Public figures require attention, whether from a constituency who votes them in or out of office, shareholders who decide their economic benefit to the corporation, or fans who judge their performances. However, on the periphery of this normal attention resides a very real risk; that of a much smaller group of individuals who lack the ability to discriminate between their own private fantasies and the figure's public behavior. They may be personally insulted by perceived betrayal, fanatically in love due to a perceived affectionate or sexual invitation, or simply preoccupied with the daily life of the public figure. Such individuals may fixate and do nothing more. Others communicate or approach in a disturbing way. A few will threaten. And on rare occasions, one will breach the public figure's security perimeter and attack. Stalking, Threatening, and Attacking Public Figures is a comprehensive survey of the current knowledge about stalking, violence risk, and threat management towards public figures. With contributions from forensic psychologists and psychiatrists, clinicians, researchers, attorneys, profilers, and current and former law enforcement professionals, this book is the first of its kind, international in scope, and rich in both depth and complexity. The book is divided into three sections which, in turn, focus upon defining, explaining, and risk managing this increasingly complex global reality. Chapters include detailed case studies, analyses of quantitative data, reflections from attachment theory and psychoanalytic thought, descriptions of law enforcement and protective organization activities, mental health and psychiatric categorizations and understandings, consideration of risk assessment models and variables, victim perspectives, and others.

Stalking, Threatening, and Attacking Public Figures: A Psychological and Behavioral Analysis

Health, Fitness & Dieting

Hoffmann, Jens

Meloy, J. Reid

Sheridan, Lorraine

Psychology & Counseling

Oxford University Press

The landmark Jewish Museum exhibition Primary Structures offered the first presentation of Minimalist sculptures in the United States, in 1966. The accompanying catalogue by Kynaston McShine became a key resource on artists such as Donald Judd, Carl Andre, Dan Flavin, and Sol LeWitt, who were virtually unknown at the time. Other Primary Structures is a long-overdue reintroduction of this classic, out-of-print text. This two-volume set includes a replica of the original catalogue, plus a new companion volume by Jens Hoffmann that offers a global survey of early Minimalist sculpture during the 1960s and 1970s, featuring important sculptors from Asia, Africa, Latin America, and Eastern Europe, and complementing the earlier catalogue’s focus on American and British artists. Beautifully designed, this publication comes enclosed in a clear jacket that pays homage to the original catalogue’s iconic cover. Other Primary Structures is invaluable for the study of modern art history and provides an authoritative survey of Minimalist sculpture in the 1960s.

Other Primary Structures

Arts & Photography

McShine, Kynaston

History & Criticism

Jewish Museum

A fascinating account of the avant-garde photo-based arts from the early Soviet Union, featuring many previously unpublished images Finalist for a 2015 National Jewish Book Award in the Visual Arts category Following the 1917 Russian Revolution, photography, film, and posters played an essential role in the campaign to disseminate modernity and Communist ideology. From early experimental works by Alexander Rodchenko and El Lissitzky to the modernist photojournalism of Arkady Shaikhet and Max Penson, Soviet photographers were not only in the vanguard of style and technological innovation but also radical in their integration of art and politics. Filmmakers such as Dziga Vertov, Sergei Eisenstein, and Esfir Shub pioneered cinematic techniques for works intended to mobilize viewers. Covering the period from the Revolution to the beginning of World War II, The Power of Pictures considers Soviet avant-garde photography and film in the context of political history and culture. Three essays trace this generation of artists, their experiments with new media, and their pursuit of a new political order. A wealth of stunning photographs, film stills, and film posters, as well as magazine and book designs, demonstrate that their output encompassed a spectacular range of style, content, and perspective, and an extraordinary sense of the power of the photograph to change the world.

The Power of Pictures: Early Soviet Photography, Early Soviet Film

Goodman, Susan Tumarkin

Graphic Design

An unprecedented look at the wide-ranging artistic work of one of the 20th century’s most significant landscape architects The modernist parks and gardens of Brazilian landscape architect and garden designer Roberto Burle Marx (1909–1994) earned him awards, widespread acclaim, and international fame. Over a 60-year career, he designed more than 2,000 gardens worldwide, the most famous of which are those he created in collaboration with the architect Oscar Niemeyer for Brasília. Although he is best known for his landscape work, Burle Marx was a prolific artist in a variety of media, and his larger body of work—which includes paintings, drawings, tile mosaics, sculpture, textile design, jewelry, theater costumes, and more—is critical to understanding his importance as a modernist. An avid horticulturalist, he was among the first to denounce deforestation in the Amazon region; he also discovered over thirty species of Brazilian flora, which bear his name. This beautifully illustrated and groundbreaking publication covers the full range of Burle Marx’s artistic output, as well as his remarkable home, an abandoned estate that he transformed into his office, workshop, gallery, and living space. The enduring influence of Burle Marx’s work is also explored through interviews with seven contemporary artists: Juan Araujo, Paloma Bosquê, Dominique González-Foerster, Luisa Lambri, Arto Lindsay, Nick Mauss, and Beatriz Milhazes. These artists exemplify the extent to which his work continues to be a source of inspiration.

