We used to think that video games were mostly for young men, but with the success of the Nintendo Wii, and the proliferation of games in browsers, cell phone games, and social games video games changed changed fundamentally in the years from 2000 to 2010. These new casual games are now played by men and women, young and old. Players need not possess an intimate knowledge of video game history or devote weeks or months to play. At the same time, many players of casual games show a dedication and skill that is anything but casual. In A Casual Revolution, Jesper Juul describes this as a reinvention of video games, and of our image of video game players, and explores what this tells us about the players, the games, and their interaction. With this reinvention of video games, the game industry reconnects with a general audience. Many of today's casual game players once enjoyed Pac-Man, Tetris, and other early games, only to drop out when video games became more time-consuming and complex. Juul shows that it is only by understanding what a game requires of players, what players bring to a game, how the game industry works, and how video games have developed historically that we can understand what makes video games fun and why we choose to play (or not to play) them.

A Casual Revolution: Reinventing Video Games and Their Players

Computers & Technology

Juul, Jesper

Games & Strategy Guides

Mit Pr

We may think of video games as being "fun," but in The Art of Failure, Jesper Juul claims that this is almost entirely mistaken. When we play video games, our facial expressions are rarely those of happiness or bliss. Instead, we frown, grimace, and shout in frustration as we lose, or die, or fail to advance to the next level. Humans may have a fundamental desire to succeed and feel competent, but game players choose to engage in an activity in which they are nearly certain to fail and feel incompetent. So why do we play video games even though they make us unhappy? Juul examines this paradox. 
In video games, as in tragic works of art, literature, theater, and cinema, it seems that we want to experience unpleasantness even if we also dislike it. Reader or audience reaction to tragedy is often explained as catharsis, as a purging of negative emotions. But, Juul points out, this doesn't seem to be the case for video game players. Games do not purge us of unpleasant emotions; they produce them in the first place. What, then, does failure in video game playing do? 
Juul argues that failure in a game is unique in that when you fail in a game, you (not a character) are in some way inadequate. Yet games also motivate us to play more, in order to escape that inadequacy, and the feeling of escaping failure (often by improving skills) is a central enjoyment of games. Games, writes Juul, are the art of failure: the singular art form that sets us up for failure and allows us to experience it and experiment with it. 
The Art of Failure is essential reading for anyone interested in video games, whether as entertainment, art, or education.

The Art of Failure: An Essay on the Pain of Playing Video Games (Playful Thinking Series)

An investigation of independent video games―creative, personal, strange, and experimental―and their claims to handcrafted authenticity in a purely digital medium.
Video games are often dismissed as mere entertainment products created by faceless corporations. The last twenty years, however, have seen the rise of independent, or “indie,” video games: a wave of small, cheaply developed, experimental, and personal video games that react against mainstream video game development and culture. In Handmade Pixels, Jesper Juul examine the paradoxical claims of developers, players, and festivals that portray independent games as unique and hand-crafted objects in a globally distributed digital medium.
Juul explains that independent video games are presented not as mass market products, but as cultural works created by people, and are promoted as authentic alternatives to mainstream games. Writing as a game player, scholar, developer, and educator, Juul tells the story of how independent games―creative, personal, strange, and experimental―became a historical movement that borrowed the term “independent” from film and music while finding its own kind of independence.
Juul describes how the visual style of independent games signals their authenticity―often by referring to older video games or analog visual styles. He shows how developers use strategies for creating games with financial, aesthetic, and cultural independence; discusses the aesthetic innovations of “walking simulator” games; and explains the controversies over what is and what isn't a game. Juul offers examples from independent games ranging from Dys4ia to Firewatch; the text is richly illustrated with many color images.

