Haematology Lecture Notes is an accessible and concise best-selling study guide, outlining the physiology, pathology and treatment of the most common blood disorders. Extensively revised and updated to reflect the considerable advances in the understanding of the molecular biology and pathogenesis of haematological disorders, it provides the core knowledge required by all medical students and junior doctors. Key features include:  New material on coagulation and transfusion Expanded coverage of haematopoiesis A complete update of all malignant haematology content  A brand new companion website at www.lecturenoteseries.com/haematology featuring interactive MCQs with feedback on each answer selected, chapter summaries and revision notes in PowerPoint and PDF formats, and all the figures from the book in PowerPoint format Whether approaching haematology for the first time, or looking for a refresher, Haematology Lecture Notes will enable students and junior doctors to develop an understanding of both the basic science and clinical aspects of this specialty.

Lecture Notes: Haematology

Medical Books

Hughes-Jones, Nevin C.

Hatton, Christian S. R.

Keeling, David M.

Hay, Deborah

Veterinary Medicine

Wiley/Blackwell

Collection of dance instruction for a group, intended for spiritual gain. Dances by Choreographer Deborah Hay. Drawings by Donna Jean Rogers.This, Hay's first book, the result of a long period of reflection about how dance is transmitted and presented, is an early example of her distinctive memory/concept mode of choreographic record, and emphasizes the narratives underlining the process of her dance-making, rather than the technical specifications or notations of their form.

Moving Through the Universe in Bare Feet: Ten Circle Dances for Everybody

Arts & Photography

Performing Arts

Ohio Univ Pr (Trd)

Through a series of imaginative approaches to movement and performance, choreographer Deborah Hay presents a profound reflection on the ephemeral nature of the self and the body as the locus of artistic consciousness. Using the same uniquely playful poetics of her revolutionary choreography, she delivers one of the most revealing accounts of what art creation entails and the ways in which the body, the center of our aesthetic knowledge of the world, can be regarded as our most informed teacher. My Body, The Buddhist becomes a way into Hay's choreographic techniques, a gloss on her philosophy of the body (which shares much with Buddhism), and an extraordinary artist's primer. The book is composed of nineteen short chapters ("my body likes to rest," "my body finds energy in surrender," "my body is bored by answers"), each an example of what Susan Foster calls Hay's "daily attentiveness to the body's articulateness."

My Body, The Buddhist

Humor & Entertainment

Wesleyan University Press

Through a series of imaginative approaches to movement and performance, choreographer Deborah Hay presents a profound reflection on the ephemeral nature of the self and the body as the locus of artistic consciousness. Using the same uniquely playful poetics of her revolutionary choreography, she delivers one of the most revealing accounts of what art creation entails and the ways in which the body, the center of our aesthetic knowledge of the world, can be regarded as our most informed teacher. My Body, The Buddhist becomes a way into Hay's choreographic techniques, a gloss on her philosophy of the body (which shares much with Buddhism), and an extraordinary artist's primer. The book is composed of nineteen short chapters ("my body likes to rest," "my body finds energy in surrender," "my body is bored by answers"), each an example of what Susan Foster calls Hay's "daily attentiveness to the body's articulateness."

Visionary experimental choreographer explores her process through language Deborah Hay is an internationally renowned dance artist whose unique approach to bodily practice has had lasting impact on American choreography. Her commitment to dance as a process is as exquisite as it is provoking. Rooted in NYC's 1960s experimental Judson Dance Theater in New York, Hay's work has evolved through experimentation with a use of language that is unique to dance. This book is an exploration and articulation of Hay's process, focusing on several of her most recent works.

Using the Sky: A Dance

"The intention of my work is to dislodge assumptions about the fixity of the three-dimensional body."—Deborah Hay
Her movements are uncharacteristic, her words subversive, her dances unlike anything done before—and this is the story of how it all works. A founding member of the famed Judson Dance Theater and a past performer in the Merce Cunningham Dance Company, Deborah Hay is well known for choreographing works using large groups of trained and untrained dancers whose surprising combinations test the limits of the art. Lamb at the Altar is Hay’s account of a four-month seminar on movement and performance held in Austin, Texas, in 1991. There, forty-four trained and untrained dancers became the human laboratory for Hay’s creation of the dance Lamb, lamb, lamb . . . , a work that she later distilled into an evening-length solo piece, Lamb at the Altar. In her book, in part a reflection on her life as a dancer and choreographer, Hay tells how this dance came to be. She includes a movement libretto (a prose dance score) and numerous photographs by Phyllis Liedeker documenting the dance’s four-month emergence. In an original style that has marked her teaching and writing, Hay describes her thoughts as the dance progresses, commenting on the process and on the work itself, and ultimately creating a remarkable document on the movements—precise and mysterious, mental and physical—that go into the making of a dance. Having replaced traditional movement technique with a form she calls a performance meditation practice, Hay describes how dance is enlivened, as is each living moment, by the perception of dying and then involves a freeing of this perception from emotional, psychological, clinical, and cultural attitudes into movement. Lamb at the Altar tells the story of this process as specifically practiced in the creation of a single piece.

