The Excavations of Beth Shemesh, November-December 1912 (The Palestine Exploration Fund Annual)

Politics & Social Sciences

Momigliano, Nicoletta

MacKenzie, Duncan

Bunimovitz, Shlomo

Lederman, Zvi

Archaeology

Routledge

This collection of papers in honour of Sinclair Hood ranges across the archaeology and history of Knossos. The first ten chapters progress from the Neolithic to the Roman period; the last three chapters return to the Bronze Age settlement.

Knossos: A Labyrinth of History (gr-gen)

History

Evely, D.

Hughes-Brock, Helen

Ancient Civilizations

British School at Athens

In 1909 the Scottish archaeologist Duncan Mackenzie, Sir Arthur Evans’s right-hand man on the excavations of the legendary ‘Palace of Minos’ at Knossos since 1900, was appointed ‘Explorer’ of the Palestine Exploration Fund (PEF). From the spring of 1910 until December 1912 he was engaged in archaeological fieldwork in Palestine, especially directing excavation campaigns at Ain Shems (biblical Beth Shemesh) – an important site in the Shephelah of Judah at the crossroads of Canaanite, Philistine, and Israelite cultures. Mackenzie published the results of his work in various issues of the Palestine Exploration Quarterly and Palestine Exploration Fund Annual. Because of a financial dispute with the PEF, however, he never submitted a detailed publication of his very last campaign at Beth Shemesh, conducted in November–December 1912. In 1992 Nicoletta Momigliano rediscovered Mackenzie’s lost manuscript on his latest discoveries at Beth Shemesh, which one of his nephews had kept for nearly 80 years at his old family home in the Scottish Highlands, in the small village of Muir of Ord. At about the same time, Shlomo Bunimovitz and Zvi Lederman initiated new excavations at Beth Shemesh which considerably changed previous interpretations of the site. This volume presents Mackenzie’s detailed discussion of his last excavations at Beth Shemesh in the light of these more recent discoveries. Although written over a century ago, Mackenzie’s manuscript deserves to be better known today; it not only provides significant new information on this important site but also constitutes an intriguing historical document, shedding light on the history of field archaeology and of biblical archaeology. Moreover, Mackenzie’s pioneering approach to archaeological fieldwork and the significance of his finds can often be better appreciated today, from the perspective of more recent developments and discoveries.

In Search of the Labyrinth: The Cultural Legacy of Minoan Crete (New Directions in Classics)

<p><i>In Search of the Labyrinth</i> explores the enduring cultural legacy of Minoan Crete by offering an overview of Minoan archaeology and modern responses to it in literature, the visual and performing arts, and other cultural practices. The focus is on the twentieth century, and on responses that involve a clear engagement with the material culture of Minoan Crete, not just with mythological narratives in Classical sources, as illustrated by the works of novelists, poets, avant-garde artists, couturiers, musicians, philosophers, architects, film directors, and even psychoanalysts - from Sigmund Freud and Marcel Proust to D.H. Lawrence, Cecil Day-Lewis, Oswald Spengler, Nikos Kazantzakis, Robert Graves, André Gide, Mary Renault, Christa Wolf, Don DeLillo, Rhea Galanaki, Léon Bakst, Marc Chagall, Mariano Fortuny, Robert Wise, Martin Heidegger, Karl Lagerfeld, and Harrison Birtwistle, among many others. The volume also explores the fascination with things Minoan in antiquity and in the present millennium: from Minoan-inspired motifs decorating pottery of the Greek Early Iron Age, to uses of the Minoans in twenty-first-century music, poetry, fashion, and other media.</p>

Religion & Spirituality

Bloomsbury Academic

But arguably it was the sensational discoveries in the early twentieth century of Sir Arthur Evans and other archaeologists on Crete that more completely revolutionized understandings of prehistory. The ancient civilization Evans found on the island was dubbed 'Minoan', after the legendary King Minos; and ever since - whether they be RG Collingwood or Gordon Childe, Giorgio de Chirico or Pablo Picasso, Robert Graves or Mary Renault - classicists, archaeologists, artists and writers have alike been captivated by the Minoans. From appropriations by European intellectuals to feminist identifications with the Mother Goddess, Nicoletta Momigliano here offers the most complete history of the rediscovery of Minoan culture and its reception from Evans to the present day. She situates Bronze Age Crete and its material remains in a broad intellectual context, exploring in depth the enduring imaginative legacy of the Minoan civilization.

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