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Corporate and Organizational Video (McGraw-Hill Series in Mass Communication)

Richardson, Alan

Business & Money

Mcgraw-Hill College

Certain works of Romantic drama--- Prometheus Unbound, Cain, The Cenci-- have received a good deal of critical attention, by as a whole the genre has been misunderstood and only slightly considered. Alan Richardson redresses a tradition of critical neglect by considering the works of Romantic drama not as failed stage-plays ("closet drama") but as constituting a new, distinctively Romantic genre. In turning from the contemporary stage--which was marked by spectacle, rant, and melodrama--the Romantic poets developed an altogether new kind of drama, one which they hoped could recapture the intensity of Shakespearean tragedy that Neoclassical writers had scarcely approached.Richardson class this genre (after Byron) "mental theater," both because its works are concerned with portraying the development of self-consciousness and because it fuses the subjectivity of lyric with the interaction of dramatic poetry. Moreover, these works are addressed directly to the mind of the reader, bypassing the medium of stage representation. This study places Romantic self-consciousness in a fundamentally new light. Far from uncritically pursuing an egoistic stance, the Romantics criticize through their poetic drama the attempt to attain psychic autonomy. The protagonists of Romantic drama are seduced by their antagonists into entering such a condition only to find in it a hollow, deathly isolation. They find in self-consciousness not their promised liberation, but a tormented fate modeled after that of their betrayers. Wordsworth, Byron, and Shelley delineate the limitations of "Romantic" self-consciousness in their works of mental theater; Shelley alone envisions their transcendence through his radical transformation of consciousness in the conclusion to Prometheus Unbound.This interpretation of mental theater will lead to a new evaluation of the Romantics as dramatic poets. It brings back to critical attention neglected but challenging works such as Byron's Heaven and Earth and Bedd

A Mental Theater: Poetic Drama and Consciousness in the Romantic Age

Literature & Fiction

Dramas & Plays

Penn State University Press

Certain works of Romantic drama—Prometheus Unbound, Cain, The Cenci—have received a good deal of critical attention, by as a whole the genre has been misunderstood and only slightly considered. Alan Richardson redresses a tradition of critical neglect by considering the works of Romantic drama not as failed stage-plays ("closet drama") but as constituting a new, distinctively Romantic genre. In turning from the contemporary stage—which was marked by spectacle, rant, and melodrama—the Romantic poets developed an altogether new kind of drama, one which they hoped could recapture the intensity of Shakespearean tragedy that Neoclassical writers had scarcely approached. Richardson calls this genre (after Byron) "mental theater," both because its works are concerned with portraying the development of self-consciousness and because it fuses the subjectivity of lyric with the interaction of dramatic poetry. Moreover, these works are addressed directly to the mind of the reader, bypassing the medium of stage representation. This study places Romantic self-consciousness in a fundamentally new light. Far from uncritically pursuing an egoistic stance, the Romantics criticize through their poetic drama the attempt to attain psychic autonomy. The protagonists of Romantic drama are seduced by their antagonists into entering such a condition only to find in it a hollow, deathly isolation. They find in self-consciousness not their promised liberation, but a tormented fate modeled after that of their betrayers. Wordsworth, Byron, and Shelley delineate the limitations of "Romantic" self-consciousness in their works of mental theater; Shelley alone envisions their transcendence through his radical transformation of consciousness in the conclusion to Prometheus Unbound. This interpretation of mental theater will lead to a new evaluation of the Romantics as dramatic poets. It brings back to critical attention neglected but challenging works such as Byron's Heaven and Earth and Beddoes's Death's Jest-Book, and provides vital new perspectives on undervalued texts like Wordsworth's The Borderers and Byron's Manfred and Cain. It qualifies decades of critical speculation on "Romantic individualism" and "Romantic consciousness," and helps return the ideal of imaginative sympathy to the central position held in the critical writings of the Romantics themselves. Finally, in emphasizing the dramatic quality of mental theater, it challenges the still-prevalent view that Romantic poetry in inherently lyrical in character. Scholars concerned with English Romantic drama, Romantic literature, and the Romantic period as well as English drama will find this work to be an important contribution to their understanding.

