Resistance Through Rituals: Youth Subcultures in Post-War Britain

Resistance through rituals: Youth subcultures in post-war Britain

Politics & Social Sciences

Hall, Stuart

Social Sciences

Hutchinson

Culture, Media, Language

Hobson, Dorothy et al (eds

HarperCollins Publishers, Ltd

'This is a miracle of a book' George Lamming\n'Compelling. Stuart Hall's story is the story of an age' Owen Jones 
'Sometimes I feel I was the last colonial'\nThis is the story, in his own words, of the extraordinary life of Stuart Hall: writer, thinker and one of the leading intellectual lights of his age. Growing up in a middle-class family in 1930s Jamaica, then still a British colony, Hall found himself caught between two worlds: the stiflingly respectable middle class in Kingston, who, in their habits and ambitions, measured themselves against the white planter elite; and working-class and peasant Jamaica, neglected and grindingly poor, though rich in culture, music and history. But as colonial rule was challenged, things began to change in Jamaica and across the world. 
When, in 1951, a scholarship took him across the Atlantic to Oxford University, Hall encountered other Caribbean writers and thinkers, from Sam Selvon and George Lamming to V. S. Naipaul. He also forged friendships with the likes of Raymond Williams and E. P. Thompson, with whom he worked in the formidable political movement, the New Left, and developed his groundbreaking ideas on cultural theory. Familiar Stranger takes us to the heart of Hall's struggle in post-war England: that of building a home and a life in a country where, rapidly, radically, the social landscape was transforming, and urgent new questions of race, class and identity were coming to light. 
Told with passion and wisdom, this is a story of how the forces of history shape who we are.

Familiar Stranger: A Life between Two Islands

Biographies & Memoirs

Community & Culture

Penguin

Levels of suffering among young people have always been much higher than governments suggest. Indeed, policies aimed at young workers have often been framed in ways that help secure conformity to a new employment landscape in which traditional securities have been progressively removed. Increasingly punitive welfare regimes have resulted in new hardships, especially among young women and those living in depressed labour markets. Framed by the ideas of Norbert Elias, Young People in the Labour Marketchallenges the idea that changing economic landscapes have given birth to a 'Precariat' and argues that labour insecurity is more deep-rooted and complex than others have suggested. Focusing on young people and the ways in which their working lives have changed between the 1980s recession and the Great Recession of 2008/2009 and its immediate aftermath, the book begins by drawing attention to trends already emerging in the preceding two decades. Drawing on data originally collected during the 1980s recession and comparing it to contemporary data drawn from the UK Household Longitudinal Study, the book explores the ways in which young people have adjusted to the changes, arguing that life satisfaction and optimism are linked to labour market conditions. A timely volume, this book will be of interest to undergraduate and postgraduate students, as well as postdoctoral researchers who are interested in fields such as Sociology, Social Policy, Management and Youth Studies. ;P>Drawing on data originally collected during the 1980s recession and comparing it to contemporary data drawn from the UK Household Longitudinal Study, the book explores the ways in which young people have adjusted to the changes, arguing that life satisfaction and optimism are linked to labour market conditions. A timely volume, this book will be of interest to undergraduate and postgraduate students, as well as postdoctoral researchers who are interested in fields such as Sociology, Social Policy, Management and Youth Studies.

Young People in the Labour Market: Past, Present, Future (Youth, Young Adulthood and Society)

Business & Money

Lowden, Kevin

Goodwin, John

O’Connor, Henrietta

Furlong,Andy

Hadfield, Sarah

Plugor, Réka

Economics

Routledge

The collected writings and reports of TV personality Stuart Hall, renowned for his coverage of 30 years of footballing highs and lows, his travel writing, and also his presentation of TV shows such as "It's a Knockout"

Heaven and Hall : A Prodigal Life

Literature & Fiction

Classics

Bbc Book Pub

The Fateful Triangle: Race, Ethnicity, Nation (The W. E. B. Du Bois Lectures)

