Illustrated with photographs taken during the production, this volume features the magical story of the nutcracker and captures the movement, elegance, and artistry of the ballet. Movie tie-in.

George Balanchine's the Nutcracker

Children's Books

Meyerowitz, Joel

Literature & Fiction

Little,Brown & Co

Joel Meyerowitz: A Question of Color traces the experiments in color and black-and-white photography of the young Meyerowitz, a pioneer in the history of 
color photography. 
An early advocate of color photography, Joel Meyerowitz has impacted and influenced generations of artists. For fifty-eight years, the master photographer has documented the United States’ ever-changing social landscape. 
During the late 1960s, Meyerowitz carried two cameras: one loaded with monochrome stock, the other with color. Just how, when, and why American fine art photographers switched from black-and-white image-making, prized within the gallery system, to color photography, once seen as the preserve of tourist photography, has been the cause of much debate. 
In Joel Meyerowitz: A Question of Color, Meyerowitz tells the story of his early days as a photographer when he was told that serious photographers took black-and-white pictures. "But why," he asked, "when the world is in color?" He then bought a color camera and various rolls of film and began to experiment with color techniques: a passion he continues to pursue. 200 black-and-white and color illustrations

Joel Meyerowitz: A Question of Color

Arts & Photography

Photography & Video

Thames&Hudson

This monograph forms an introduction to the major themes and the key images of American photographer Joel Meyerowitz, illustrated with 55 chronologically-presented images that offer a fresh insight into his career. An introductory essay by Colin Westerbeck discusses Meyerowitz’s life and work and places him both in the context of his time and within the history of photography. Born in 1938 in New York City, Meyerowitz went to Ohio to study painting and medical drawing at the State University but moved back to New York to work in advertising as an art director-designer. Then he started to take photographs, leaving his job to concentrate on his new career. Shooting film in black and white, he travelled around the United States for three months after which he was offered a Guggenheim Scholarship to take pictures on the theme of ‘leisure time’. It is as an early advocate of colour photography that Meyerowitz has had greatest influence, for he was instrumental in changing the attitude toward the use of colour from one of resistance to nearly universal acceptance. His subject matter altered from incidents on city streets shot with a small 35mm camera to the large format field photograph. Architecture, light and space, particularly at Cape Cod, acquired a new interest for him. After the destruction of the World Trade Center in New York, he was the only photographer granted unimpeded access to Ground Zero where he systematically documented the work of demolition and excavation, rescue and recovery. He has been awarded the title Photographer of the Year by the Friends of Photography, San Francisco. His work is in the collections of the Museum of Modern Art and the Metropolitan Museum of Art, and has been exhibited and published worldwide.

Joel Meyerowitz (55s)

Westerbeck, Colin

Individual Artists

Phaidon Press

This archive of pictures is the only existing photographic record of Ground Zero after the attacks on the World Trade Center on September 11th 2001. Fenced off and classified as a crime scene, the area was closed to all photographers, and only scant information was available about the activities in the guarded enclosure that became known as "the forbidden city." Through sheer persistence involving almost daily acts of resourcefulness and defiance, Joel Meyerowitz became the sole photographer to have continued access to the site and describe its transformation over the next nine months from a place of total devastation to cleared bedrock. Published to coincide with the fifth anniversary of the World Trade Center attacks, this book serves not only as an elegy to the thousands who lost their lives, but also celebrates the tireless effort and bravery of the thousands of police officers, fire fighters, construction workers, engineers, and volunteers who assisted in the clean-up process.

