There are certain fundamentals that anyone playing Cuban music must understand. These go beyond clave and montuno. You must learn about the role of hand percussion and how the singer phrases his melody and inspirations. Don’t skip over this material simply because you may feel that you don’t need to know it. Even if you never plan to play the claves, güiro, or campana, you should still understand the parts and strive to listen to them. As you will see, there is a reason that these musical instruments are still prominent in Cuban music today. Think of them as the glue. Without them, it would be very hard to hold some of the syncopated grooves together. Includes: <ul>
<li> La Campana (Cowbell)</li> <li> Las Maracas (Maracas)</li> <li> Claves</li> <li> El Güiro (Gourd)</li> </ul>
 Also includes ensemble examples: <ul>
<li> Cha-cha-chá</li> <li> Changüi</li> <li> Danzón</li> <li> Descarga</li> <li> Guajira</li> <li> Kiribá</li> <li> Mambo</li> <li> Nengón</li> <li> Punto Guajiro</li> <li> Montuno</li> <li> Sucú Sucú</li> <li> Timba</li> <li> Traditional Son</li> </ul>

Essentials of Cuban Hand Percussion (Cuban Masters Series)

Arts & Photography

Griffin Jr, Jon A

Noriega, Gilberto

Music

Mayuli Press

Usted siempre debe llevar un registro de todas sus recetas de cerveza caseras, y el Libro de Recetas Homebrew cerveza le permite grabar sus recetas y notas en un solo lugar. La revista, escrito por el profesor de la UNLV Beer Jon Griffin, trabajos para extraer y todo granos cerveceros. Cualquier nivel de habilidad, desde principiantes hasta avanzados pueden usar este libro de recetas de cerveza. Usted puede seguir su fermentables, hop y otras adiciones de la caldera, el horario de la fermentación, incluso la cantidad de carbonatación cerveza tiene. Incluye una sección de referencia práctica con los términos y las conversiones comunes. ¿Necesita saber que su utilización hop o el color de la cerveza? ¿Cuál es la diferencia entre SRM y Lovibond? Todos estos son contestadas y mucho más! Realizar un seguimiento de las buenas y no tan buenas cervezas. Reproduzca sus buenas cervezas y mejorar en sus otros. Puede hacer un seguimiento de la gravedad, CO2, ABV, Amargura, Hervir Tiempo, Levadura, Estilo, Evaluación y rendimiento.

Libro de recetas de cervezas caseras (Spanish Edition)

Cookbooks, Food & Wine

Beverages & Wine

Learn to play the Cuban tres from a true master.In this book, you will learn about the Cuban tres and how to play it correctly. Your guide is Leonel "Guajiro" Gonzalez, who has played in many Cuban bands including Elito Reve and many sessions in studios around Havana. Leonel will open your eyes as to the possibilities of using the Cuban tres in, not just a traditional context, but also to play timba, danzon, mambo and other styles. This is an intermediate to advanced series, but even a beginner could learn from this, albeit slower. We suggest you have some familiarity with the Cuban tres, but arrangers and composers will get valuable insight into this instrument and also Cuban music in general. The book covers: Introduction Tuning Traditional Son Modern Tumbao Roots of the Cuban Tres Picking Styles Mambo Bolero Son Section of Cha-cha-chá Timba and Modern Son Montuno Examples Guaijra Clave Danzón Secret Weapon (Fretboard) Harmony and Chords Basic Tumbaos for Traditional Son Progressions Punto Guajiro Resources

Cuban Masters Series - The Cuban Tres

González, Leonel

CreateSpace Independent Publishing Platform

At last, you can take a lesson from a Cuban piano master. Emilio Morales, along with musicologist Jon Griffin, will guide you through the full array of Cuban styles. From traditional Cha-cha-chá and bolero to son moderno and timba. This book will show you actual examples of Cuban music, not just a bunch of exercises to practice. Includes:  Understanding Montuno Son Montuno Montuno Variations Cha-cha-chá Danzón Danzón Form Bolero Mambo Playing With the Bass Timba Changüi Modern Son Much More!  About the authors  Emilio Morales has been a fixture on the Cuban music scene. Not only as a studio musician, but as the pianist for Paulito FG, NG La Banda, and Team Cuba. He played on many pivotal recordings in Cuba including — Paulito FG El Bueno Soy Yo ("Paulito FG") and Sofocándote and with Juan Ceruto on Gracias Formell.   Jon Griffin has went to the Grove School of Music and studied Jazz composing and arranging. He also has recorded with many of Cuba’s top musicians like Richard Egües, Angel Bonne, Enrique Pla, Robertico Garcia and others. He also studied ethnomusicology with Olavo Alen Rodriguez at CIDMUC in Havana.

Cuban Masters Series: Piano

Morales, Emilio

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Books by Griffin Jr, Jon A