Ansel Adams at 100

John Szarkowski

Ansel/Adams

Biographies & Memoirs

Little,Brown

Louis Sullivan (1856-1924) is one of America's most famous and influential architects -- an American Master in the words of John Szarkowski. In 1956, before Szarkowski gained fame as the Director of Photography at the Museum of Modern Art, he was the author/photographer of a book on Sullivan. Published by the University of Minnesota Press. The Idea of Louis Sullivan has long been out-of-print.Bulfinch Press has decided to bring this classic book back in print. The photographs have been declared by no less an authority than Frank Lloyd Wright, a protege of Sullivan's, as the best ever taken of Sullivan's work. This edition, with a new, elegant design and duotone reproductions using today's print technology, promises to be a beautiful photography book and a much welcomed architectural book about this pivotal Chicago architect.The text is composed of excerpts from contemporary sources, mostly from Louis Sullivan's own distinguished and charming commentaries on architecture and modern society, and a foreword by Szarkowski, as well as a preface to the new edition. Terence Riley will contribute an introduction on Sullivan's significance to modern architecture from today's perspective.

THE IDEA OF LOUIS SULLIVAN /ANGLAIS

Arts & Photography

Photography & Video

Thames&Hudson

An expanded and revised edition of the famous book of portraits of prostitutes in turn-of-the-century New Orleans, the inspiration for the Louis Malle film Pretty Baby. This new edition includes 52 tritone photos printed in a large format. The text from the original edition--by John Szarjowski, former director of photography at the Museum of Modern Art--is reprinted here, along with a new Introduction by Susan Sontag.

Bellocq: Photographs from Storyville, the Red-Light District of New Orleans

Random House]

A beautiful collection of Adams' work, hand-picked by himself--a last statement portfolio to represent his life's work. 76 duotones.

Ansel Adams: Classic Images

James Alinder

Little,Brown & Co

In commemoration of the one-hundredth anniversary of his birth, Ansel Adams at 100 presents an intriguing new look at this distinguished photographer's work. The legendary curator John Szarkowski, director emeritus of the Department of Photography at New York's Museum of Modern Art, has painstakingly selected what he considers Adams' finest work and has attempted to find the single best photographic print of each. Szarkowski writes that "Ansel Adams at 100 is the product of a thorough review of work that Adams, at various times in his career, considered important. It includes many photographs that will be unfamiliar to lovers of Adams' work, and a substantial number that will be new to Adams scholars. The book is an attempt to identify that work on which Adams' claim as an important modern artist must rest." Ansel Adams at 100-the highly acclaimed international exhibition and the book, with Szarkowski's incisive critical essay-is the first serious effort since Adams' death in 1984 to reevaluate his achievement as an artist. The exhibition prints, drawn from important public and private collections, have been meticulously reproduced in tritone to create the splendid plates in this edition, faithfully rendering the nuances of the original prints. Ansel Adams at 100 is destined to be the definitive book on this great American artist. John Szarkowski is director emeritus of the Department of Photography, The Museum of Modern Art, New York. He is the author of such classic works as Looking at Photographs, The Photographer's Eye, Photography Until Now, and Atget, as well as several books of his own photographs, including the recently reissued The Idea of Louis Sullivan.

Individual Artists

Ansel Adams

Work of Atget: Old Paris v. 2

The Gordon Fraser Gallery Limited

Work of Atget: Modern Times v. 4

Gordon Fraser

NY 1981 Museum of Modern Art. 4to., 177pp., photo illustrations, hardcover. Near Fine, almost invisible spot of soiling on front coverd (about one inch in diameter), no DJ.

The Work of Atget - Four volume set

Maria Morton Hambourg

Museum of Modern Art

Lee Friedlander's surreal sensibility is on full display in this set of photographs, originally published in 1970. Here Friedlander focuses on the role of his own physical presence in his images. He writes: “At first, my presence in my photos was fascinating and disturbing. But as time passed and I was more a part of other ideas in my photos, I was able to add a giggle to those feelings.” Here readers can witness this progression as Friedlander appears in the form of his shadow, or reflected in windows and mirrors, and only occasionally fully visible through his own camera. In some photos he visibly struggles with the notion of self-portraiture, desultorily shooting himself in household mirrors and other reflective surfaces. Soon, though, he begins to toy with the pictures, almost teasingly inserting his shadow into them to amusing and provocative effect--elongated and trailing a group of women seen only from the knees down; cast and bent over a chair as if seated in it; mirroring the silhouette of someone walking down the street ahead of him; or falling on the desert ground, a large bush standing in for hair. These uncanny self-portraits evoke a surprisingly full landscape of the artist's life and mind. This reprint edition of Lee Friedlander: Self Portrait contains nearly 50 duotone images and an afterword by John Szarkowski, former Director of the Department of Photography at The Museum of Modern Art.

Lee Friedlander: Self Portrait

The Museum of Modern Art, New York

One hundred and twenty seven photographs from an exhibition at the Museum of Modern Art, organized to illustrate the development of the art since 1960

Mirrors and Windows: American Photography since 1960

Little,Brown & Company

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Books by John Szarkowski