Mexico Citybased artist Francis Alÿs (b. 1959) has assembled a group of paintings depicting Saint Fabiola, a 4th-century saint who gave up all earthly possessions and devoted herself to the practice of Christian asceticism. All of the pictures in the collection are based on an original worknow lostby the 19th-century French artist Jean-Jacques Henner. Alÿs's collection of Fabiola portraits, numbering in the hundreds and painted by amateurs and professionals alike, is the focus of this intriguing book. Not only does it examine the artist’s exploration of collecting practices, but the publication also offers an unusual window into aesthetic, sociological, and anthropological values of the past century.
In addition to cataloguing each of the Fabiola works, the book includes Saint Jerome’s eulogy for Fabiola (the primary source for Fabiola’s biography), followed by an interpretive text on evolving hagiographies and saints’ vitae, an analysis of the role of iconographic imagery in the practice of Catholicism, and art historical essays that focus on Alÿs’s practice.

Francis Alÿs: Fabiola: An Investigation

Arts & Photography

MORGAN, David

Bann, Stephen

Cooke, Lynne

Buskirk, Martha

Laningham, Susan

History & Criticism

Dia Art Foundation

In 1977, Max Neuhaus turned a triangle of pedestrian space between 45th and 46th Streets in Times Square into an island of harmonic sound. The rich textures of that sound continue today, emanating from beneath the sidewalk grating, to anonymously reach an individual’s ears as if one has stumbled upon a secret. Known as Times Square, the celebrated installation was restored in 2002 with support from Dia Art Foundation, which further commissioned a site-specific piece, Time Piece Beacon, from Neuhaus in 2006 for its museum in Beacon, New York.
This stunning book―the only volume in print dedicated solely to the work of Neuhaus―takes these two projects as a point of departure from which to consider the singular impact this artist has had in establishing sound as a medium in contemporary art. An interview with Neuhaus is complemented with essays by multidisciplinary scholars who investigate and situate his work within a historical context.

Max Neuhaus

Potts, Alex

Loock, Ulrich

Joseph, Branden W.

Cox, Christoph

Kotz, Liz

Neuhaus, Max

Pakesch, Peter

Zoe Leonard’s You see I am here after all brings together thousands of postcard images of the “great cataract,” Niagra Falls, from the early 1900s through the 1950s. This grand accumulation of viewpoints brings up issues as diverse as human interventions with nature and the function of landscape in inventing American historical narratives, as well as the technological evolution of image reproduction and dissemination.

Zoe Leonard: You see I am here after all

Leonard, Zoe

Shaw, Lytle

Individual Artists

Since the early 1990s, Koo Jeong A (b. 1967) has created ephemeral environments, sculptures, and drawings that examine the poetics of everyday life and the mysteries of imagination. This book, the first critical study of Koo's work, looks at the past two decades of her artistic practice, including her recent multimedia presentation commissioned by Dia Art Foundation. Following the artist's longtime interest in natural phenomena and sensory experience, Constellation Congress features a diverse group of texts encompassing art historical, philosophical, scientific, and literary voices that offer insightful considerations into the intricacies of the artist's method and conception of art in which the most ordinary objects—a puddle of water, a pile of charcoal, or a ray of light—are graced with dignity and reverence.

Koo Jeong A: Constellation Congress

Raymond, Yasmil

Nesbit, Molly

Since the late 1980s, Jean-Luc Moulène (b. 1955) has developed a body of work informed by a critical investigation of artistic authorship, addressing such issues as autonomy, immanence, and anarchic politics. Although he is best known for his enigmatic and seductive large-format photographs, Moulène has maintained a parallel exploration of materials and objects—manufactured and found, industrial and organic, intimate and imposing—that he has collectively titled Opus. This book, the first critical study of Moulène's work, brings together leading scholars to examine the artist's diverse aesthetic strategies and interests in the relationships between social and political arenas and systems and orders, including geometry, mathematics, social sciences, and human behavior. Featured essays also examine Moulène's theoretical and playful inquiries into the plasticity of materials and the ways we see and understand both still and moving images.

