Roger Fenton (1819-1869) was England’s most celebrated and influential photographer during the 1850s, the golden age” of this radically new medium. Fenton’s majestic pictures of cathedrals, country houses, and varied countryside were without peer in Englandas were his views of the royal castles and Houses of Parliament that embodied Britain’s power. But Fenton’s choice of subjects ranged more widely still: he was among the first to photograph the Kremlin and other landmarks of Moscow and Kiev; he was commissioned in 1855 to document the Crimean War, producing early war photographs; and he created theatrical Orientalist costume pictures and a startling series of lush still lifes.
Fenton had first studied law and painting, but soon after he took up the camera he was making photographs that were technically superb and highly original in their handling of composition, perspective, atmosphere, and light. Always he strove to demonstrate that photography could equal the art of painting and even surpass it. He was the force behind the founding of the Photographic Society (later the Royal Photographic Society), which worked to advance the profession and encouraged the exhibition of members’ works throughout Britain. In a career of a single decade, Fenton did much to transform photography into a medium of powerful expression and visual delight.
This exquisitely produced bookthe first comprehensive publication on Fenton in almost twenty yearspresents eighty-five of the artist’s finest photographs and discusses every aspect of his work and his remarkable career.

All the Mighty World: The Photographs of Roger Fenton, 1852 1860 (Metropolitan Museum of Art Series)

Arts & Photography

Greenough, Sarah

Daniel, Malcolm

BALDWIN, Gordon

Individual Artists

Metropolitan Museum of Art

In a career that spans more than fifty years, photographer Irving Penn has created some of the most arresting portraits, influential fashion studies, and provocative still lifes of the twentieth century. Although much of his work was undertaken for reproduction in magazines, since the early 1960s he has also made a limited number of platinum/palladium prints of his most celebrated photographs. A meticulous craftsman, Penn has experimented extensively with this process in order to make prints with remarkably subtle, rich tonal ranges and luxurious textures; prints that are, in fact, the exact opposite of the more neutral reproductions of his photographs that appear in the popular press. Included in this handsomely designed and beautifully produced book are platinum/palladium prints of some of Penn€™s most important photographs: portraits of Pablo Picasso, David Smith, Saul Steinberg, and Marcel Duchamp; studies of indigenous peoples in New Guinea and Peru; innovative

Irving Penn: Platinum Prints

Irving Penn

History

Yale University Press

Widely regarded as one of the most important photographers of the 20th century, Garry Winogrand (1928–1984) did much of his best-known work in Manhattan during the 1960s, becoming an epic chronicler of that tumultuous decade. But Winogrand was also an avid traveler and roamed extensively around the United States, bringing exquisite work out of nearly every region of the country.
This landmark retrospective catalogue looks at the full sweep of Winogrand’s exceptional career. Drawing from his enormous output, which at the time of his death included thousands of rolls of undeveloped film and unpublished contact sheets, the book will serve as the most substantial compendium of Winogrand’s work to date. Lavishly illustrated with both iconic images and photographs that have never been seen before now, and featuring essays by leading scholars of American photography, Garry Winogrand presents a vivid portrait of an artist who unflinchingly captured America’s swings between optimism and upheaval in the postwar era.

Garry Winogrand

Rubinfien, Leo

Papageorge, Tod

Phillips, Sandra S.

O'Toole, Erin

Photography & Video

A rich narrative and detailed documentation of the 54th regiment give insight into Augustus Saint-Gaudens’ famous Civil War Memorial On July 18, 1863, six months after President Abraham Lincoln signed the Emancipation Proclamation, one of the first American units composed of African Americans stormed Fort Wagner in South Carolina, led by Colonel Robert Shaw Gould. Although the regiment suffered great losses, the Massachusetts 54th Volunteer Infantry legitimized the idea of blacks serving in the military, and Lincoln considered their sacrifice a turning point in the Civil War. Twenty years later, sculptor Augustus Saint-Gaudens began work on a bronze memorial for this heroic troop, which was installed on the Boston Common in 1897.
Tell It With Pride explores the enduring significance of this beloved monument. Original daguerreotypes, carte-de-visite portraits, and a full listing of the regiment’s members, along with vintage and contemporary artworks by Matthew Brady, Lewis Hine, and Carrie Mae Weems tell the story of the legacy of the Battle of Fort Wagner and the role of photography in memorializing the regiment then and now.