Handmade Pixels: Independent Video Games and the Quest for Authenticity (Mit Press)

The MIT Press

A video game is half-real: we play by real rules while imagining a fictional world. We win or lose the game in the real world, but we slay a dragon (for example) only in the world of the game. In this thought-provoking study, Jesper Juul examines the constantly evolving tension between rules and fiction in video games. Discussing games from Pong to The Legend of Zelda, from chess to Grand Theft Auto, he shows how video games are both a departure from and a development of traditional non-electronic games. The book combines perspectives from such fields as literary and film theory, computer science, psychology, economic game theory, and game studies, to outline a theory of what video games are, how they work with the player, how they have developed historically, and why they are fun to play.
Locating video games in a history of games that goes back to Ancient Egypt, Juul argues that there is a basic affinity between games and computers. Just as the printing press and the cinema have promoted and enabled new kinds of storytelling, computers work as enablers of games, letting us play old games in new ways and allowing for new kinds of games that would not have been possible before computers. Juul presents a classic game model, which describes the traditional construction of games and points to possible future developments. He examines how rules provide challenges, learning, and enjoyment for players, and how a game cues the player into imagining its fictional world. Juul's lively style and eclectic deployment of sources will make Half-Real of interest to media, literature, and game scholars as well as to game professionals and gamers.

Half-Real: Video Games Between Real Rules and Fictional Worlds

Video games as both a departure from and a development of traditional games; an analysis of the interaction between rules and fiction in video games.
A video game is half-real: we play by real rules while imagining a fictional world. We win or lose the game in the real world, but we slay a dragon (for example) only in the world of the game. In this thought-provoking study, Jesper Juul examines the constantly evolving tension between rules and fiction in video games. Discussing games from Pong to The Legend of Zelda, from chess to Grand Theft Auto, he shows how video games are both a departure from and a development of traditional non-electronic games. The book combines perspectives from such fields as literary and film theory, computer science, psychology, economic game theory, and game studies, to outline a theory of what video games are, how they work with the player, how they have developed historically, and why they are fun to play.
Locating video games in a history of games that goes back to Ancient Egypt, Juul argues that there is a basic affinity between games and computers. Just as the printing press and the cinema have promoted and enabled new kinds of storytelling, computers work as enablers of games, letting us play old games in new ways and allowing for new kinds of games that would not have been possible before computers. Juul presents a classic game model, which describes the traditional construction of games and points to possible future developments. He examines how rules provide challenges, learning, and enjoyment for players, and how a game cues the player into imagining its fictional world. Juul's lively style and eclectic deployment of sources will make Half-Real of interest to media, literature, and game scholars as well as to game professionals and gamers.

Half-Real: Video Games between Real Rules and Fictional Worlds (Mit Press)

How casual games like Guitar Hero, Bejeweled, and those for Nintendo Wii are expanding the audience for video games. 
We used to think that video games were mostly for young men, but with the success of the Nintendo Wii, and the proliferation of games in browsers, cell phone games, and social games video games changed changed fundamentally in the years from 2000 to 2010. These new casual games are now played by men and women, young and old. Players need not possess an intimate knowledge of video game history or devote weeks or months to play. At the same time, many players of casual games show a dedication and skill that is anything but casual. In A Casual Revolution, Jesper Juul describes this as a reinvention of video games, and of our image of video game players, and explores what this tells us about the players, the games, and their interaction.
With this reinvention of video games, the game industry reconnects with a general audience. Many of today's casual game players once enjoyed Pac-Man, Tetris, and other early games, only to drop out when video games became more time-consuming and complex. Juul shows that it is only by understanding what a game requires of players, what players bring to a game, how the game industry works, and how video games have developed historically that we can understand what makes video games fun and why we choose to play (or not to play) them.
Important Notice: The digital edition of this book is missing some of the images found in the physical edition.