Roberto Burle Marx: Brazilian Modernist

Nahson, Claudia J.

Vitamin 3-D provides an essential blend of sculpture and installation made by today's most influential artists. Featuring innovative new work from around the globe, Vitamin 3-D's patented formula will expand and enrich your perception of artworks in all three dimensions.

Vitamin 3-D: New Perspectives in Sculpture and Installation

Hoptman, Laura

Pedrosa, Adriano

Sculpture

Phaidon Press

Following the successful reception of Vitamin P: New Perspectives in Painting, Vitamin D: New Perspectives in Drawing and Vitamin Ph: New Perspectives in Photography, Vitamin 3&amp;hyphen;D aims to create a lively and informative survey of contemporary sculpture and installation from around the globe. With 120 artists selected by 40 nominators, Vitamin 3&amp;hyphen;D will be an up&amp;hyphen;to&amp;hyphen;the&amp;hyphen;minute guide to the best artists working in three dimensions.

The Studio /anglais

WHITECHAPEL GAL

During the 1990s a number of artists claimed the exhibition as their medium. Working independently or in various collaborative constellations, they eschewed the individual object in favor of the exhibition environment as a dynamic arena, ever expanding its physical and temporal parameters. For these artists an exhibition can comprise a film, a novel, a shared meal, a social space, a performance or a journey. Their work engages directly with the vicissitudes of everyday life, offering subtle moments of transformation. This catalogue, which accompanies a major exhibition at the Solomon R. Guggenheim Museum, New York, is the first in the U.S. to examine the dynamic interchange among a core group of these artists--Angela Bulloch, Maurizio Cattelan, Liam Gillick, Dominique Gonzalez-Foerster, Douglas Gordon, Carsten Höller, Pierre Huyghe, Jorge Pardo, Philippe Parreno and Rirkrit Tiravanija--a many-sided conversation that helped shape the cultural landscape of the 1990s and beyond.

Theanyspacewhatever

Foster, Hal

Blom, Ina

Von Hantelmann, Dorothea

BOURRIAUD, NICOLAS

Bonami, Francesco

King, Emily

Gioni, Massimiliano

Iles, Chrissie

Birnbaum, Daniel

Govan, Michael

Avgikos, Jan

Joseph, Branden

Boeri, Stefano

Falguières, Patricia

Douroux, Xavier

Föll, Heike

Lange, Christy

Archer, Michael

Guggenheim Museum Publications

Focused on young artists from around the world who are living and working away from their cultures of origin, and who, like their predecessors of the 1960s and 1970s, are creating new ways to articulate responses to the ever present problem of reconciling the global with the local.

Tele-Journeys

MIT List Visual Arts Center

Designed as an homage to the classic 1930 Random House edition of Moby-Dick, with its illustrations by Rockwell Kent, this investigation of present-day America through the lens of Herman Melville's great novel convenes artists and film-makers who have made works relating to its themes of seafaring and the pitting of humankind against the elements. The participants in this homage are Kenneth Anger, Matthew Benedict, Mark Bradford, Marcel Broodthaers, Angela Bulloch, Tom Burr, Tacita Dean, Marcel Dzama, Ellen Gallagher with Edgar Cleijne, Felix Gonzalez-Torres, Rodney Graham, John Gutmann, Susan Hiller, Evan Holloway, Peter Hutton, Colter Jacobsen, Brian Jungen, Buster Keaton, Rockwell Kent, Mateo López, Jorge Macchi, Kris Martin, Henrik Olesen, Paulina Olowska, Damián Ortega, Jean Painlevé, Kirsten Pieroth, Richard Serra, Andreas Slominksi, Hiroshi Sugimoto, Adrián Villar Rojas and Orson Welles. The book also boasts a foil-stamped clothbound cover, a fold-out map, essays by Jens Hoffmann and Alexander Nemerov, and full-color illustrations.

Moby Dick

Nemerov, Alexander

Collections, Catalogs & Exhibitions

CCA Wattis Institute for Contemporary Arts

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Books by Hoffmann, Jens