war. "The Valley of the Shadow of Death" is regarded as one of the most important photographs of war that has ever been recorded. However, the Crimean photographs account for only a small section of the thousands that he produced, and of the many subjects in which he took an interest. Fenton's work was greatly admired by Queen Victoria, and he was commissioned to take portraits of the royal family. He traveled and photographed extensively in the United Kingdom and Russia. He also photographed still lifes and landscapes. These landscapes, full of Romantic poetic sensibility, may be the greatest tribute to his art, revealing the audacity and innovation of his vision, together with a sense of serene harmony. They provide a unique view of the Victorian aesthetic. In an introductory essay, Richard Pare provides an account of the artist's life, and his many and varied contributions to the art of photography.

FENTON, Roger

Photography & Video

Aperture

Roger Fenton achieved widespread fame for his coverage of the Crimean War, as it was the first extensive photographic documentation of a war. "The Valley of the Shadow of Death" is regarded as one of the most important photographs of war that has ever been recorded. However, the Crimean photographs account for only a small section of the thousands that he produced, and of the many subjects in which he took an interest. Fenton's work was greatly admired by Queen Victoria, and he was commissioned to take portraits of the royal family. He traveled and photographed extensively in the United Kingdom and Russia. He also photographed still lifes and landscapes. These landscapes, full of Romantic poetic sensibility, may be the greatest tribute to his art, revealing the audacity and innovation of his vision, together with a sense of serene harmony. They provide a unique view of the Victorian aesthetic. In an introductory essay, Richard Pare provides an account of the artist's life, and his many and varied contributions to the art of photography.

Individual Artists

Egypt: Reflections on Continuity

History

Middle East

Timken Pub

The Lost Vanguard documents the work of modernist architects in the Soviet Union during the years following the 1917 revolution and civil war. In little more than a decade, some of the most radical buildings of the twentieth century were completed by a small group of architects who developed a new architectural language in support of new social goals of communal life. Rarely published and virtually inaccessible until the collapse of the Soviet regime, these important buildings have remained unknown and unappreciated. Richard Pare's photographs reveal the powerful forms of these structures, some still in use but many now abandoned and decayed. Massive industrial complexes like the Dnieper River Dam and MoGES, which supplies electricity to the city of Moscow; vast communal houses for workers, including Ginzburg's Narkomfin; commercial buildings and government offices; and smaller clubs and theaters were all built in this brief period.In an incisive essay, architectural historian Jean-Louis Cohen surveys the history of the period, providing a context for the emergence of this startling new architecture in parallel to contemporary experiments in Europe.

Lost Vanguard: Russian Modernist Architecture 1922-1932

The Monacelli Press

The most thoroughgoing survey of nearly all of Le Corbusier's extant projects, beautifully photographed and authoritatively detailed. Le Corbusier is widely acknowledged as the most influential architect of the twentieth century. As extensively researched and documented as his works are, however, they have never been exhaustively surveyed in photographs until now. Photographer Richard Pare has crossed the globe for years to document the extant works of Le Corbusier--from his first villas in Switzerland to his mid-career works in his role as the first global architect in locations as far-flung as Argentina and Russia, and his late works, including his sole North American project, at Harvard University, and an extensive civic plan for Chandigarh, India. Le Corbusier: The Built Work provides numerous views of each project to bring a fuller understanding of the architect's command of space, sometimes surprising use of materials and color, and the almost ineffable qualities that only result from a commanding synthesis of all aspects of design. With an authoritative text by scholar and curator Jean-Louis Cohen, Le Corbusier: The Built Work is a groundbreaking opportunity to appreciate the master's work anew.

Le Corbusier: The Built Work

COHEN, Jean-Louis

History & Criticism

Since 2007, American photographer Jade Doskow has been documenting the remains of World’s Fair sites, once iconic global attractions that have often been repurposed for less noble aspirations or neglected and fallen into decay. Lost Utopias brings together the substantial body of work that Doskow has completed over the past decade, including iconic monuments such as the Seattle Space Needle, the Eiffel Tower, Brussels’ Palais des Expositions and New York’s Unisphere. Doskow’s large-scale colour photographs poignantly illustrate the utopian architecture and art that has surrounded the World’s Fairs, across both the nineteenth and twentieth centuries. Presented in a handsome, large-scale hardback book, Doskow’s work carries a unique sense of both grandeur and dreaminess, whilst also reflecting upon the often temporary purposes that these structures once held.

Lost Utopias: Photographs by Jade Doskow

Doskow, Jade

Minner, Jennifer

Black Dog Press

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