Dan Flavin (19331996) is considered one of the most important and innovative artists of the late twentieth century. The simplicity and systematic character of his extraordinary work, along with his relentless exploration and ingenious discovery of an art of light, established him as a progenitor and chief exponent of Minimalism. Uniquely situated outside the mediums of painting and sculpture, the majority of Flavin’s work after 1963 consists of art made from light.
This landmark bookthe first retrospective publication of Flavin’s art since 1969includes around 45 of the artist’s most important light works, beginning with a pivotal series of constructed boxes with attached incandescent or fluorescent lights, called icons,” made from 1961 to 1963. Works spanning Flavin’s career are discussed in depth, including examples that integrate light with the surrounding space and show the particular characteristics of blended fluorescent light, large-scale installations, and constructed corridors. The book also includes reproductions of Flavin’s drawings, which show his thought processes and working methods.
New scholarship and interpretation of Flavin’s work appears in the form of three critical essays by experts, an extensive chronology, comprehensive bibliography, and exhibition history. In addition, Flavin’s seminal text . . . in daylight or cool white.’ an autobiographical sketch,” originally published in Artforum in1965, is included.
Exquisitely designed and produced, with many new stunning color reproductions, Dan Flavin: A Retrospective capturesthe brilliance of this artist’s contribution to and challenges of the art world and will be the authoritative volume on Flavin for years to come.

Dan Flavin: A Retrospective

Arts & Photography

Govan, Michael

Bell, Tiffany

Individual Artists

Yale University Press

Including and augmenting the exhibition catalogue on Dan Flavin’s art (see opposite page), this remarkable book features a complete catalogue of over 750 of the artist’s light works. Presenting all of Flavin’s lights together for the first time, this is the only publication to document the artist’s entire career. Flavin’s art has not been widely reproduced, and this definitive volume includes hundreds of images―featuring exquisite new photography―of well-known pieces as well as many rarely seen and unknown works. Each light work is illustrated by a beautiful color reproduction and/or a graphic diagram. Comprehensive information on each work, including title, date, medium, dimensions, edition, exhibition history, bibliography, and a brief discussion, reveals new insights into the artist’s working methods and provides an invaluable resource for students, scholars, dealers, and collectors.

Dan Flavin: The Complete Lights, 1961–1996

This landmark monograph is the first comprehensive survey of Walter De Maria’s exceptionally diverse and visionary art practice, providing an in-depth look at more than 200 works and presenting the first detailed chronology ever published.\nAlthough best known as a creator of seminal works of Land art, Walter De Maria also maintained an extensive and highly original practice as a sculptor, painter, draftsman, writer, filmmaker, and composer. This expansive publication presents more than 200 works created or envisioned by the artist from 1960 until his death in 2013. Each work is fully illustrated and accompanied by detailed text entries written by Elizabeth and Michael Childress, supplemented by archival images, many of which have never been published before.\nEssays by Michael Govan, Christine Mehring, and Lars Nittve provide detailed overviews and analyses of the early, middle, and later periods of De Maria’s production. The monograph also includes an introduction by Donna De Salvo; the first detailed, thoroughly documented, and illustrated chronology of De Maria’s life and work, written by Dagny Corcoran; and an exhibition history and bibliography.

Walter De Maria: The Object, the Action, the Aesthetic Feeling

De Salvo, Donna

Childress, Elizabeth

Childress, Michael

Corcoran, Dagny

Gagosian / Rizzoli

Originally, Solomon R. Guggenheim donated works from his collection to the Solomon R. Guggenheim Foundation, which he began in 1937 to support and promote non-objective art. Then, in 1939, he established the Museum of Non-Objective Painting, which was renamed the Solomon R. Guggenheim Museum in 1952, and its signature Frank Lloyd Wright building opened on New York's Fifth Avenue in 1959. Over time, the Guggenheim has expanded the type of art that it exhibits and collects through the addition of other great collections--notably, those of Karl Nierendorf, Peggy Guggenheim, Justin and Hilde Thannhauser, and Giuseppe Panza di Biumo--as well as through opportunities that resulted from the institution's increasingly international focus in more recent decades. The Guggenheim today encompasses venues on two continents: the museum in New York, the Peggy Guggenheim Collection in Venice, the Guggenheim Museum Bilbao, the Deutsche Guggenheim in Berlin and the Guggenheim Hermitage Museum in Las Vegas. This volume is published on the occasion of a major exhibition at the Kunst-und Ausstellungshalle der Bundesrepublik Deutschland, Bonn, and the Kunstmuseum Bonn. With its comprehensive presentation of masterworks from the Guggenheim's extended holdings, it provides insight into Modern and Contemporary art movements--from Impressionism to Cubism, Surrealism to Abstract Expressionism, Pop art and Minimalism to the most recent developments--and the distinctive features of the collection. The selection emphasizes the Guggenheim's ongoing commitment to acquiring the work of particular artists in depth, including Vasily Kandinsky, Paul Klee, Pablo Picasso, Robert Rauschenberg, Richard Serra and Matthew Barney, among many others.

The Guggenheim Collection

Drutt, Matthew

Calnek, Anthony

Dennison, Lisa

Collections, Catalogs & Exhibitions

Guggenheim Museum

During the 1990s a number of artists claimed the exhibition as their medium. Working independently or in various collaborative constellations, they eschewed the individual object in favor of the exhibition environment as a dynamic arena, ever expanding its physical and temporal parameters. For these artists an exhibition can comprise a film, a novel, a shared meal, a social space, a performance or a journey. Their work engages directly with the vicissitudes of everyday life, offering subtle moments of transformation. This catalogue, which accompanies a major exhibition at the Solomon R. Guggenheim Museum, New York, is the first in the U.S. to examine the dynamic interchange among a core group of these artists--Angela Bulloch, Maurizio Cattelan, Liam Gillick, Dominique Gonzalez-Foerster, Douglas Gordon, Carsten Höller, Pierre Huyghe, Jorge Pardo, Philippe Parreno and Rirkrit Tiravanija--a many-sided conversation that helped shape the cultural landscape of the 1990s and beyond.

