Dover Publications [Published date: 1962]. Paper covers, 104 pp. [Excerpt from back cover] This is another collection of the graphic, vivid sketches of Heinrich Kley, one of the most diabolically talented cartoonists of our century. This collection includes all the sketches from Kley's two books, LEUT'UNO VIECHER (1912) and SAMMEL-ALBUM (1923), except those which have already appeared in the previous Dover collection, THE DRAWINGS OF HEINRICH KLEY ($1.85). Kley's best drawings appeared during the first quarter of this century. Bizarre, mercilessly iconoclastic, they tore apart the fabric of life in the new century, emphasizing the untenabitity of time-honored assumptions. Many people were shocked by Kley's drawings, many laughed at them-but not many were able to ignore them. The sketches take in every aspect of human life: nothing is too sacred for him to no one too eminent for him to satirize. His jibes were aimed at the church, at marriage, at fashionable ladies and pompous gentlemen, at clothes and customs and character traits. The overall subject, as with most outstanding satirists, is the of the human condition. Hence the repeated occurrence of elephants, apes horses, etc, in human poses, or the spectacle of humans caught in ridiculous situations and grotesque positions.

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Kley, Heinrich

Photography & Video

Dover Pubns

Kley-Doscope: The Strange Drawings of the Heinrich Kley

Winds of the World Pr

The Lost Art of Heinrich Kley, Volumes One &amp; Two, collect over 450 drawings and paintings from a wide array of sources. Neither volume significantly overlaps with past books on Kley, as nearly none of these drawings have been collected and reprinted since their original publication a century or more ago. Both volumes also provide groundbreaking scholarship on Kley's life and work by German art historian Alexander Kunkel--whose recent research is presented in these volumes for the first time in English--along with incisive appreciations by contemporary artists Michael Wm. Kaluta and Jesse Hamm. 
Volume One focuses on Kley's ink drawings, and reprints for the first time a substantial selection of his illustration work for children's books and adult genre fiction, a side of Kley's career previously unexplored in other collections. This volume also includes a wide sampling of Kley's cartoons and magazine work, with newly collected examples taken directly from a variety of rare sources such as "Jugend," "Simplicissimus," and the historic "Der Orchideengarten" (the world's first fantasy fiction magazine). In all, more than 300 Kley illustrations and cartoons fill this first volume. 
Volume Two also breaks new ground by being the first book to present a large number of Kley's paintings and preparatory drawings, some reproduced directly from the original art. These color works reveal a heretofore rarely glimpsed pool of talent, and expand on the subject matter traditionally associated with the artist by including examples of his landscapes and industrial paintings. This volume's preparatory drawings are culled from the Library of Congress? untapped Kley archive, and show the artist working out concepts for book illustrations, reworking ink drawings into color paintings, and doodling for his own amusement. Approximately 150 drawings, many in color, appear in this volume. 
Both volumes represent an important advancement to the English-language scholarship on Heinrich Kley, and the abundance of art within should delight admirers of Kley, new and old alike.

The Lost Art of Heinrich Kley, Volume 1: Drawings

Individual Artists

Picture This Press

The Lost Art of Heinrich Kley, Volume 2: Paintings & Sketches

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