Romantic Androgyny is the first study to systematically apply the currents of French and Anglo-American feminist literary criticism to an analysis of the major poetry of the Romantic period. Diane Hoeveler argues that Romantic male poets self-consciously employed the feminine as "Other" and as an alternative source of value in order to engage in a fictional completion of their own psyches. Furthermore, a large proportion of the "women" in the poetry of the major Romantics cannot be understood apart from this radical metaphoric tradition of literary absorption. Because of the power of the feminine as "Other," women in English Romantic poetry have been on the one hand idealized and on the other denigrated by critics in the field. Hoeveler attempts to correct the flaws of both views by placing the various images of women into a psychoanalytical and historical framework. All six canonical poets participated in one of their culture's dominant ideological fantasies that imaginative creativity was possible for males only if they absorbed the feminine principle and thus became androgynous. Romantic Androgyny argues that the images of the symbolic woman were determined by the poets' adherence to the ideologies of both androgyny and the Eternal Feminine that permeated late eighteenth- and early nineteenth-century England.

Romantic Androgyny: The Women Within

Literature & Fiction

Hoeveler, Diane Long

British & Irish

Penn State University Press

Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës

As British women writers in the late eighteenth and early nineteenth centuries sought to define how they experienced their era's social and economic upheaval, they helped popularize a new style of bourgeois female sensibility. Building on her earlier work in Romantic Androgyny, Diane Long Hoeveler now examines the Gothic novels of Charlotte Smith, Ann Radcliffe, Jane Austen, Charlotte Dacre Byrne, Mary Shelley, and the Brontës to show how these writers helped define femininity for women of the British middle class.Hoeveler argues that a female-created literary ideology, now known as "victim feminism," arose as the Gothic novel helped create a new social role of professional victim for women adjusting to the new bourgeois order. These novels were thinly disguised efforts at propagandizing a new form of conduct for women, teaching that "professional femininity"—a cultivated pose of wise passiveness and controlled emotions—best prepared them for social survival. She examines how representations of both men and women in these novels moved from the purely psychosexual into social and political representations, and how these writers constructed a series of ideologies that would allow their female characters—and readers—fictitious mastery over an oppressive social and political system.Gothic Feminism takes a neo-feminist approach to these women's writings, treating them not as sacred texts but as thesis-driven works that attempted to instruct women in a series of strategic poses. It offers both a new understanding of the genre and a wholly new interpretation of feminism as a literary ideology.

As British women writers in the late eighteenth and early nineteenth centuries sought to define how they experienced their era's social and economic upheaval, they helped popularize a new style of bourgeois female sensibility. Building on her earlier work in Romantic Androgyny, Diane Long Hoeveler now examines the Gothic novels of Charlotte Smith, Ann Radcliffe, Jane Austen, Charlotte Dacre Byrne, Mary Shelley, and the Brontës to show how these writers helped define femininity for women of the British middle class.Hoeveler argues that a female-created literary ideology, now known as "victim feminism," arose as the Gothic novel helped create a new social role of professional victim for women adjusting to the new bourgeois order. These novels were thinly disguised efforts at propagandizing a new form of conduct for women, teaching that "professional femininity"-a cultivated pose of wise passiveness and controlled emotions-best prepared them for social survival. She examines how representations of both men and women in these novels moved from the purely psychosexual into social and political representations, and how these writers constructed a series of ideologies that would allow their female characters-and readers-fictitious mastery over an oppressive social and political system.Gothic Feminism takes a neo-feminist approach to these women's writings, treating them not as sacred texts but as thesis-driven works that attempted to instruct women in a series of strategic poses. It offers both a new understanding of the genre and a wholly new interpretation of feminism as a literary ideology.

In addition to the complete, authoritative edition of the novel, this volume contains, among other material: excerpts from The Gondol Saga, the juvenalia that Emily wrote with sister Anne and the basis for the later Wuthering Heights; newspaper accounts of the Liverpool slave trade, believed to be influential in the creation of Heathcliff's background; Irish folktales told by the Reverend Bronte to his children, which were influential in the composition of the novel; and a collection of recent critical approaches to the novel.