Theanyspacewhatever

FOSTER, HAL

Blom, Ina

Von Hantelmann, Dorothea

BOURRIAUD, NICOLAS

Bonami, Francesco

King, Emily

Gioni, Massimiliano

Hoffmann, Jens

Iles, Chrissie

Birnbaum, Daniel

Avgikos, Jan

Joseph, Branden

Boeri, Stefano

Falguières, Patricia

Douroux, Xavier

Föll, Heike

Lange, Christy

Archer, Michael

History & Criticism

Guggenheim Museum Publications

Torqued Ellipses is a new series of sculptures by Serra which mark a departure in the artist's work. Never before have these spaces been articulated in sculpture or even in architecture.

Richard Serra: Torqued Ellipses

Taylor, Mark

Cooke, Lynne

Dia Art Foundation

"Fundamentally, my works are almost always in the nature of a proposal," Thomas Schtte contends, while conceding that "nonetheless, mostly they exist in the form of models." Schtte's notion of models is, consequently, encompassing and complex: at its core lies hypothesis and speculation. This new monograph explores in detail the vast scope of work by this renowned mid-career German artist by documenting a tripartite, eighteen-month exhibition at the Dia Center for the Arts which in effect constitutes a retrospective overview of the artist's oeuvre. Devised in three segments with distinct points of reference, this unusually extended presentation revealed the extraordinary inventiveness and diversity of Schtte's production. Scenewright, the first installment, from September 1998 through January 1999, focuses on issues relating to scenography and theater. Gloria in Memoria, from February through June 1999, explores memorials, monuments, and antiheroes, and includes works ranging from installations and sculpture to drawing. The third and final phase, In Medias Res, from September 1999 through June 2000, concentrated on recent ceramics, shown together with a new series of related monumental steel sculptures. The accompanying catalogue follows the same format as the exhibition, with essays by Dia curator and renowned art scholar Lynne Cooke as well as acclaimed poet and critic Susan Stewart.

Thomas Schutte

Sandqvist, Getrud

Schütte, Thomas

Blinky Palermo began his last work, To the People of New York City, in 1976 in his studio in D sseldorf, completing it in January 1977, shortly before he left for the Maldive Islands, where he died. It is composed of 15 parts configured from 40 aluminum panels with acrylic in bars and blocks of cadmium yellow, cadmium red and black. A sketchbook documents the development of the panels' composition. Since this artwork is dedicated to the people of New York City and very few publications on the artist exist in English, this volume provides a key representation of the artist's work. This final artwork, in particular, has never before been published in English. Accompanying texts examine the relationship of Palermo's work to his generation of German and American artists and provide a critical, art historical context in which to consider his oeuvre. To the People of New York City is on permanent display at the Dia Foundation's site in Beacon, New York.

Blinky Palermo: To the People of New York City

Palermo, Blinky

Dan Flavin (1933-1996) is considered one of the most important and innovative artists of the late twentieth century. The simplicity and systematic character of his extraordinary work, along with his relentless exploration and ingenious discovery of an art of light, established him as a progenitor and chief exponent of Minimalism. Uniquely situated outside the mediums of painting and sculpture, the majority of Flavinâs work after 1963 consists of art made from light.
This landmark bookthe first retrospective publication of Flavinâs art since 1969includes around 45 of the artistâs most important light works, beginning with a pivotal series of constructed boxes with attached incandescent or fluorescent lights, called icons,â made from 1961 to 1963. Works spanning Flavinâs career are discussed in depth, including examples that integrate light with the surrounding space and show the particular characteristics of blended fluorescent light, large-scale installations, and constructed corridors. The book also includes reproductions of Flavinâs drawings, which show his thought processes and working methods. 
New scholarship and interpretation of Flavinâs work appears in the form of three critical essays by experts, an extensive chronology, comprehensive bibliography, and exhibition history. In addition, Flavinâs seminal text `. . . in daylight or cool white.â an autobiographical sketch,â originally published in Artforum in1965, is included. 
Exquisitely designed and produced, with many new stunning color reproductions, Dan Flavin: A Retrospective capturesthe brilliance of this artistâs contribution to and challenges of the art world and will be the authoritative volume on Flavin for years to come.

Flavin, Dan

Smith, Brydon

Grow through the Wisdom Found in God's Word\nDifferent Than I Was Yesterday is a collection of lessons designed to help the reader undertake an incredible journey through life using wisdom and insights drawn from God's Word. Lessons address the hard things of doing life in a world where even believers often seek to go their own way and attempt to find their own truth, blazing their own trails through the wilderness.\nThe author reminds us that we do not have to go it alone; he comes along-side as a trusted guide and teacher and coach to aid the reader in answering life's tough questions and discovering the truth about how to live a life in Christ marked by things eternal-faithfulness, peace, confidence, compassion, strength, endurance-just to name a few. All the principles and lessons taught in Different Than I Was Yesterday are supported with Scripture and are, therefore, trustworthy and true.\nThe book is structured into practical, relatable chunks of information. Insightful questions and activities help readers get started and move forward on a journey to discover wisdom and truth that can be applied to life's stickiest situations. This is a journey that you can draw on again and again because the goodness of the Truth for which the heart seeks does not change.

Different Than I Was Yesterday: Learning to Grow in Christ

Religion & Spirituality

Christian Books & Bibles

Lucid Books

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