What is "New Hollywood"? The "art" cinema of the Hollywood "Renaissance" or the corporate controlled blockbuster? The introverted world of Travis Bickle or the action heroics of Indiana Jones, Buzz Lightyear, and Maximus the Gladiator? Innovative departures from the "classical" Hollywood style or superficial glitz, special effects, and borrowings from MTV? Wholesale change or important continuities with Hollywood's past? The answer suggested by Geoff King in New Hollywood Cinema is all of these and more. He examines New Hollywood from three main perspectives: film style, industry, and the social-historical context. Each is considered in its own right, sometimes resulting in different ways of defining New Hollywood. But one of the book's central arguments is that a combination of these approaches is needed if we are to understand the latest incarnations of the cinema that continues to dominate the global market.King looks at the Hollywood "Renaissance" from the late 1960s to the late 1970s, industrial factors shaping the construction of the corporate blockbuster, the role of auteur directors, genre and stardom in New Hollywood, narrative and spectacle in the contemporary blockbuster, and the relationship between production for the big and small screens.Case studies considered include Taxi Driver, Godzilla, and Gladiator, tracing the roots of New Hollywood from the 1950s to the start of the twenty-first century.

New Hollywood Cinema

Humor & Entertainment

King, Geoff

Movies

Columbia University Press

What is "New Hollywood"? The "art" cinema of the Hollywood "Renaissance" or the corporate controlled blockbuster? The introverted world of Travis Bickle or the action heroics of Indiana Jones, Buzz Lightyear, and Maximus the Gladiator? Innovative departures from the "classical" Hollywood style or superficial glitz, special effects, and borrowings from MTV? Wholesale change or important continuities with Hollywood's past? The answer suggested by Geoff King in New Hollywood Cinema is all of these and more. He examines New Hollywood from three main perspectives: film style, industry, and the social-historical context. Each is considered in its own right, sometimes resulting in different ways of defining New Hollywood. But one of the book's central arguments is that a combination of these approaches is needed if we are to understand the latest incarnations of the cinema that continues to dominate the global market. King looks at the Hollywood "Renaissance" from the late 1960s to the late 1970s, industrial factors shaping the construction of the corporate blockbuster, the role of auteur directors, genre and stardom in New Hollywood, narrative and spectacle in the contemporary blockbuster, and the relationship between production for the big and small screens. Case studies considered include Taxi Driver, Godzilla, and Gladiator, tracing the roots of New Hollywood from the 1950s to the start of the twenty-first century.

Indie 2.0: Change and Continuity in Contemporary American Indie Film

Following the American indie cinema boom of the 1990s and the creation of "specialty" divisions by several Hollywood studios, many predicted an end to both the indie sector's viability and the making of films with ambitions beyond the commercial mainstream. Yet, as Geoff King demonstrates, plenty of distinct indie productions continue to thrive, even in the face of difficult economic circumstances. Recasting the term "indie" to denote a particular form of independent feature production that has risen to prominence in the twenty-first century, King identifies and discusses the new opportunities available to indie filmmakers. These new options and techniques include low-cost digital video and a range of Internet and social-media ventures providing funding, distribution, promotion, and sales. He also covers the ultra-low-budget "mumblecore" movement; the social realism of such filmmakers as Kelly Reichardt and Ramin Bahrani; the "digital desktop" aesthetics of Jonathan Caouette's Tarnation (2003) and Arin Crumley and Susan Buice's Four Eyed Monsters (2005); and the affect of certain dominant discourses, such as the articulation of notions of "true" indie film and its opposition to what some see as the quirky contrivances of crossover hits such as Little Miss Sunshine (2006) and Juno (2007). King ultimately locates a strong vein of continuity in indie practice, both industrially and in the textual qualities that define individual features.

Arts & Photography

Photography & Video

Following the American indie cinema boom of the 1990s and the creation of "specialty" divisions by several Hollywood studios, many predicted an end to both the indie sector's viability and the making of films with ambitions beyond the commercial mainstream. Yet, as Geoff King demonstrates, plenty of distinct indie productions continue to thrive, even in the face of difficult economic circumstances.Recasting the term "indie" to denote a particular form of independent feature production that has risen to prominence in the twenty-first century, King identifies and discusses the new opportunities available to indie filmmakers. These new options and techniques include low-cost digital video and a range of Internet and social-media ventures providing funding, distribution, promotion, and sales. He also covers the ultra-low-budget "mumblecore" movement; the social realism of such filmmakers as Kelly Reichardt and Ramin Bahrani; the "digital desktop" aesthetics of Jonathan Caouette's Tarnation (2003) and Arin Crumley and Susan Buice's Four Eyed Monsters (2005); and the affect of certain dominant discourses, such as the articulation of notions of "true" indie film and its opposition to what some see as the quirky contrivances of crossover hits such as Little Miss Sunshine (2006) and Juno (2007). King ultimately locates a strong vein of continuity in indie practice, both industrially and in the textual qualities that define individual features.

