The Native American Heritage: A Survey of North American Indian Art: The Art Institute of Chicago, July 16-October 30, 1977: Oexhibition Catalogue

Maurer, Evan

The Art Institute of Chicago

In 1906 tribal sculpture was idiscoveredi by 20th century artists; these objects had suddenly become relevant because of changes in the nature of modern art itself. These two volumes comprise the first comprehensive scholarly treatment in half a century of the crucial influence of the tribal arts--particularly those of Africa and Oceania--on modern painters and sculptors. In this visually stunning and intellectually provocative work, 19 essays confront complex aesthetic, art-historical, and sociological problems posed by this dramatic chapter in the history of modern art. The main body of the book contains a series of essays on primitivism in the works of Gauguin, the Fauves, Picasso, Brancusi, the German Expressionists, Lipchitz, Modigliani, Klee, Giacometti, Moore, the Surrealists, and the Abstract Expressionists. It concludes with a discussion of primitivist contemporary artists, including those involved in earthworks, shamanism, and ritual-inspired performances.

"Primitivism" in 20th Century Art: Affinity of the Tribal and the Modern (Volumes I & II)

Arts & Photography

KRAUSS, ROSALIND

Flam, Jack

Bassani, Ezio

Feest, Christian

Geist, Sidney

Gordon, Donald

Laude, Jean

Levin, Gail

Paudrat, Jean-Louis

Peltier, Philippe

Rosenstock, Laura

Wilkinson, Alan

Oldenburg, Richard

BRANCUSI, Constantin

Lipchitz, Jacques

Modigliani, Amadeo

Moore, Henri

GIACOMETTI, Alberto

KLEE, PAUL

Oldenburg, Richard E.

PICASSO, Pablo

GAUGUIN, Paul.

History & Criticism

The Museum of Modern Art, New York

One of the most recognizable of American artists, and one of America's most innovative printmakers, Jim Dine has created a multidisciplinary oeuvre tied together by his continued use and reinvention of familiar imagery. Hearts, bathrobes, skulls, tools, the Crommelynck gate, Venus de Milo, self-portraits, plants, and flowers--Dine infuses these personal metaphors with new meanings and continually depicts them in novel and diverse contexts. Over time, some of these motifs have become recognized as clearly symbolic: the bathrobe figures as a self-portrait, the heart as a symbol of his love for wife Nancy. And also over time, Dine has added new images to his iconic repertory. Mountains, ancient Greco-Roman sculpture, owls, hands, trees, apes, Pinocchio, and ravens figure prominently in the prints he has made since 1985. This catalogue raisonne fully documents Dine's evolving imagery and technical experimentation from the late 80s through the millennium, including his limited-edition illustrated books, and establishes his absolute maturity as an artist. A glossary of printmaking terms, a selected print exhibition history and bibilography, and a discussion of his poetry and literary leanings make this catalog complete.

Jim Dine Prints, 1985-2000: A Catalogue Raisonne

Campbell, Richard

DINE, Jim

Carpenter, Elizabeth

Ruzicka, Joseph

Maurer, Evan M.

The Minneapolis Institute of Arts

A New York Times Best Art Book of 2018 This generously illustrated book explores the pottery of the Mimbres people and offers new insight into its imagery. Named after a valley in what is now Southwestern New Mexico, the Mimbres culture flourished between the 9th and 12th centuries. Through the exploration of paintings on Mimbres bowls, this book offers revelations about the culture's worldview based on the patterns and shapes depicted in their pottery. Drawing on extensive research as well as photography of the flora and fauna that still thrive in the Mimbres valley, the authors make the case that the pottery's beautiful black-and-white paintings and highly intricate designs are abstractions of visual experiences--some seen in the natural world and others generated by trance-like states brought on by ingesting the datura plant. Presenting a distinctive new interpretation of the iconography of ancient Mimbres painted ceramics, this volume addresses Mimbres culture and how this past civilization lived and communicated with the spirit world. Published in association with the Los Angeles County Museum of Art

Decoding Mimbres Painting: Ancient Ceramics of the American Southwest

Berlant, Tony

Prestel

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