Humor & Entertainment

MIT Press]

An exploration of why we play video games despite the fact that we are almost certain to feel unhappy when we fail at them.
We may think of video games as being "fun," but in The Art of Failure, Jesper Juul claims that this is almost entirely mistaken. When we play video games, our facial expressions are rarely those of happiness or bliss. Instead, we frown, grimace, and shout in frustration as we lose, or die, or fail to advance to the next level. Humans may have a fundamental desire to succeed and feel competent, but game players choose to engage in an activity in which they are nearly certain to fail and feel incompetent. So why do we play video games even though they make us unhappy? Juul examines this paradox. 
In video games, as in tragic works of art, literature, theater, and cinema, it seems that we want to experience unpleasantness even if we also dislike it. Reader or audience reaction to tragedy is often explained as catharsis, as a purging of negative emotions. But, Juul points out, this doesn't seem to be the case for video game players. Games do not purge us of unpleasant emotions; they produce them in the first place. What, then, does failure in video game playing do? 
Juul argues that failure in a game is unique in that when you fail in a game, you (not a character) are in some way inadequate. Yet games also motivate us to play more, in order to escape that inadequacy, and the feeling of escaping failure (often by improving skills) is a central enjoyment of games. Games, writes Juul, are the art of failure: the singular art form that sets us up for failure and allows us to experience it and experiment with it. 
The Art of Failure is essential reading for anyone interested in video games, whether as entertainment, art, or education.

The Art of Failure: An Essay on the Pain of Playing Video Games (Playful Thinking)

Too Much Fun: The Five Lives of the Commodore 64 Computer (Platform Studies)

Juul (family therapist, director of the Kempler Institute of Scandinavia, and Family Counseling International in Croatia) believes that the concept of "family" is undergoing an exciting transformation. The traditional hierarchical family structure based on destructive values obedience, physical and emotional violence, conformity is being replaced by a new structure, which advocates dignity and reciprocity between parent and child, and assumes the belief that children are born competent to express their feelings and eager to cooperate. Juul uses examples from families around the world to illustrate his theories about how parents and children can more effectively develop together as families. Accessible to a broad audience. Translated from Danish. No subject index. Annotation c. Book News, Inc., Portland, OR (booknews.com)

Your Competent Child: Toward New Basic Values for the Family

Parenting & Relationships

Parenting

Farrar. Straus & Giroux

A compelling and revolutionary approach to parenting and family dynamics. In this important book, Jesper Juul argues that today's families are at an exciting crossroads. The destructive values that governed traditional hierarchical, authoritarian families are being transformed. Instead we can choose to embrace a new set of values based on the assumption that families must be built not on authoritarian force or democratic tyranny but on dignity and reciprocity between parent and child. Children are emotionally competent -- that is, they always tell the truth about how they are feeling. Parents must begin to listen to and learn from the honest feedback they receive from their children. When we feel unhappy or dissatisfied with a situation in the family, it is almost always because we were unable to convert our loving feelings into loving behavior. To do so, we need to become fluent in what Juul calls "personal language" -- a language less concerned with "shoulds" than with our own emotional honesty. Using examples from families in many different countries, Juul has written a book that challenges parents to see the years with their children as an exciting time of growth and development for the whole family.

Farrar. Straus and Giroux

See the best price to sell, buy, or rent books by Juul, Jesper. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Juul, Jesper

See the best price to sell, buy, or rent books by Juul, Jesper. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

A Casual Revolution: Reinventing Video Games and Their Players

The Art of Failure: An Essay on the Pain of Playing Video Games (Playful Thinking Series)

Handmade Pixels: Independent Video Games and the Quest for Authenticity (Mit Press)

Half-Real: Video Games Between Real Rules and Fictional Worlds

Half-Real: Video Games between Real Rules and Fictional Worlds (Mit Press)

A Casual Revolution: Reinventing Video Games and Their Players

The Art of Failure: An Essay on the Pain of Playing Video Games (Playful Thinking)

Too Much Fun: The Five Lives of the Commodore 64 Computer (Platform Studies)

Your Competent Child: Toward New Basic Values for the Family

Your Competent Child: Toward New Basic Values for the Family