Applying the principles of human-centered design to real-world health care challenges, from drug packaging to early detection of breast cancer.
This book makes a case for applying the principles of design thinking to real-world health care challenges. As health care systems around the globe struggle to expand access, improve outcomes, and control costs, Health Design Thinking offers a human-centered approach for designing health care products and services, with examples and case studies that range from drug packaging and exam rooms to internet-connected devices for early detection of breast cancer. Written by leaders in the field―Bon Ku, a physician and founder of the innovative Health Design Lab at Sidney Kimmel Medical College, and Ellen Lupton, an award-winning graphic designer and curator at Cooper Hewitt Smithsonian Design Museum―the book outlines the fundamentals of design thinking and highlights important products, prototypes, and research in health design.
Health design thinking uses play and experimentation rather than a rigid methodology. It draws on interviews, observations, diagrams, storytelling, physical models, and role playing; design teams focus not on technology but on problems faced by patients and clinicians. The book's diverse case studies show health design thinking in action. These include the development of PillPack, which frames prescription drug delivery in terms of user experience design; a credit card–size device that allows patients to generate their own electrocardiograms; and improved emergency room signage. Drawings, photographs, storyboards, and other visualizations accompany the case studies.
Copublished with Cooper Hewitt, Smithsonian Design Museum

Health Design Thinking: Creating Products and Services for Better Health (Mit Press)

Business & Money

Lupton, Ellen

Ku, Bon

Industries

The MIT Press

A practice-based guide to applying the principles of human-centered design to real-world health challenges; updated and expanded with post-COVID-19 innovations. This book offers a practice-based guide to applying the principles of human-centered design to real-world health challenges that range from drug packaging to breast cancer detection. Written by pioneers in the field-Bon Ku, a physician leader in innovative health design, and Ellen Lupton, an award-winning graphic designer-the book outlines the fundamentals of design thinking and highlights important products, prototypes, and research in health design. This revised and expanded edition describes innovations developed in response to the COVID-19 crisis, including an intensive care unit in a shipping container, a rolling cart with intubation equipment, and a mask brace that gives a surgical mask a tighter seal. The book explores the special overlap of health care and the creative process, describing the development of such products and services as a credit card-sized device that allows patients to generate their own electrocardiograms; a mask designed to be worn with a hijab; improved emergency room signage; and a map of racial disparities and COVID-19. It will be an essential volume for health care providers, educators, patients, and designers who seek to create better experiences and improved health outcomes for individuals and communities.

Health Design Thinking, second edition: Creating Products and Services for Better Health

Health, Fitness & Dieting

Diseases & Physical Ailments

Drawing on a spectacular private collection of twentieth-century posters, ads, photomontages, and graphic ephemera, this book showcases more than two hundred examples of progressive graphic design from the 1920s and 1930s. The selections represent the work of Soviet, European, and American avant- garde designers and artists who used the new technologies of mass production and distribution to market everything from salad oil to communism to the avant-garde itself.

Graphic Design in the Mechanical Age: Selections from the Merrill C. Berman Collection

Arts & Photography

Goldstein, Darra

Rothschild, Deborah

Collections, Catalogs & Exhibitions

Yale University Press

Design Your Life is a series of irreverent and realistic snapshots about objects and how we interact with them. By leading design thinker Ellen Lupton and her twin sister Julia Lupton, it shows how design is about much more than what’s bought at high-end stores or the modern look at IKEA. Design is critical thinking: a way to look at the world and wonder why things work, and why they don’t. 
Illustrated with original paintings of objects both ordinary and odd, Design Your Life casts a sharp eye on everything from roller bags, bras, toilet paper, and stuffed animals to parenting, piles, porches, and potted plants. Using humor and insight Ellen and Julia explore the practical side of everyday design, looking at how it impacts your life in unexpected ways and what you can do about it. Speaking to the popular interest in design as well as people’s desire to make their own way through a mass-produced world, this thoughtful book takes a fresh and humorous approach to make some serious points about the impact of design on our lives.
Find out what's wrong with the bras, pillows, potted plants, and the other hopeless stuff you use, buy, clean, water, or put away everyday. Discover how to secretly control the actions of those around you by choosing and placing objects carefully. Find out how roller bags are threatening civilization, and how the layout of your own house might be making you miserable. Use the tools of self-publishing to take the power of branding into your own hands. 
Taking a fresh, funny look at parenthood, housekeeping, entertaining, time management, crafting, and more, Design Your Life shows you how to evaluate the things you use, and how to recognize forms of order that secretly inhabit the messes of daily life, be it a cluttered room or a busy schedule. Use this book to gain control over your environment and tap into the power of design to communicate with friends, family, and the world.

