The impact of the melancholy, metaphysical art of Giorgio de Chirico (1888–1978) had much to do with his unique ability to see antiquity anew, and to locate its props in mysterious, atemporal dreamscapes. De Chirico loaded his depictions of Greek and Roman statues and architecture with muted intimations of allegory, locking away their meanings in foreboding enigmas that were among the earliest articulations of the Surrealist project. Published for a 2013 exhibition at the Phillips Collection in Washington, DC, Giorgio de Chirico: Myth and Archaelogy gathers a selection of lesser-known early works by de Chirico--bronze sculptures and drawings that address the artist’s innovative use of myth (such as Dioscuri, the Argonauts and Ariadne), archaeological artifacts and historical events from the classical era.

Giorgio de Chirico: Myth and Archaelogy

Arts & Photography

Miracco, Renato

Kosinski, Dorothy

Vezzoli, Francesco

Calarota, Franco

Bisogniero, Claudio

Individual Artists

Silvana Editorale

Italian Treasures in the U.S. - An itinerary of Art" is the result of a multifaceted project which began in 2011, the year of the 150th anniversary of Italian unification. The aim is to promote Italy's cultural and artistic heritage, whose presence is indeed relevant in the United States. The Embassy and the network of Italian Consulates and Cultural Institutes in the U.S. have worked passionately to raise awareness among the Italian and American public. Through this passion and hard-work, Italian masterpieces from 41 museums around the United States were brought together and the collection Italian Treasures in the U.S. finally came to life. It is an extraordinary narrative featuring creativity and beauty, a legacy for everyone, with Italy as the main protagonist. ....La descrizione continua sul sito www.gangemieditore.it

76 - ITALIAN TREASURES IN THE US. AN ITINERARY OF ART

Gangemi

In Oscar Wilde's Italian Dream 1875-1900, leading Wilde author Renato Miracco has combined written research with visual iconographic material - from Wilde's earliest heady trips to Italy as an Oxford student to his final days in France and Italy in 1900 after his incarceration in Reading Gaol, and his voluntary exile from Great Britain. Italy, and the larger world outside of London, was essential to the sensitivity and awareness of Wilde's identity, to his contributions to the prison reform, to his challenges to the social norms and sexual stereotypes in his last years. Latin formed the basis of a proper English gentleman's education-and Italy presented a landscape which animated and exacerbated social and personal conflict for young men such as Wilde. It also offered a great deal of sexual liberty compared to the oppressive moral atmosphere of England at that time. The images Miracco has incorporated in this volume (including photos that Wilde received from the gay German photographer, Von Gloeden) are mainly unknown from private collections, and together with letters, reminiscences, magazine and newspaper articles (along with derogatory articles about Wilde written by the Italian press) play a key role in placing Wilde's character, and an entire generation, in a complex context - not only literary, but also visual. Reading about Naples, Rome, Palermo, Sicily, and Capri of that time, you see it as it must have appeared in the eyes of the writer. Oscar Wilde's Italian Dream 1875-1900 is a major addition to the canon of one of the world's greatest literary figures. The introduction to the book is by Philip Kennicott the Pulitzer Prize-winning art and architecture critic of The Washington Post.

Oscar Wilde's Italian Dream 1875–1900

Biographies & Memoirs

Arts & Literature

Damiani

Best known for his disarmingly simple depictions of bottles, vases, bowls and jars grouped together on tabletops and painted in exquisitely muted natural colors, the beloved twentieth century Italian painter Giorgio Morandi was also an exceptional interpreter of the medium of engraving. This charming, concise volume, published to coincide with a spate of fall 2008 exhibitions--including a major survey at New York's Metropolitan Museum of Art--collects drawings, watercolors and etchings selected mainly from British and American collections. They range across all of Morandi's favorite motifs, from the famous still lifes of humble objects to the landscapes, cityscapes and objects from the sea. Giorgio Morandi was born in Bologna, Italy, in 1890. Although he fraternized with many of the most important Italian artists and poets of his day, he spent most of his time in his own studio, painting the same objects again and again. He continued to live and work in Bologna until his death in 1964.

Giorgio Morandi

Wilkin, Karen

History & Criticism

Charta/Italian Cultural Institute, New York

Italian artist Fausto Melotti (1901-1986) worked in plaster, ceramics and metal, and also wrote poetry. His work has been linked to Giacometti, Fontana, de Chirico and Calder. This volume collects drawings and poems by the artist, alongside a selection of rare black-and-white portraits and documentary photographs by Ugo Mulas. Originally educated as an electrical engineer, Fausto Melotti enrolled in art school in 1928, befriending Lucio Fontana, who became a lifelong friend. In the 1930s, Melotti created fanciful and dreamlike narratives embedded in small ceramic squares, continuing to work with ceramics and terra-cotta throughout the Second World War. In the 1940s he began collaborating with Domus magazine and published his first collection of poems. The day after his death, in 1986, the 42nd Venice Biennale opened with an exhibition of his work, posthumously awarding him the Golden Lion award.

Fausto Melotti With Photos by Ugo Mulas

Geuna, Elena

Giuseppe Ripa's Moondance is a kind of photographic sci-fi fantasy that yo-yos between earth and sky, from aerial views to futuristic urban architectures in cities such as New York, London and Milan. Ripa's portrayal of these environments implicitly opposes the more regimented aspects of contemporary society.

Giuseppe Ripa: Moondance

Ripa, Giuseppe

Photography & Video

Charta

This is the first monograph on Italian artist Federico Solmi (born 1973). Using images culled from the video-game industry, pop culture and the internet, Solmi creates irreverent, bawdy satires about the vices of contemporary society. These outrageous critiques, of a jubilant yet crumbling present, earned the artist a prestigious Guggenheim Memorial Fellowship in 2009.

Federico Solmi

De la Torre, Blanca

In the hands of Italian photographer Giuseppe Ripa (born 1962), even the most familiar cities can be transfigured into surreal landscapes. Following his 2008 elegy for Milan, in Liminal, New York provides the setting for Ripa's elegant black-and-white photographs, which are as likely to stress hyperdefinition as they are to revel in languid blurriness.

Giuseppe Ripa: Liminal

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Books by Miracco, Renato