Review\n“Stuart Hall’s written words were ardent, discerning, recondite, and provocative, his spoken voice lyrical, euphonious, passionate, at times rhapsodic and he changed the way an entire generation of critics and commentators debated issues of race and cultural difference. To keep up with him, you had to be curious and nimble.”―Henry Louis Gates, Jr.\n“Promises to be essential reading for those seeking to understand Hall’s tremendous impact on scholars, artists, and filmmakers on both sides of the Atlantic.”―Glenn Ligon, Artforum\n“Hall’s main argument rests on the notion that the greatest problem of the 21st century is living with and understanding differences…The Fateful Triangle makes me recall the need to constantly question, interrogate and dismantle how we understand hierarchies of difference and identity; and how the position of outsiders is always part of a larger political question.”―Kalwant Bhopal, Times Higher Education\n“In this long awaited work, Stuart Hall, the invisibly Jamaican co-founder of British cultural studies, powerfully interrogates what is, simultaneously, the central dilemma of transatlantic black cultures and one of the most acute paradoxes of modern times. He bracingly confronts the persistence of race―and its confounding liberal surrogates, ethnicity and nation―as a marker of identification, a fervently embraced ‘sliding signifier’ among blacks and other formerly subaltern peoples, in spite of its scientific invalidation and horrendous past. This is a profoundly humane work that not only integrates African-American and Anglo-Caribbean cultural studies, but finds room for hope and change in the discursive nature of their subject.”―Orlando Patterson\n“These lectures are a vital contribution to Stuart Hall’s enduring vocation to find a critical voice which is, in equal measure, just and generous, reflective and transformative. Marked by struggle and sobriety, this important work makes a significant contribution to a vision of community and an ethics of solidarity.”―Homi K. Bhabha\n“Given the current political conditions, these lectures on race, ethnicity, and nation, delivered by Stuart Hall almost a quarter of a century ago, may be even more timely today. He has left us a vital legacy of intellectual passion, analytical rigor, and political prescience that should be heeded, especially now, by progressive scholars and activists.”―Angela Y. Davis, University of California, Santa Cruz\n“Given the current political conditions, these lectures on race, ethnicity, and nation, delivered by Stuart Hall almost a quarter of a century ago, may be even more timely today.” 
―Angela Y. Davis\nIn this defining statement one of the founding figures of cultural studies reflects on the divisive, often deadly consequences of our contemporary politics of race and identity. As he untangles the power relations that permeate categories of race, ethnicity, and nationhood, Stuart Hall shows how old hierarchies of human identity were forcefully broken apart when oppressed groups introduced new meanings to the representation of difference.\nHall challenges us to find more sustainable ways of living with difference, redefining nation, race, and identity.\n“Stuart Hall bracingly confronts the persistence of race―and its confounding liberal surrogates, ethnicity and nation…This is a profoundly humane work that…finds room for hope and change.” 
―Orlando Patterson\n“Stuart Hall’s written words were ardent, discerning, recondite, and provocative, his spoken voice lyrical, euphonious, passionate, at times rhapsodic and he changed the way an entire generation of critics and commentators debated issues of race and cultural difference.” 
―Henry Louis Gates, Jr.\n“Essential reading for those seeking to understand Hall’s tremendous impact on scholars, artists, and filmmakers on both sides of the Atlantic.” 
―Artforum

Philosophy

Harvard University Press

In The Fateful Triangle―drawn from lectures delivered at Harvard University in 1994―one of the founding figures of cultural studies reflects on the divisive, often deadly consequences of our contemporary politics of identification. As he untangles the power relations that permeate categories of race, ethnicity, and nationhood, Stuart Hall shows how old hierarchies of human identity in Western culture were forcefully broken apart when oppressed groups introduced new meanings to the representation of difference.
From the Renaissance to the Enlightenment, the concept of race stressed distinctions of color as fixed and unchangeable. But for Hall, twentieth-century redefinitions of blackness reveal how identities and attitudes can be transformed through the medium of language itself. Like the “badge of color” W. E. B. Du Bois evoked in the anticolonial era, “black” became a sign of solidarity for Caribbean and South Asian migrants who fought discrimination in 1980s Britain. Hall sees such manifestations of “new ethnicities” as grounds for optimism in the face of worldwide fundamentalisms that respond with fear to social change.
Migration was at the heart of Hall’s diagnosis of the global predicaments taking shape around him. Explaining more than two decades ago why migrants are the target of new nationalisms, Hall’s prescient vision helps us to understand today’s crisis of liberal democracy. As he challenges us to find sustainable ways of living with difference, Hall gives us the concept of diaspora as a metaphor with which to enact fresh possibilities for redefining nation, race, and identity in the twenty-first century.

In recent years `culture' has become a central concern in a wide range of fields and disciplines. This book introduces the main substantive and theoretical strands of this `turn to culture' through the medium of a particular case study: that of the Sony Walkman. Using the example of the Walkman, the book indicates how and why cultural practices and institutions have come to play such a crucial part in our lives, and introduces some of the central ideas, concepts and methods of analysis involved in conducting cultural studies.

Doing Cultural Studies: The Story of the Sony Walkman (Culture, Media and Identities series)

Negus, Keith

MACKAY, Hugh

Du Gay, Paul

Janes, Linda

Sage Publications Ltd.

The Popular Arts (Stuart Hall: Selected Writings)

When it first appeared in 1964, Stuart Hall and Paddy Whannel's The Popular Arts opened up an almost unprecedented field of analysis and inquiry into contemporary popular culture. Counter to the prevailing views of the time, Hall and Whannel recognized popular culture's social importance and considered it worthy of serious study. In their analysis of everything from Westerns and the novels of Mickey Spillane, Ian Fleming, and Raymond Chandler to jazz, advertising, and the television industry, they were guided by the belief that studying popular culture demanded an ethical evaluation of the text and full attention to its properties. In so doing, they raised questions about the relation of culture to society and the politics of taste and judgment in ways that continue to shape cultural studies. Long out of print, this landmark text highlights the development of Hall's theoretical and methodological approach while adding a greater understanding of his work. This edition also includes a new introduction by Richard Dyer, who contextualizes The Popular Arts within the history of cultural studies and outlines its impact and enduring legacy.

Whannel, Paddy

History & Criticism

Duke University Press Books

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