Lamb at the Altar: The Story of a Dance

Duke University Press Books

"The intention of my work is to dislodge assumptions about the fixity of the three-dimensional body."—Deborah HayHer movements are uncharacteristic, her words subversive, her dances unlike anything done before—and this is the story of how it all works. A founding member of the famed Judson Dance Theater and a past performer in the Merce Cunningham Dance Company, Deborah Hay is well known for choreographing works using large groups of trained and untrained dancers whose surprising combinations test the limits of the art. Lamb at the Altar is Hay’s account of a four-month seminar on movement and performance held in Austin, Texas, in 1991. There, forty-four trained and untrained dancers became the human laboratory for Hay’s creation of the dance Lamb, lamb, lamb . . . , a work that she later distilled into an evening-length solo piece, Lamb at the Altar. In her book, in part a reflection on her life as a dancer and choreographer, Hay tells how this dance came to be. She includes a movement libretto (a prose dance score) and numerous photographs by Phyllis Liedeker documenting the dance’s four-month emergence.In an original style that has marked her teaching and writing, Hay describes her thoughts as the dance progresses, commenting on the process and on the work itself, and ultimately creating a remarkable document on the movements—precise and mysterious, mental and physical—that go into the making of a dance. Having replaced traditional movement technique with a form she calls a performance meditation practice, Hay describes how dance is enlivened, as is each living moment, by the perception of dying and then involves a freeing of this perception from emotional, psychological, clinical, and cultural attitudes into movement. Lamb at the Altar tells the story of this process as specifically practiced in the creation of a single piece.

As the science and practice of haematology continues to advance at a considerable rate, Haematology Lecture Notes remains a comprehensive guide to this diverse subject, and provides support in understanding the pathogenesis and management of haematological disorders. Successfully integrating the physiological, pathological, and clinical aspects of haematology, this new edition includes new material on molecular and cellular diagnostics, expanded coverage on haemostasis, malignant haematology and transplant, and features self-assessment questions at the end of each chapter. Thoroughly revised and updated, Haematology Lecture Notes provides the core subject knowledge required by students and junior doctors to excel in this specialty.

Haematology (Lecture Notes)

Medicine

The definitive overview of haematology and its recent developments 
Haematology has advanced considerably in recent decades. As new developments emerge, there is a continuous need for an accessible and up-to-date survey for medical students, discussing the major haematological disorders, their clinical presentations, their treatments, and more. 
Written by specialists with an interest in medical education, Lecture Notes: Haematology is a succinct, highly illustrated student guide to the essentials of this important field. It integrates the physiological, pathological, and clinical dimensions of haematology in a single comprehensive guide, and provides medical students and early-career clinicians with the core knowledge required to succeed in the subject. The 11th edition of this guide includes updated sections and expanded chapters detailing the newest advances in the field. 
In this 11th edition of Lecture Notes: Haematology, readers will also find: Discussion of both pathogenesis and management of all major haematological disorders Online clinical cases with >150 multiple choice questions to allow you to test and apply your knowledge 
Lecture Notes: Haematology, 11th edition isa valuable resource for medical students and junior doctors looking to increase their expertise in this medical specialty.

King,Andrew

Desborough, Michael

wiley

Lecture Notes

WILEY

(mrcp, Frcpath, Dphil)

Hay, Deborah, 1977

Hoboken, Nj : Wiley, 2022

See the best price to sell, buy, or rent books by Hay, Deborah. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by Hay, Deborah

See the best price to sell, buy, or rent books by Hay, Deborah. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Lecture Notes: Haematology

Moving Through the Universe in Bare Feet: Ten Circle Dances for Everybody

My Body, The Buddhist

My Body, The Buddhist

Using the Sky: A Dance

Lamb at the Altar: The Story of a Dance

Lamb at the Altar: The Story of a Dance

Haematology (Lecture Notes)

Haematology (Lecture Notes)

Lecture Notes