Design Your Life: The Pleasures and Perils of Everyday Things

Lupton, Julia

Decorative Arts & Design

St. Martin's: Griffin

The Bauhaus is the most widely known, discussed, imitated, dissected, exhibited phenomenon in modern design. Yet since the Second World War design education has lost sight of one of its most important legacies: the need to think about design in a theoretically self-conscious way. By re-examining Bauhaus ideas and encouraging critical thinking about the means and ends of design, this work provides the opportunity to reinvigorate today's graphics. Conceived, designed and edited at The Herb Lubalin Study Center of Design and Typography, The Cooper Union, New York, this book traces the origins and impact of the Bauhaus in relation to basic design, graphic design and typography. While the text is a challenging exploration of the Bauhaus's aims and achievements, the book itself is a manifesto of Bauhaus ideals, synthesizing editorial concept, typography and craftsmanship. Essays by eminent contributors address various aspects of the Bauhaus, including its relationship to Weimar culture, Herbert Bayer's geometric type design called 'universal', and the psychological implications of Kandinsky's celebrated attempts to establish fundamental laws of form and colour with his triangle/square/circle test. Illustrations include extensive samples of typographical design, instructional diagrams and symbols. Designed in a manner that befits the aspirations of the Bauhaus, this manual will be an inexhaustible fund of inspiration for design professionals and a revelation for all those interested in 20th-century culture.

ABC of The Bauhaus /anglais

Reference

Thames&Hudson

New technologies, developments in communication and interactive media, the emergence of distinct cultural and vernacular styles and the increasing prominence of minority groups and women in the visual arts have all given rise to an exhilirating and diverse culture of styles and images, media and messages, makers and users of information. This work explores the themes of aesthetics, "mixing" and technology. It opens with a description of the cultural and historical contexts of the period from 1980 to the present, including the significant advances in the media industries. The central chapters discuss typography and the creative use of letterforms; corporate identity in the expansive 1980s; the proliferation of new and avant-garde forms of publishing in the age of the desktop; and the role of theory, research and education in graphic design.

MIXING MESSAGES: CONTEMPORARY GRAPHIC DESIGN IN NORTH AMERICA

History & Criticism

This critical study of graphic design and typography is a source for anyone interested in the art and history of books, letterforms, symbols, advertising, and theories of visual and verbal communication. A section on theory considers the centrality of the written and printed word to post-structuralism and deconstruction. A wide range of design practices are discussed, from the history of punctuation and the origins of international pictograms to the structure of modern typography. A section on media looks at the role of design in mass communications with essays on stock photography, visual journalism, illustration, advertising and vernacular design cultures. The book closes with history, a section organised as a time line spanning 200 years of design in America. These historical case studies show how the modern profession of graphic design emerged in response to cultural, political and economic developments in the US.