Wuthering Heights (New Riverside Editions)

Richardson, Alan

Brönte, Emily

History & Criticism

Wadsworth Publishing

Series Editors: Kinley E. Roby, Northeastern University; Herbert Sussman, Northeastern University; Joseph Bartolomeo, University of Massachusetts; George Economou, University of Oklahoma; Arthur F. Kinney, University of Massachusetts 
Twaynes United States Authors, English Authors, and World Authors Series present concise critical introductions to great writers and their works.
Devoted to critical interpretation and discussion of an authors work, each study takes account of major literary trends and important scholarly contributions and provides new critical insights with an original point of view. An Authors Series volumeaddresses readers ranging from advanced high school students to university professors. The book suggests to the informed reader new ways of considering a writers work. A reader new to the work under examination will, after reading theAuthors Series, be compelled to turn to the originals, bringing to the reading a basic knowledge and fresh critical perspectives. Each volume features: 
<ul>
<li> A critical, interpretive study and explication of the authors works </li>
<li> A brief biography of the author </li>
<li> An accessible chronology outlining the life, work, and relevant historical background of the author </li>
<li> Aids for further study -- complete notes and references, a selected annotated bibliography, and an index </li>
<li> A readable style presented in a manageable length</li>
</ul>

Charlotte Bronte (English Authors Series)

Jadwin, Lisa

Twayne Publishers

This Second Edition is an essential resource for librarians, scholars, and students. This succinct handbook includes more than 1,000 entries covering the persons, organizations, campaigns and court cases, goals and achievements, and current and future directions of the feminist movement, 75 percent of which are new and revised from the first edition. This second edition also features a more internationally focused introduction that provides an overview of the history and development of feminism as a movement and as a philosophy. Rounding out this new edition are an expanded chronology, and an updated bibliography that brings attention to many feminist online resources and periodicals, and emphasizes global and third-wave feminism, both new developments in the field since the publication of the first edition. Paying tribute to the struggles of the women, and men, who have worked to change and to improve the living conditions for women in the world, this book promises a comprehensive historical overview for readers of all interest levels.

Historical Dictionary of Feminism (Volume 52) (Historical Dictionaries of Religions, Philosophies, and Movements Series, 52)

History

Boles, Janet K.

Historical Study & Educational Resources

Scarecrow Press

Liverpool University Press

Now at seventy-three volumes, this popular MLA series (ISSN 1059-1133) addresses a broad range of literary texts. Each volume surveys teaching aids and critical material and brings together essays that apply a variety of perspectives to teaching the text. Upper-level undergraduate and graduate students, student teachers, education specialists, and teachers in all humanities disciplines will find these volumes particularly helpful.

Approaches to Teaching Bronte's Jane Eyre (Approaches to Teaching World Literature)

Reference

Words, Language & Grammar

Modern Language Assn of Amer

A Companion to the Brontës brings the latest literary research and theory to bear on the life, work, and legacy of the Brontë family.  Includes sections on literary and critical contexts, individual texts, historical and cultural contexts, reception studies, and the family’s continuing influence Features in-depth articles written by well-known and emerging scholars from around the world Addresses topics such as the Gothic tradition, film and dramatic adaptation, psychoanalytic approaches, the influence of religion, and political and legal questions of the day – from divorce and female disinheritance, to worker reform Incorporates recent work in Marxist, feminist, post-colonial, and race and gender studies

A Companion to the Brontës (Blackwell Companions to Literature and Culture)

Morse, Deborah Denenholz

Wiley/Blackwell

Exploring how discourse is figured in the texts of key European Romantic authors such as Wackenroder, Coleridge, Byron, and Hugo, this volume offers nuanced readings of the under-explored syntactic, semantic, and ideological structures of Romantic works. Rather than proposing a new theoretical position on the issue of what constitutes Romantic discourse studies, the editors have commissioned essays that seek to capture aspects of this discursive field, building on previous scholarship to offer fresh ways of seeing how Romantic discourse matrices work. The volume is organized into three sections: Language and Romantic Discourse Systems; Women Writers and Romantic Constructions of Power; and Varieties of Revisionist Discourse in Romanticism. Each section features individual essays providing critical re-readings of nine Romantic texts and four Romantic topoi. Whether writing on Charlotte Smith's The Old Manor House or Anne Brontë's Agnes Grey, on rescue operas or criminal drama, the contributors, who include Marjean Purinton, Kari Lokke, Rodney Farnsworth, and Jeffrey Cass, expand our understanding of Romantic modes of argumentation.

Romanticism

Routledge

See the best price to sell, buy, or rent books by Hoeveler, Diane Long. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Hoeveler, Diane Long

See the best price to sell, buy, or rent books by Hoeveler, Diane Long. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Romantic Androgyny: The Women Within

Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës

Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës

Wuthering Heights (New Riverside Editions)

Charlotte Bronte (English Authors Series)

Historical Dictionary of Feminism (Volume 52) (Historical Dictionaries of Religions, Philosophies, and Movements Series, 52)

Gothic Feminism: The Professionalization of Gender from Charlotte Smith to the Brontës

Approaches to Teaching Bronte's Jane Eyre (Approaches to Teaching World Literature)

A Companion to the Brontës (Blackwell Companions to Literature and Culture)

Romanticism