Tell It With Pride: The 54th Massachusetts Regiment and Augustus Saint-Gaudens’ Shaw Memorial

Anderson, Nancy K.

History & Criticism

<div> Roger Fenton (1819-1869) was England's most celebrated photographer during the 1850s, the young medium's most glorious moment. After studying law and painting, Fenton took up the camera in 1851 and immediately began to produce highly original images. During a decade of work he mastered every photographic genre he attempted: architectural photography, landscape, portraiture, still life, reportage, and tableau vivant. Fenton pictured noble country houses, evocative ruins, and the rolling countryside that surrounded them--majestic summations of rural England. Equally arresting are his muscular views of cathedrals and of the royal castles and Houses of Parliament that embodied Britain's power. Possessing flawless technique and an artist's instinct for composition and light, he made photographs that combine the clarity of a newly modern world with the poetry of a Romantic sensibility. Fenton's most compelling landscape works--intense meditations infused with a reverence for nature--call to mind cloud studies by Constable or Turner's explorations of light and atmosphere. Fenton's grasp was wide-ranging. He traveled to Russia in 1852 and was among the first to photograph the Kremlin and other landmarks of Moscow and Kiev. Commissioned in 1855 to document the Crimean War--which pitted European nations against an expansionist Russia--he returned with portraits of shell-shocked soldiers and confident officers, views of a chaotic Balaklava harbor, and bleak panoramas of the terrain of battle. Sharing the mid-nineteenth-century passion for all things exotic, Fenton produced a series of posed Orientalist costume pictures in which he strove for the theatrical effects of Delacroix and Ingres. A final, remarkable series of lush still lifes triumphantly achieves the same goal that Fenton had sought from the beginning: to demonstrate that photography could equal painting and even surpass it. An active proponent of photography, Fenton was the force behind the founding of the Photographic Society (later the Royal Photographic Society), which encouraged the advancement of the medium and the exhibition of members' works throughout Britain. But in 1862, for reasons both personal and professional, he sold his equipment and negatives, resigned from society, and returned to the practice of law. In a career of a single decade, Fenton had done much to transform photography into a medium of powerful expression and visual delight. This volume presents ninety of Fenton's finest photographs, exactingly reproduced. Six leading scholars have contributed nine illustrated essays that address every aspect of Fenton's career, as well as a comprehensive, documented chronology. [This book was originally published in 2004 and has gone out of print. This edition is a print-on-demand version of the original book.] </div>

All the Mighty World: The Photographs of Roger Fenton, 1852–1860

Collections, Catalogs & Exhibitions

Dorothea Lange: Seeing People

Brookman, Philip

Wexler, Laura

Nelson, Andrea

A rich and varied examination of contemporary photographs at the National Gallery of Art, as seen through the lens of time Photography’s remarkable ability to represent the past in the present is frequently invoked as one of the medium’s essential characteristics. Yet, as many contemporary photographers acknowledge, its relationship to the past is by no means straightforward. Organized thematically, the exhibition The Memory of Time: Contemporary Photographs at the National Gallery of Art explores the work of contemporary artists who investigate the richness and complexity of photography’s relationship to time, memory, and history. From a shared fascination with photography’s past, including early photographic techniques, to creating works which give form to the literal passage of time and the fleeting evidence of cultural change, many contemporary artists are creating works that evocatively engage with how the past has been shaped by photography. The medium has been instrumental in both preserving and creating memory from its inception, and its ability to record the existence of ruins in contemporary society strikingly calls into question what is remembered or forgotten by history. This exhibition and catalog will examine how photographs not only evoke memories of place through the unfolding of different moments of time but also create powerful visual histories of our relationship with the land. 130 four-color images

