A New York Review Books OriginalWhether you call her a coldhearted grifter or the soul of modern capitalism, there’s no question that Aimée is a killer and a more than professional one. Now she’s set her eyes on a backwater burg—where, while posing as an innocent (albeit drop-dead gorgeous) newcomer to town, she means to sniff out old grudges and engineer new opportunities, deftly playing different people and different interests against each other the better, as always, to make a killing. But then something snaps: the master manipulator falls prey to a pure and wayward passion.  Aimée has become the avenging angel of her own nihilism, exacting the destruction of a whole society of destroyers. An unholy original, Jean-Patrick Manchette transformed the modern detective novel into a weapon of gleeful satire and anarchic fun. In Fatale he mixes equal measures of farce, mayhem, and madness to prepare a rare literary cocktail that packs a devastating punch.

Fatale

Literature & Fiction

MANCHETTE, JEAN-PATRICK

Manchette, Jeanpatrick

Genre Fiction

French & European Pubns

Also available in a new, movie tie-in edition, titled The Gunman (Paperback ISBN: 978-0-87286-664-5. Ebook ISBN: 9780872866652). Film opened March 20, 2015 starring Sean Penn, Javier Bardem, Idris Elba and Ray Winstone, directed by Pierre Morel (Taken).
Martin Terrier is a hired killer who wants out of the game—so he can settle down and marry his childhood sweetheart. After all, that's why he took up this profession! But "the company" won't let him go: they have other plans. Once again, the gunman must assume the prone firing position. A tour de force, this violent tale shatters as many illusions about life and politics as it does bodies. Jean-Patrick Manchette subjects his characters and the reader alike to a fierce exercise in style. This tightly plotted, corrosive parody of "the success story" is widely considered to be Manchette's masterpiece, and was named a New York Times "Notable Book" in 2002. The Prone Gunman is a classic of modern noir.
"For Manchette and the generation of writers who followed him, the crime novel is no mere entertainment, but a means to strip bare the failures of society, ripping through veils of appearance, deceit, and manipulation to the greed and violence that are the society's true engines."—Boston Globe
"There's not a superfluous word or overdone effect . . . one of the last cool, compact and shockingly original crime novels Manchette left as his legacy to modern noir fiction."—New York Times
"For the first time readers can experience in English translation the masterful thriller considered Manchette's finest, proof positive that the French knew what they were talking about when they labeled this sort of novel 'noir'."—Publishers Weekly
"This superbly muscular translation of the late French mystery writer Jean-Patrick Manchette's most celebrated work, The Prone Gunman, is the third volume issued [by] City Lights Noir. The series may prove to be the most needed contribution to contemporary fiction by any publisher in a good long while."—The San Francisco Chronicle
Jean-Patrick Manchette was a French crime novelist credited with reinventing and reinvigorating the genre. He wrote ten short novels in the 1970s and early 80s, and is widely recognized as the foremost French crime fiction author of that time. His stories are violent, existentialist explorations of the human condition and French society. Jazz saxophonist and screenwriter, Manchette was also a left-wing activist influenced as much by the writings of the Situationist International as by Dashiell Hammett. Jean-Patrick Manchette's other work, 3 to Kill is also published by City Lights Publishers.

The Prone Gunman (City Lights Noir)

City Lights Publishers

The film also stars Javier Bardem, Idris Elba and Ray Winstone, and is directed by Pierre Morel (Taken). About The Gunman: Terrier is a hired killer who wants out of the game, so he can settle down and marry his childhood sweetheart. But the Organization won't let him go: they have other plans for him. In a violent tale that shatters as many illusions as bodies, Jean-Patrick Manchette subjects his characters and the reader alike to a fierce exercise in style. This tightly plotted, corrosive parody of "the success story" is widely considered to be Manchette's masterpiece, and was named a New York Times "Notable Book" in 2002. The Gunman is a classic of modern noir. Also available in its original edition titled The Prone Gunman, along with Manchette's Three to Kill, published by City Lights in 2002. "For Manchette and the generation of writers who followed him, the crime novel is no mere entertainment, but a means to strip bare the failures of society, ripping through veils of appearance, deceit, and manipulation to the greed and violence that are the society's true engines."—Boston Globe "There's not a superfluous word or overdone effect . . . one of the last cool, compact and shockingly original crime novels Manchette left as his legacy to modern noir fiction."—New York Times Jean-Patrick Manchette was a French crime novelist credited with reinventing and reinvigorating the genre. He wrote ten short novels in the 1970s and early 80s, and is widely recognized as the foremost French crime fiction author of that time. His stories are violent, existentialist explorations of the human condition and French society. Jazz saxophonist and screenwriter, Manchette was also a left-wing activist influenced as much by the writings of the Situationist International as by Dashiell Hammett.

The Gunman (Movie Tie-In Edition) (City Lights Noir)

Martin Terrier is a hired killer who wants out of the game so he can settle down and marry his childhood sweetheart, Anne. After all, that's why he took up this profession in the first place. But the organization won't let him go--they have other, more deadly plans for him. There's a visiting politician, an Arab oil magnate, whom they want assassinated, and Terrier is their man. Once again, the gunman must assume the prone shooting position--but not everything goes according to plan.A tour de force, this violent tale shatters as many illusions about life and politics as it does bodies. It is perhaps the finest work from the pen of Jean-Patrick Manchette.

