The Information

Literature & Fiction

MARTIN AMIS

Contemporary

Flamingo

"We live in the age of mass loquacity," Martin Amis writes by way of introduction to Experience, thereby placing the reader in a curious bind. How to feel about a memoir by a writer who deplores our current enthusiasm for memoirs? Can such a public appeal for private life be convincing? The son of misanthropic comic novelist Kingsley Amis, Amis the Younger's life story is "a literary curiosity," he tells us, "which is also just another instance of a father and a son." He's spent his whole life bathed in the dubious yellow glow of celebrity, from the cries of nepotism surrounding his first novel's publication to the bizarre tempest in a teapot involving the size of the advance for The Information, his choice of literary agent, and of course that famously expensive set of new teeth. 
Here, finally, is Amis's chance to set matters straight--and if you're looking for his take on these controversies, you won't be disappointed. In fact, you should turn right away to the end of the book. After all, how many memoirs have indices--and how many indices are this entertaining? In addition to movers and shakers like "Travolta, John," "Brown, Tina," and "Bellow, Saul," one finds an extended entry for "dental problems," which includes "of animals," "sexual potency and," "Bellow on," and--more ominously--"tumour." 
Yet it's as "a clear view of the geography of a writer's mind," not as a celebrity tell-all, that Experience succeeds. Organized not by chronology but by a strange thematic schema all Amis's own, this messy, tangential book moves backward and forward in time and comes studded with footnotes and interspersed with schoolboy epistles. As a result, it's much truer to the actual texture of experience than anything more "novelistic" could possibly be. Amis's charming, quarrelsome, almost entirely helpless father; the tragic disappearance of his cousin, Lucy Partington; the daughter discovered only as an adult; those teeth--the narrative circles around these events and personages in prose as virtuoso but often less chilly than that found in his novels. This is memoir as anatomy of obsessions, and in the most profound way, it illuminates the source and power of Amis's remarkable work. --Mary Park

Memoir

Vintage

In Martin Amis's short stories whole worlds are created - or inverted. In 'Straight Fiction', everyone is gay, apart from the beleaguered 'straight' community; in 'Career Move', screenplay writers submit their works to little magazines, while poets are flown first-class to Los Angeles; in 'The Janitor of Mars', a sardonic robot gives us some strange news about life in the solar system. In 'Let Me Count the Times' a man has a mad affair with himself. 'Heavy Water', portrays the exhaustion of working-class culture, and 'State of England' its weird resuscitation. And in 'The Coincidence of the Arts' an English baronet becomes entangled with an African-American chess hustler.

Heavy Water And Other Stories

Vintage Books USA

Martin Amis's short stories make his novels look prim, They are also more frankly satirical. Whole worlds are created - or inverted. In 'Straight Fiction', everyone is gay (apart from the beleaguered 'straight' community); in 'Career Moves', screenplay writers submit their works to little magazines, while poets are flown first-class to Los Angeles; in 'The Janitor on Mars', a sardonic robot gives us some strange news about life in the solar system. Largely absent in the novels, the middle classes get a showing in 'Let Me Count the Times', where a man has a mad affair with himself. 'Heavy Water' portrays the exhaustion of working-class culture, 'State of England' its weird resuscitation. And in 'The Coincidence of the Arts' an English baronet becomes entangled with an African-American chess hustler. The earliest story, 'Denton's Death', was first published in 1975, but the bulk of the collection can be firmly labelled 'most recent work'.

Heavy Water and Other Stories

Literary

Vintage/Random House

This is a stunning collection of essays.

The War Against Cliche: Essays and Reviews 1971-2000

Essays & Correspondence

Vintage/Ebury (a Division of R

If the Marquis de Sade were to crash one of P. G. Wodehouse's house parties, the chaos might resemble the nightmarishly funny goings-on in this novel by the author of London Fields. The residents of Appleseed Rectory have primed themselves both for a visit from a triad of Americans and a weekend of copious drug taking and sexual gymnastics. There's even a heifer to be slugged and a pair of doddering tenants to be ingeniously harassed. But none of these variously bright and dull young things has counted on the intrusion of "dead babies" -- dreary spasms of reality. Or on the uninvited presence of a mysterious prankster named Johnny, whose sinister idea of fun makes theirs look like a game of backgammon.

Dead Babies

VINTAGE (RAND)

Koba the Dread is the successor to Amis's celebrated memoir, Experience. It addresses itself to the central lacuna of twentieth-century thought: the indulgence of communism by Western intellectuals. In between the personal beginning and the personal ending, Amis gives us perhaps the best one hundred pages ever written about

Koba The Dread

Biographies & Memoirs

Leaders & Notable People

Vintage/Ebury (a Division of Random

Time's Arrow

Vintage Books

Charles Highway, a precociously intelligent and highly-sexed teenager, is determined to sleep with an older woman before he turns twenty. Rachel fits the bill perfectly and Charles plans his seduction meticulously. He sets the scene with infinite care -- but it doesn’t come off quite as Charles expects.

RACHEL PAPERS,THE

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Books by MARTIN AMIS