Aftermath

"Aftermath is a testament to the heroism and compassion that were so much a part of the recovery effort at ground zero. Joel?s work and dedication presented on the pages of this book is for every American, as a tribute and historical record ensuring 9/11 is never forgotten on future generations." - Joe Daniels, 9/11 Memorial President, 2011 After the destruction of the World Trade Center in New York on September 11th 2001, the world-renowned photographer Joel Meyerowitz felt compelled to visit the site. In his own words, he was 'overcome by a deep impulse to help, to save, to soothe, but, being far away, there was nothing I could do. On his return, Meyerowitz soon made his way to the scene where, upon raising his camera, he was reminded by a police officer that this was a crime scene and that no photographs were allowed. Meyerowitz duly left the scene but within a few blocks the officer's reminder had turned into consciousness. To Meyerowitz, 'no photographs meant no history' and he decided at that moment to find a way in and make an archive for the City of New York. Within days, he had established strong links with many of the firefighters, policemen and construction workers contributing to the clean up. With their assistance he became the only photographer to be granted unimpeded access to Ground Zero. Once there, he systematically began to document the wreckage followed by the necessary demolition, excavation and removal of tens of thousands of tonnes of debris that would transform the site from one of total devastation to level ground. Soon after, the Museum of the City of New York officially engaged Meyerowitz to create an archive of the destruction and recovery at Ground Zero. Meyerowitz takes a meditative stance toward the work and workers at Ground Zero, methodically recording the painful work of rescue, recovery, demolition and excavation. His 400 photographs featured here succinctly convey the magnitude of the destruction and loss and the heroic nature of the response. The images included here are a combination of prints from a large format camera, which allows for the greater detail, and standard 35mm, a format which provided Meyerowitz with the freedom to move easily around the site and capture each moment as it happened. The remarkable pictures in the archive visually relate the catastrophic destruction of the 9/11 attacks and the physical and human dimensions of the recovery effort. The aim of this book is to provide record of the extraordinary extent of the World Trade Center attacks and to documents the recovery efforts. The book will serve as both a poignant elegy to those that lost their lives and as a celebration of the tireless determination of those left behind to reclaim and rebuild the area known as 'Ground Zero'. The 2011 Edition of Aftermath will find a new audience at the 10 year anniversary of 9/11 in September 2011 at the opening of the 9/11 Memorial in NYC.

This monograph forms an introduction to the major themes and the key images of American photographer Joel Meyerowitz, illustrated with 55 chronologically-presented images that offer a fresh insight into his career.An introductory essay by Colin Westerbeck discusses Meyerowitz's life and work and places him both in the context of his time and within the history of photography. Born in 1938 in New York City, Meyerowitz went to Ohio to study painting and medical drawing at the State University but moved back to New York to work in advertising as an art director-designer. He then started to take photographs, leaving his job to concentrate on his new career. Shooting film in black-and-white, he travelled around the United States for three months after which he was offered a Guggenheim Scholarship to take pictures on the theme of 'leisure time'. It is as an early advocate of colour photography that Meyerowitz has had the greatest influence, for he was instrumental in changing the attitude toward the use of colour from one of resistance to nearly universal acceptance.His subject matter evolved from incidents on city streets shot with a small 35 mm camera to the large format field photograph. Architecture, light and space - particularly at Cape Cod - acquired a new interest for him. After the destruction of the World Trade Center in New York, he was the only photographer granted unimpeded access to Ground Zero where he systematically documented the work of demolition and excavation, rescue and recovery. He has been awarded the title Photographer of the Year by the Friends of Photography, San Francisco. His work is in the collections of the Museum of Modern Art and the Metropolitan Museum of Art, both in New York and he has been exhibited and published worldwide, for many years.

Joel Meyerowitz

Gathers color photographs of summer landscapes and people relaxing at the beach and in their yards

SUMMER'S DAY

Times Books

Sum Day - Dining Table

Crown

Color and light, the passing storm, a freckled girl, a  screened porch--a summer's day--from 1976-1981, mostly photographed on  Cape Cod. Lush, dreamy, sun-baked color.

Sum Day - Cottages

Sum Day - Lngnk Bea

See the best price to sell, buy, or rent books by Meyerowitz, Joel. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Meyerowitz, Joel

See the best price to sell, buy, or rent books by Meyerowitz, Joel. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

George Balanchine's the Nutcracker

Joel Meyerowitz: A Question of Color

Joel Meyerowitz (55s)

Aftermath

Aftermath

Joel Meyerowitz

SUMMER'S DAY

Sum Day - Dining Table

Sum Day - Cottages

Sum Day - Lngnk Bea