The Prone Gunman Lib/E

Mystery, Thriller & Suspense

Mystery

Blackstone Publishing

A New York Review Books Original
Whether you call her a coldhearted grifter or the soul of modern capitalism, there’s no question that Aimée is a killer and a more than professional one. Now she’s set her eyes on a backwater burg—where, while posing as an innocent (albeit drop-dead gorgeous) newcomer to town, she means to sniff out old grudges and engineer new opportunities, deftly playing different people and different interests against each other the better, as always, to make a killing. But then something snaps: the master manipulator falls prey to a pure and wayward passion. Aimée has become the avenging angel of her own nihilism, exacting the destruction of a whole society of destroyers. An unholy original, Jean-Patrick Manchette transformed the modern detective novel into a weapon of gleeful satire and anarchic fun. In Fatale he mixes equal measures of farce, mayhem, and madness to prepare a rare literary cocktail that packs a devastating punch.

Fatale (New York Review Books Classics)

Humor & Entertainment

Humor

NYRB Classics

An NYRB Classics Original Winner of the French-American Foundation Translation Prize for Fiction Michel Hartog, a sometime architect, is a powerful businessman and famous philanthropist whose immense fortune has just grown that much greater following the death of his brother in an accident. Peter is his orphaned nephew—a spoiled brat. Julie is in an insane asylum. Thompson is a hired gunman with a serious ulcer. Michel hires Julie to look after Peter. And he hires Thompson to kill them. Julie and Peter escape. Thompson pursues. Bullets fly. Bodies accumulate. The craziness is just getting started. Like Jean-Patrick Manchette’s celebrated Fatale, The Mad and the Bad is a clear-eyed, cold-blooded, pitch-perfect work of creative destruction.

The Mad and the Bad (New York Review Books Classics)

Literary

George Gerfaut, aimless young executive and desultory family man, witnesses a murder and finds himself sucked into a spiral of violence involving an exiled war criminal and two hired assassins. Adapting to the exigencies of his new life on the run with shocking ease, Gerfaut abandons his comfortable middle-class life for several months, until, joined with a new ally, he finally returns to settle all accounts... with brutal, bloody interest. Released in 2005, West Coast Blues (Le Petit bleu de la côte ouest) is Tardi's adaptation of a popular 1976 novel by the French crime writer Jean-Patrick Manchette. (The novel had been previously adapted to film under the more literal title Trois hommes à abattre, and was released in English by the San Francisco-based publisher City Lights under the English version of the same title, 3 to Kill.) Tardi's late-period, looser style infuses Manchette's dark story with a seething, malevolent energy; he doesn't shy away from the frequently grisly goings-on, while maintaining (particularly in the old-married-couple-style bickering of the two killers who are tracking Gerfaut) the mordant wit that characterizes his best work. This is the kind of graphic novel that Quentin Tarantino would love, and a double shot of Scotch for any fan of unrelenting, uncompromising crime fiction

West Coast Blues

Comics & Graphic Novels

TARDI, Jacques

Graphic Novels

Fantagraphics Books

The Tardi/Manchette team of West Coast Blues reunites for another brutal neo-noir classic. Like many of the greatest noir thrillers, Like a Sniper Lining Up His Shot begins with a classic, even clichéd set-up: Martin Terrier, the hired killer, needs just one more big job so that he can turn in his guns, return to his native village to find and marry his childhood sweetheart, and retire. But nothing goes as expected, his “last job” turns out to be a set-up that results in a bloody shoot-out from which Terrier barely escapes with his life, and soon he’s on the run from not only the authorities and his treacherous ex-bosses but also the members of a crime syndicate still seeking revenge for an earlier hit on one of theirs. (We won’t even mention what they do to his cat.) With Like a Sniper Lining Up His Shot, Tardi, at the top of his form, once again puts his lushly efficient neo-clear-line style in the service of Manchette’s gleefully brisk prose for a spectacularly dark, violent and fast-paced crime thriller that will delight fans of their previous collaboration, West Coast Blues. (NOTE: Manchette’s original 1981 novel, La Position du tireur couché, was released in English under the title The Prone Gunman by City Lights in 2001.) 104 pages of black-and-white comics

Like a Sniper Lining Up His Shot

Fantagraphics

Jacques Tardi adapts ace crime writer Jean-Patrick Manchette for the third time in Run Like Crazy Run Like Hell. Michel Hartog, a rich industrialist, hires a young woman, Julie, straight out of the psychiatric asylum to work as a nanny for his bratty nephew Peter. But Hartog plans to stage a fake kidnapping of his nephew and use Julie as a scapegoat. Unfortunately for Hartog, Julie proves infinitely more tough and resourceful than he expected, the kidnapping goes horribly, bloodily wrong, and now Julie and Peter are on the run, pursued both by the police and by Hartog's goons, led by the aging but fantastically dangerous contract killer Thompson.

Run Like Crazy Run like Hell

Set in Cuba's Sierra Maestra in the 1950s, in the days leading up to the Revolution--Manchette's unfinished masterpiece with a fearless female protagonist. Out of the wreckage of World War II swaggers Ivory Pearl, so named (rhymes with girl) by some British soldiers who made her their mascot, a mere kid, orphaned, survivor of God knows what, but fluent in French, English, smoking, and drinking. In Berlin, Ivy meets Samuel Farakhan, a rich closeted intelligence officer. Farakhan proposes to adopt her and help her to become the photographer she wants to be; his relationship to her will provide a certain cover for him. And she is an asset. The deal is struck... 1956: Ivy has seen every conflict the postwar world has on offer, from Vietnam to East Berlin, and has published her photographs in slick periodicals, but she is sick to death of death and bored with life and love. It’s time for a break. Ivy heads to Cuba, the Sierra Maestra. History, however, doesn’t take vacations. Ivory Pearl was Jean-Patrick Manchette’s last book, representing a new turn in his writing. It was to be the first of a series of ambitious historical thrillers about the “wrong times” we live in. Though left unfinished when Manchette died, the book, whose full plot has been filled in here from the author’s notes, is a masterpiece of bold suspense and black comedy: chilling, caustic, and perfectly choreographed.

Ivory Pearl (New York Review Books Classics)

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