Volume pubblicato in occasione della mostra per le celebrazioni del centenario di Oskar Kokoschka, Kunsthaus Zurich, 4 settembre - 9 novembre 1986 - Tate Gallery, Londra 11 giugno - 10 agosto 1986 - Guggenheim Museum, New York 9 dicembre - 15 febbraio 198

Oskar Kokoschka, 1886-1980

Solomon R. Guggenheim Museum

TATE GALLERY

Kokoschka, Oskar

Kunsthaus Zürich

Tate Gallery

Chagall, Kandinsky, Malewitsch und die russische Avantgarde: Hamburger Kunsthalle, Kunsthaus Zürich (German Edition)

History

Hamburger Kunsthalle

Schneede, Uwe M.

Heinrich, Christoph

Russia

G. Hatje

Egon Schiele and His Contemporaries: Austrian Painting and Drawing from 1900 to 1930 from the Leopold Collection, Vienna

Prestel Pub

<p>""lf you wish to get hold of the invisible, you must penetrate as deeply as possible into the visible"". Max Beckmann might have been talking about his life as much as his brutally honest and dazzlingly choreographic paintings, for, when he died on a New York street corner in 1950, he had lived one of the most excoriatingly self-critical lives in modern art He left behind a body of work spanning five decades, work that found its direction and energy in the Paris of the 1920's. A magnet to artists, Paris gave Beckmann the creative competition he craved. Travelling there regularly (and settling there later), he mixed Freely with the likes of Matisse, Picasso and Delaunay, formulating a style that grew out of the passionate relationship between the German and French avant-garde. But Beckmann was always his own man, and while he soaked up the artistic fervour of the Parisian cafes and ateliers, he maintained a critical distance that allowed him to develop an intensely personal technique and oeuvre. Part Expressionist, part Cubist, Beckmann's art is one of self, cities and street-life, and this profusely and beautifully illustrated catalogue allows us finally to confirm Beckmann's pre-eminence in the most dynamic art scene of the Twentieth Century.</p>

Max Beckmann and Paris: Matisse Picasso Braque Leger Rouault

Arts & Photography

St. Louis Art Museum

Beckmann, Max

Individual Artists

Taschen America, LLC

Alberto Giacometti Au-delA des bronzes /franCais

SCHEIDEGGER

<p>Robert Delaunay and The City of Lights will recognise Delaunay's unwavering commitment to colour in painting to convey form, depth, light and movement, while highlighting how the modern metropolis of Paris often provided the inspiration for his imagery and pictorial research. In addition to presenting works from of his most famous series of paintings, such as that of the Eiffel Tower, the book also includes portraits Delaunay made of his artistic milieu during the 1920s. Portraits of the poets Philippe Soupault, Tristan Tzara, and several fashionable socialites, wearing ensembles designed by the artist Sonia Terk-Delaunay, are shown. The newly commissioned texts allow the reader to experience the wide-ranging and prescient nature of Robert Delaunay's work - exploring the significant themes of movement, technology, sport, and advertising that were to preoccupy him throughout his career.</p>

Robert Delaunay And The City Of Lights

History & Criticism

KEHRER

Egon Schiele - Jenny Saville by Christoph Becker (Illustrated, 15 Oct 2014) Hardcover

Kunsthaus Zurich

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