Design Writing Research: Writing on Graphic Design

Miller and Ellen Lupton, Abbott

Phaidon Press

The Bauhaus, the school of art and design founded in Germany in 1919 and shut down by the Nazis in 1933, brought together artists, architects and designers--among them Anni and Josef Albers, Herbert Bayer, Marcel Breuer, Lyonel Feininger, Walter Gropius, Johannes Itten, Vasily Kandinsky, Paul Klee, László Moholy-Nagy, Lilly Reich, Oskar Schlemmer, Gunta Stölzl--in an extraordinary conversation on the nature of art in the industrial age. Aiming to rethink the form of modern life, the Bauhaus became the site of a dazzling array of experiments in the visual arts that have profoundly shaped the world today. Bauhaus 1919-1933: Workshops for Modernity, published to accompany a major multimedia exhibition, is The Museum of Modern Art's first comprehensive treatment of the subject since its famous Bauhaus exhibition of 1938, and offers a new generational perspective on the twentieth century's most influential experiment in artistic education. Organized in collaboration with the three major Bauhaus collections in Germany (the Bauhaus-Archiv Berlin, the Stiftung Bauhaus Dessau and the Klassic Stiftung Weimar), Bauhaus 1919-1933 examines the extraordinarily broad spectrum of the school's products, including industrial design, furniture, architecture, graphics, photography, textiles, ceramics, theater and costume design, painting and sculpture. Many of the objects discussed and illustrated here have rarely if ever been seen or published outside Germany. Featuring approximately 400 color plates, richly complemented by documentary images, Bauhaus 1919-1933 includes two overarching essays by the exhibition's curators, Barry Bergdoll and Leah Dickerman, that present new perspectives on the Bauhaus. Shorter essays by more than 20 leading scholars apply contemporary viewpoints to 30 key Bauhaus objects, and an illustrated narrative chronology provides a dynamic glimpse of the Bauhaus' lived history.

Bauhaus 1919-1933: Workshops for Modernity

FOSTER, HAL

MEHRING, Christine

Mertins, Detlef

Kinchin, Juliet

Huyssen, Andreas

Potts, Alex

Dickerman, Leah

Bergdoll, Barry

Nisbet, Peter

Buchloh, Benjamin

Jennings, Michael

De Michelis, Marco

Doherty, Brigid

Haxthausen, Charles

Paret, Monty

Schwarz, Frederic

Smith, T’ai

The Museum of Modern Art, New York

With its unique focus on visual language, Ellen Lupton's How Posters Work is more than another poster book. Rather than provide a history of the genre or a compilation of collectibles, the book is organized around active design principles. Concepts such as "Simplify," "Focus the eye," "Exploit the diagonal," "Reverse expectations" and "Say two things at once" are illustrated with a diverse range of posters, from avant-garde classics and rarely seen international works to contemporary pieces by today's leading graphic designers. Illustrated with over 150 works from the collection of Cooper Hewitt, Smithsonian Design Museum, How Posters Work provides a stunning education in seeing and making, demonstrating how some of the world's most creative designers have mobilized principles of layout, composition, psychology and rhetoric to produce powerful acts of visual communication. Ellen Lupton (born 1963) is an acclaimed writer, curator and graphic designer. She is Director of the Graphic Design MFA program at Maryland Institute College of Art (MICA) in Baltimore, where she also serves as Director of the Center for Design Thinking. As Curator of Contemporary Design at Cooper Hewitt, Smithsonian Design Museum since 1992, she has produced numerous exhibitions and books, including Mechanical Brides: Women and Machines from Home to Office (1993), Mixing Messages: Graphic Design and Contemporary Culture (1996), Letters from the Avant-Garde (1996), Skin: Surface, Substance + Design (2002) and―most recently―Beautiful Users: Designing for People (2014). Lupton is a 2007 recipient of the AIGA Gold Medal, one of the highest honors given to a graphic designer or design educator in the US.

How Posters Work

Individual Artists

Cooper Hewitt, Smithsonian Design Museum

Rococo: The Continuing Curve, 1730-2008

The movement known as Rococo began in eighteenth-century France, and has infused design objects with a sinuous, organic, and sensuous impulse for three centuries. Rococo dominated French design from 1730 to 1765, during the reign of Louis XV. Rococo ideas, transmitted by prints, objects and the traveling designers themselves, quickly spread to England, the Netherlands, the German states, Italy and America. Rococo resurfaced in England under the flamboyant George IV and in France during the Second Empire. Its most significant revival occurred in the design concept known as Art Nouveau. In the twenty-first century, the Rococo spirit has burst forth once again as a creative force. Rococo: The Continuing Curve, 1730-2008, featuring essays by international scholars and over 380 color illustrations, traces the movement within the historic continuum.

Coffin, Sarah

Hunter-Stiebel, Penelope

Davidson, Gail

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