The Memory of Time: Contemporary Photographs at the National Gallery of Art

Thames&Hudson

A guided tour through the National Gallery of Art’s historic photography collection, from early experimental photographs to contemporary pieces In 1949 Georgia O’Keeffe chose the National Gallery of Art as the custodian of nearly 1,600 photographs by Alfred Stieglitz, the Key Set as it has become known. With the formation in 1990 of the Gallery’s department of photographs under Sarah Greenough, the collection has grown to 14,000 works of art, an assemblage that both charts the development of the medium and reveals the beauty and dynamic versatility of photography over its course of more than 175 years. This elegant book presents some of the most significant and compelling photographs acquired over the years, ranging from experimental photographs made in the earliest years of the medium’s history to key works by major twentieth-century figures and contemporary pieces that reset the ways in which photography shapes our experience of the modern world. The guides on this enlightening walk through the history of the medium are members of the extraordinary curatorial team that established the National Gallery’s international reputation for photography exhibitions and publications over the past twenty-five years, ever advancing the recognition of photography as a fine art. 326 illustrations

The Altering Eye: Photographs from the National Gallery of Art

In a career that spanned much of the twentieth century, Hungarian-born photographer André Kertész (1894-1985) created deceptively simple yet compelling and poetic photographs. This book presents approximately 120 of these striking images as well as previously unpublished archival material that sheds important light on the artist and his work.
 Like the exhibition it accompanies, André Kertész takes us through Kertész's years in Budapest, Paris, and New York. Unlike other works on Kertész, it presents only vintage prints and includes several seldom seen photographs from throughout his career.
 Written by renowned art historian Sarah Greenough and Kertész Foundation curator Robert Gurbo, André Kertész includes excerpts from the photographer's previously unexamined journals and correspondence--documents that prompted the authors to reexamine every period of Kertész's life and work. They reflect on their findings in essays covering each of the major phases in Kertész's career.
 While the book includes examples of the artist's most important photographs, including Chez Mondrian, The Satiric Dancer, and The Eiffel Tower, it also focuses on the intensely autobiographical nature of his work. It elegantly demonstrates the ways in which Kertész injected his persona, both literally and metaphorically, into his work.
 Accompanying the book's essays and exquisite tritone reproductions of his photographs are an illustrated chronology that corrects many previous errors, a comprehensive bibliography, and selections of previously unpublished writings by the photographer.
 EXHIBITION SCHEDULE: 
 http://www.nga.gov/exhibitions/exhibits.htm National Gallery of Art, Washington February 6-May 15, 2005
 http://www.lacma.org/ Los Angeles County Museum of Art June 12-September 5, 2005

André Kertész

Kennel, Sarah

Gurbo, Robert

Princeton University Press

The impact of the humble American snapshot has been anything but humble. Any American who takes a snapshot contributes to a compelling and influential genre. Since 1888, when George Eastman introduced the Kodak camera and roll film, the snapshot has not only changed everyday American life and memory; it has also changed the history of fine art photography. The distinctive subject matter and visual vocabulary of the American snapshot--its poses, facial expressions, viewpoints, framing, and themes--influenced modernist photographers as they explored spontaneity, objectivity, and new topics and perspectives. A richly illustrated chronicle of the first century of snapshot photography in America, The Art of the American Snapshot is the first book to examine the evolution of this most common form of American photography. The book shows that among the countless snapshots taken by American amateurs, some works, through intention or accident, continue to resonate long after their intimate context and original meaning have been lost.
 The catalogue of a fall 2007 exhibition at the National Gallery of Art in Washington, DC, The Art of the American Snapshot reproduces some 250 snapshots drawn from Robert Jackson's outstanding collection and from a recent gift Jackson made to the museum. Organized decade by decade, the book traces the evolution of American snapshot imagery and describes how technical, social, and cultural factors affected the look of snapshots at different periods.

The Art of the American Snapshot, 1888-1978

Witkovsky, Matthew S.

Waggoner, Diane

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Books by Greenough, Sarah