Jean-Luc Moulène: Opus + One

Vergne, Philippe

This anthology offers a panoramic snapshot of poetic practice today, showcasing both leading and emerging poets connected through their appearances at Dia's reading series.  For over three decades, Dia Art Foundation has gathered renowned and visionary poets to present their work in conversation with one another in monthly events through its Readings in Contemporary Poetry series. This collection anthologizes ninety-four poets who gave readings between 2010--when the program resumed under the direction of Vincent Katz after a short break--and 2016. Each poem is accompanied by an insightful introduction. Readings in Contemporary Poetry presents work by emerging and established poets at the forefront of innovation. It showcases the multidisciplinary atmosphere established in the series, and the diverse resulting works embrace collaborations with or interventions from other fields. Together they present a panoramic snapshot of poetic practice today, exploring some of the patterns, lineages, and divergences present in contemporary poetry. This highly engaging collection will offer its readers the latest ideas in contemporary poetry through some of the best work by poets who are changing how we think about their art form and the world.

Readings in Contemporary Poetry: An Anthology

Literature & Fiction

Katz, Vincent

Poetry

This in-depth exploration of celebrated French artist François Morellet (1926–2016) showcases his diverse oeuvre, famous for infusing systematic and rigorous experimentation with humor and playfulness. Morellet’s interest in kinetic and optical effects spurred work that engages viewers’ perception and participation, ensuring an element of chance within his predetermined systems and challenging the convention of the artistic genius. This book features new scholarship by an international group of renowned art historians and curators. Essays explore topics such as the conceptual stakes of Morellet’s practice, the influence of Brazilian geometric abstraction and the Islamic decorative tradition, and the role of humor in his work. Also included is an extensive selection of previously untranslated writings by the artist himself. With striking new photography of the artworks—such as Morellet’s geometric paintings, neon works, and architectural interventions—this is the definitive book on a fascinating, multifaceted artist.

François Morellet

The first major publication in more than thirty years on contemporary artist Chryssa, an innovator of light art Chryssa & New York offers a timely reassessment of Greek-born artist Chryssa (Chryssa Vardea-Mavromichali, 1933-2013). Chryssa was a leading figure in the postwar New York art world and in the use of signage, text, and neon, yet her work, which bridges Pop, Conceptual, and Minimalist approaches to art making, remains under-recognized. Focusing on the artist's early career, in particular her time in New York from the 1950s to the 1970s, this book charts the emergence of her singular aesthetic, especially her formal innovations with neon, and culminates in the development of her monumental and rarely seen installation The Gates to Times Square (1964-66). Essays situate Chryssa's art alongside that of other New York-based practitioners in the 1950s and 1960s, consider her work through the lenses of queer theory and the Greek diaspora, and uncover her crucial influence on light art today. Rounding out the volume, a conversation on the technical aspects of her practice and a comprehensive chronology make this the definitive publication on Chryssa for years to come. <div> Distributed for Dia Art Foundation and the Menil Collection, Houston</div> <div> Exhibition Schedule: Dia Chelsea, New York (March 2-July 23, 2023) Menil Collection, Houston (September 29, 2023-March 10, 2024) Wrightwood 659, Chicago (May 1-August 15, 2024)</div>

Chryssa & New York

Joseph Beuys

Beuys, Joseph

"The Dia Foundation's exhibition of works by Imi Knoebel also furthers Dia's primary commitment to collaboration with artists to the ends of long-term, carefully designed installations of their work."--Page 5."The Dia Foundation's exhibition of works by Imi Knoebel also furthers Dia's primary commitment to collaboration with artists to the ends of long-term, carefully designed installations of their work."--Page 5.

Imi Knoebel

Knoebel, Imi

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Books by Dia Art Foundation