In 1957 Sputnik, the world’s first man-made satellite, dazzled people as it zipped around the planet. By the beginning of the twenty-first century, more than eight thousand satellites orbited the Earth, and satellite practices such as live transmission, direct broadcasting, remote sensing, and astronomical observation had altered how we imagined ourselves in relation to others and our planet within the cosmos. In Cultures in Orbit, Lisa Parks analyzes these satellite practices and shows how they have affected meanings of “the global” and “the televisual.” Parks suggests that the convergence of broadcast, satellite, and computer technologies necessitates an expanded definition of “television,” one that encompasses practices of military monitoring and scientific observation as well as commercial entertainment and public broadcasting.
Roaming across the disciplines of media studies, geography, and science and technology studies, Parks examines uses of satellites by broadcasters, military officials, archaeologists, and astronomers. She looks at Our World, a live intercontinental television program that reached five hundred million viewers in 1967, and Imparja tv, an Aboriginal satellite tv network in Australia. Turning to satellites’ remote-sensing capabilities, she explores the U.S. military’s production of satellite images of the war in Bosnia as well as archaeologists’ use of satellites in the excavation of Cleopatra’s palace in Alexandria, Egypt. Parks’s reflections on how Western fantasies of control are implicated in the Hubble telescope’s views of outer space point to a broader concern: that while satellite uses promise a “global village,” they also cut and divide the planet in ways that extend the hegemony of the post-industrial West. In focusing on such contradictions, Parks highlights how satellites cross paths with cultural politics and social struggles.

Cultures in Orbit: Satellites and the Televisual (Console-ing Passions)

Humor & Entertainment

Lisa Parks

Television

Duke University Press Books

Over the past decade, medical advances have reshaped nursing s approach to patients with cancer, redefining care settings and allowing for more aggressive treatments. As a result, patients with cancer often require additional time in an intensive care unit after treatment. As care for these patients continues to evolve, so too must the knowledge and competencies of nurses from both the critical care and oncology specialties. Traditionally, these two specialties functioned independently, leaving nurses lacking an understanding of the responsibilities and strengths of both. Critical Care Nursing of the Oncology Patient arms nurses with knowledge of how to use aspects of both specialties to optimally care for patients with cancer, including working collaboratively throughout the transition from the medical-surgical floor to the intensive care unit and back to the medical-surgical floor. With additional topics on pharmacology, vascular access, palliative care, ethics, and interventions for a multitude of cancer types and conditions, this text is a valuable reference tool of past and current nursing treatments and critical care issues that will empower nurses to consider themselves both oncology and critical care nurses.

Critical Care Nursing of the Oncology Patient

Medical Books

Meghan Routt

Nursing

Oncology Nursing Society

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Books by Lisa Parks