Alan Richardson's Creeds in the Making was first published more than forty years ago, in January 1935. After ten reprints, it went out of print in 1975 to make way, we hoped, for a new work which would reflect the scholarship of a new generation. There is, however, still no short inexpensive paperback available which illustrates the early development of the creeds and Christian doctrine to a general audience in quite the same way as this does, with its freshness, charm and that almost timeless quality of writing and judgment which was so characteristic of its author. So we are happy that it should be reissued for the 1980s, as an introduction to those coming to creeds and doctrine for the first time, and as a fitting memorial to a great modern pastor and teacher. From the first reviews Mr Richardson has a true teacher's gift, that of making his subject live and relating it to modern experience and modern knowledge of the universe. He tells a story, and tells it well. Nor is he content with telling: he explains. He takes the principal doctrines of the Christian creed, shows how they came to be defined and what is their lasting value' (CEN). `In six chapters, Mr Alan Richardson covers the theology of the creed down to the article of belief in the Holy Ghost. What he gives us is very like a course of lectures to theological students, carefully worked out, scholarly and full, yet simply expressed' (Church Times). Alan Richardson, who died in 1975, was Dean of York and before that Professor of Christian Theology in the University of Nottingham.

Creeds in the Making: A Short Introduction to the History of Christian Doctrine

Religion & Spirituality

Christian Books & Bibles

Hymns Ancient & Modern Ltd

A dictionary of Christian theology,

Reference

S.C.M. Press

Genesis 1-11 (Torch Bible Paperbacks)

SCM Press

`To present, in less than 400 pages (excluding the indexes), the whole sweep of New Testament thought is an excessively formidable task, calling not only for scholarship and learning but also for an artist's sense of proportion and economy of stroke. There are few who could have succeeded so well as Dr Richardson' (Journal of Theological Studies). `This book will stand for a long time as the indispensable handbook for the theological student who wants both to see the general picture of the apostolic Church's faith, and also to have a convenient and reliable digest of what the New Testament says about particular topics, such as, for example, Christology or salvation' (Church Times). `Alan Richardson is a theologian "whose praise in the gospel is (or deserves to be) in all the churches" on account both of the books which he has written himself and of those which he has edited. His latest work, An Introduction to the Theology of the New Testament, will probably be found more serviceable by students and teachers than anything he has previously produced' (Theology). Alan Richardson, who died in 1975, was for many years Professor of Christian Theology at Nottingham University and subsequently Dean of York.

An Introduction to the Theology of the New Testament

History

World

A brief and accessible commentary on the Fourth Gospel.

Saint John (Torch Bible Commentaries)

This is one of the most important books produced in this century by an English scholar Dr Richardson's book is short, but almost every other sentence requires to be underlined. It is sifted knowledge, succinctly expressed, and though closely packed, it is always lucid' (The Guardian). 'Dr Richardson has rendered an important service to the Christian Church by offering us this remarkably fresh, stimulating, and competent survey ... In addition to the working out of its main thesis, Dr Richardson's book contains full and valuable notes on many of the critical problems which have been hotly debated by New Testament scholarship' (Times Literary Supplement).

The Miracle Stories of the Gospels

The political Christ

See the best price to sell, buy, or rent books by Richardson, Alan. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Richardson, Alan

See the best price to sell, buy, or rent books by Richardson, Alan. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Corporate and Organizational Video (McGraw-Hill Series in Mass Communication)

A Mental Theater: Poetic Drama and Consciousness in the Romantic Age

A Mental Theater: Poetic Drama and Consciousness in the Romantic Age

Creeds in the Making: A Short Introduction to the History of Christian Doctrine

A dictionary of Christian theology,

Genesis 1-11 (Torch Bible Paperbacks)

An Introduction to the Theology of the New Testament

Saint John (Torch Bible Commentaries)

The Miracle Stories of the Gospels

The political Christ