CoReFab combines three words/fields: Concepts + Representation + Fabrication. The book documents five completed projects by AEDS Ammar Eloueini designed and implemented between 2003-2005. The projects are here grouped for evident similarities as well as differences. They are similar in scale, budget, materials and fabrication. They are all designed for a short life-span and have a distinct familial look. Most importantly, they share a consistent research agenda in the use of certain materials, structural techniques and geometries. They differ in their wide-ranging purpose and institutional framework: they are commissioned by a variety of clients ranging from choreographers, fashion designers and art institutions to perform very different tasks. AUTHOR: Ammar Eloueini (born 1968), received a Master of Science in Advanced Architectural Design from Columbia University Graduate School of Architecture in 1995. Teaching at the Ecole d'Architecture Paris-Villemin since 1996, co-founder of the digit-all studio. Participated to the International Exhibition "Transarchitectures 02" launched in Paris in June 1997. Over the past three years, Ammar Eloueini produced projects that challenge traditional design processes. Integrating digital media to investegate new approaches, based on animation software and the use of computers as a design tool. Extending his activities in the theoretical field, he participated in various international ideas competitions, where a conceptual and projectual approach, based on dynamic, non linear systems, answering new architectural and urban complexities was tested. Winner of the Villa Medicis Hors les Murs (AFAA, French Ministry of Culture) in 1998, he is working on a research project (Living in Strereoreality). Other publications include a forthcoming book "digital trilogy, from mass production to mass customization". ILLUSTRATIONS: 55 colour & 5 b/w photographs & 24 illustrations

AEDS: Corefab

Arts & Photography

Greg Lynn

Luigi Prestinenza Puglisi

Ammar Eloueini

Architecture

ORO Editions

Log 53 asks the simple yet provocative question “Why Italy Now?” The responses are as diverse and multifaceted as the country itself. Exploring this seemingly well-trodden ground, one discovers that because of its historic centrality – and its precarity – Italy remains relevant to the challenges facing architecture today. As contributor Giulia Amoresano writes: “Amid calls today to challenge the Eurocentrism of canonical histories of architecture’s modernity and to work on decolonizing its theories and practices, work needs to be done on what we think canonical spaces are.” Log 53 is guest edited by Alicia Imperiale in New York and Manuel Orazi in Macerata. Essays include philosopher Giorgio Agamben on a Venetian door, theorist Mario Carpo on blight in Piedmont, architect ElDante’ Winston on violence in Bologna, historian Edward Eigen on the Club of Rome, architect Fabrizio Furiassi on the Mafia in Sicily, and reporter Mario Calvo-Platero on colonial architecture in Tripoli. Emilia Giorgi explores unplanned greenery in Rome, while Gabriele Mastrigli highlights the planned greenery of EUR. Iwan Strauven reviews books on Carlo Aymonino and Aldo Rossi, Britt Eversole parses the trove of untranslated Italian theory, and Ingrid D. Rowland details her translation of Vitruvius. Paulette Singley sets the place for Italian cuisine, and Giulia Amoresano sources caffè espresso in the colonization of southern Italy. An Tairan revisits an 18th-century earthquake, Daniele Profeta analyzes the impact of the 19th-century Grand Tour, and Davide Spina exposes the dark side of postwar architecture culture. Greg Lynn talks with art historian Marilyn Aronberg Lavin about her digital analysis of Piero della Francesca, and Patrick Templeton asks writer and podcaster Alex Hochuli about Italy’s political legacy. Log 53 also presents projects by women building in Italy today – Lina Malfona, Elisabetta Terragni, and Maria Alessandra Segantini – as well as in the past – overlooked Neapolitan modernist Stefania Filo Speziale.

Log 53: Why Italy Now?

Giorgio Agamben

Giulia Amoresano

An Tairan

Mario Calvo-Platero

Mario Carpo

Edward Eigen

Britt Eversole

Fabrizio Furiassi

Emilia Giorgi

Andrea Maglio

Lina Malfona

Gabriele Mastrigli

Daniele Profeta

Ingrid Rowland

Paulette Singley

Davide Spina

Iwan Strauven

ElDante’ Winston

Anyone Corporation

Greg Lynn is a distinguished teacher (Columbia University New York, and the University of California), writer, and practicing architect. This publication, occasioned by an exhibition of his work at the space "Encore...Bruxelles" collects a series of theoretical texts that have paralleled and influenced his design practice. Its focus on a limited set of issues involving the relationship between geometry and proportional models of the organism seeks to produce a diverse array of concepts.

Folds, Bodies & Blobs : Collected Essays (Books-by-architects)

La Lettre volée

Expo On-line: Less Aesthetics, More Ethics

Zaha Hadid

Hani Rashid

Odile Decq

Actar/Marsilio Editori

Together with a select group of international students from Columbia University and the University of California, Los Angeles, highly respected architects and architectural theoreticians Hani Rashid and Greg Lynn transformed the United States Pavilion during the Venice Biennale 2000 into a four-week workshop and forum for architectural discourse: a laboratory. Investigating, producing, and reviewing a variety of architectural schemes, the participants demonstrated the practice and direction of a new generation of architects. Architectural Laboratories presents the results of this workshop through 10 projects that focus on the themes "The Embryologic House" and "Augmented Architecture." Guest critiques of the students' designs are offered by philosopher and cultural critic Mark C. Taylor, ZKM chairman Peter Weibel, and Max Hollein, the United States Commissioner for the biennale.

Architectural Laboratories

Max Hollein

Peter Weibel

NAi Publishers

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Books by Greg Lynn