American Independent Cinema

"Geoff King’s important book stands with the best scholarship I have seen on this vital, constantly evolving subject." ―David Sterritt, author of The Films of Alfred Hitchcock
The independent sector has produced many of the most distinctive films to have appeared in the U.S. in recent decades. From sex, lies and videotape in the 1980s to The Blair Witch Project and New Queer Cinema in the 1990s and the ultra–low budget digital video features of the 2000s, indie films have thrived, creating a body of work that stands out from the dominant Hollywood mainstream. But what exactly is "independent" cinema? 
In American Independent Cinema, Geoff King argues that independence can be defined partly in industry terms but also according to formal and aesthetic strategies and by distinctive attitudes toward social and political issues, suggesting that independence is a dynamic rather than a fixed quality. Chapters focus on distribution and relationships with Hollywood studios, narrative and other formal dimensions, approaches to genre, and alternative sociopolitical visions. King also traces the history of the independent sector from the days of early cinema through the beginning of the 21st century.

Indiana University Press

"Geoff King’s important book stands with the best scholarship I have seen on this vital, constantly evolving subject." —David Sterritt, author of The Films of Alfred HitchcockThe independent sector has produced many of the most distinctive films to have appeared in the U.S. in recent decades. From sex, lies and videotape in the 1980s to The Blair Witch Project and New Queer Cinema in the 1990s and the ultra–low budget digital video features of the 2000s, indie films have thrived, creating a body of work that stands out from the dominant Hollywood mainstream. But what exactly is "independent" cinema? In American Independent Cinema, Geoff King argues that independence can be defined partly in industry terms but also according to formal and aesthetic strategies and by distinctive attitudes toward social and political issues, suggesting that independence is a dynamic rather than a fixed quality. Chapters focus on distribution and relationships with Hollywood studios, narrative and other formal dimensions, approaches to genre, and alternative sociopolitical visions. King also traces the history of the independent sector from the days of early cinema through the beginning of the 21st century.

Does your job involve selling services? Would you like to increase your numbers so that you regularly meet, and indeed beat, your sales targets? Of course you would. And this is the book that will help you make that happen. It will give you all the practical skills you need to excel in selling your company's services. It offers a whole host of tips, guidelines and background information that is useful, immediately applicable, grounded in common sense but not commonly known. The Secrets of Selling is the first book to bring this vital knowledge together in one place. Clearly, concisely and engagingly written, you will wonder what you ever did without it. No one would deny that selling is hard. But if you get it right, you can really shine. This book shows you how to win work consistently, from new clients as well as existing ones. If you follow the advice in The Secrets of Selling, you will have as much sales knowledge as the very best and most experienced sales people.

The Secrets of Selling: How to win in any sales situation

Business & Money

Marketing & Sales

Ft Press

Brilliant Baby Names: How To Choose a Name that you and your child will love for life

King,Laura

Reference

Pearson Life

Want to beat your sales target? Buy this book. The new edition of this highly successful sales bible is full of practical tips, tricks and advice and now comes in a smaller, more accessible package. The Secrets of Selling, 2nd edition covers all the key areas in a concise and snappy style and is easy to navigate - essential features for the time pressured modern sales professional. It covers the full range of situations that sales people at all levels will encounter, from how to size up your prospective client quickly, to the best time to mention your price. It has a genuinely practical approach - providing you with the tips, tricks and techniques that will help you improve your sales performance. This new edition has been completely revised and updated throughout. Key changes include:. <ul>
<li>Summaries, in the form of checklists included at each of the three sections.</li> <li>A chapter on Body Language, including new information on how to spot lying.</li> <li>New information on icebreakers in meetings.</li> </ul>

The Secrets of Selling

FT Publishing International

An original and wide-ranging study of the mappings used to impose meaning on the world, Mapping Reality argues that maps create rather than merely represent the ground on which they rest. Distinctions between map and territory questioned by some theorists of the postmodern have always been arbitrary. From the history of cartography to the mappings of culture, sexuality and nation, Geoff King draws on an extensive range of materials, including mappings imposed in the colonial settlement of America, the Cold War, Vietnam and the events since the collapse of the Soviet bloc. He argues for a deconstruction of the opposition between map and territory to allow dominant mappings to be challenged, their contours redrawn and new grids imposed.

Mapping Reality: An Exploration of Cultural Cartographies

Literature & Fiction

History & Criticism

PALGRAVE~MACMILLAN

See the best price to sell, buy, or rent books by King, Geoff. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by King, Geoff

See the best price to sell, buy, or rent books by King, Geoff. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

New Hollywood Cinema

New Hollywood Cinema

Indie 2.0: Change and Continuity in Contemporary American Indie Film

Indie 2.0: Change and Continuity in Contemporary American Indie Film

American Independent Cinema

American Independent Cinema

The Secrets of Selling: How to win in any sales situation

Brilliant Baby Names: How To Choose a Name that you and your child will love for life

The Secrets of Selling

Mapping Reality: An Exploration of Cultural Cartographies