A study of the wall constructed by the author, land artist Andy Goldsworthy, as a permanent sculpture in the Storm King Art Center in New York State. It contains illustrations, including photography by the author, who also wrote STONE and WOOD.

Wall

GOLDSWORTHY, Andy

Gardners Books

Since 1995, Andy Goldsworthy has created a series of artworks in Northwest England in sheepfolds: stone enclosures found across the countryside that have been used for assembling, sheltering, and washing sheep for hundreds of years. After working on and off for more than a decade, he completed thirty-five folds, often rebuilding them in the process; many of them can now once again serve their intended purpose. These form the core of Enclosure: they reflect Goldsworthy’s lifelong interest in the land, its history, and the people who work on it. They are accompanied by a rich collection of ephemeral work related in various ways to sheep, including a spectacular series of large sheep paintings—paintings made by the hoof-prints of sheep.Enclosure, which joins the sublime tradition of the art and literature of the landscape of the British Isles, is an exciting addition to the series of eight bestselling books that Goldsworthy has already produced for Abrams.

Andy Goldsworthy Enclosure /anglais

Arts & Photography

History & Criticism

Thames&Hudson

Now available in paperback, this retrospective book covering the work of Andy Goldsworthy from 1976 to 1990 remains one of the most comprehensive publications on the acclaimed artist. With nearly 200 illustrations featuring early examples of his ephemeral works made of leaves, stalks, sand, and snow, Hand to Earth offers fascinating insights into the ways in which Goldsworthy creates his unique and highly personal artworks. AUTHOR BIO:

Andy Goldsworthy Hand to Earth (Paperback) /anglais

Reference

Time, always an element in the work of Andy Goldsworthy, both as a medium and as a metaphor, is celebrated in this book. The text is comprised of Goldsworthy's own diaries.

Andy Goldsworthy Time (Paperback) /anglais

Sculpture

Time, always an element in the work of Andy Goldsworthy - both as a medium and as a metaphor - is celebrated in this book. Text contributions are compiled from Goldsworthy's own diaries of visits to five locations in North America and Europe.

Time

Midsummer Snowballs

Just after midnight on 21 June 2000 - midsummer's day - Andy Goldsworthy supervised the unloading of 13 huge snowballs from refrigerated trucks parked by Smithfield Market in the City of London. Each snowball was several feet in diameter and weighed about a ton. Over the next few hours, they were carefully manoeuvred into predetermined sites on the streets of the City to be released from their plastic wrappings at dawn so that they were there to greet the workers in London's financial district as they streamed off buses and out of tube stations on their way to their offices. The snowballs were then left to melt - a process that, even in the warmth of summer, took anything up to six days. All this amazed, delighted and sometimes affronted the passers-by, and a rich element of "Midsummer Snowballs" is the public's responses: gazing, touching, smiling, laughing, or simply walking by and pretending to ignore the enormous mass of snow on the pavement. These reactions are covered in spontaneous photographs taken by a team of photographers who worked around the clock. The introduction by Judith Collins places the snowballs in the context not just of Goldsworthy's work but in that of earlier painters and sculptors. The story of the snowballs is told by Goldsworthy himself, and chronicled in the colour photographs.

Andy Goldsworthy is one of the leading British sculptors working with nature in the landscape. He has made remarkable sculptures from natural materials around the world, and enjoys an international reputation. This beautifully produced, highly praised and readable book combines superlative illustrations with specially commissioned essays by leading writers familiar with the artist and his work.

Hand to Earth : Andy Goldsworthy - Sculpture 1976-1990

Friedman, Terry

The journeys that people, rivers, landscapes and even stone take through space and time are central to this book. An account of a cairn built on the crest of a small hill at the entrance to the village in Scotland where Andy Goldsworthy lives reveals the importance of his work close to home, which is the inspiration for so much that he then creates elsewhere. Three cairns similar to the one in Scotland now span the United States, marking the artist's own journey across the States as well as the culmination of a form that has played a significant element in his work for the last twenty years. The vigorous beauty of Goldsworthy's work and its connection to death and decay are articulated in a series of works with elm trees. Made next to a small river in the south west of Scotland, the works range from glowing yellow leaves to dead branches that celebrate the life cycle of the elm. The flow and passage of time are explored and strongly expressed by Goldsworthy's works relating to water. Over the past few years the artist has developed an almost obsessive need to work alongside rivers and the sea. Ephemeral works made on the beach and in rivers change and disappear in response to the ebb and flow of water. Passage includes Goldsworthy's most recent commission, the Garden of Stones at the Museum of Jewish Heritage in New York. Eighteen granite boulders, varying in weight from three to fifteen tons, were hollowed out from below with a thermal lance and filled with earth. Oak trees were planted through a small hole in the top of each stone at a ceremony participated in by several Holocaust survivors. These trees, not just surviving but growing in an almost impossible situation, have powerful associations in a garden intended as a Holocaust Memorial.

Andy Goldsworthy Passage /anglais

Individual Artists

This spectacular book brings together work made by Andy Goldsworthy in Britain, France, the United States, Australia and Japan between 1990 and 1993. It includes works that involve not only stone of various kinds slate, limestone, sandstone, river boulders but also leaves, flowers, sand, clay and scrap steel. A riverside slab of rock in St Louis, Missouri, glows with the colours of autumn leaves, becomes part of a wall, acquires an overall covering of green leaves, and is cradled in a nest of branches. In a forest in the Lake District, a wall snakes its way through the trees. Sandstone arches progress across the floor of a Dumfriesshire quarry. A dead tree in the Australian outback is miraculously clothed in rust-red sand. "Stone: Andy Goldsworthy" offers an unparalleled opportunity to appreciate the extraordinary breadth of the artists output and to understand more about this exceptionally talented sculptor whose work is accorded worldwide recognition.

Andy Goldsworthy Stone /anglais

Following the publication of "Andy Goldsworthy", the artist's celebration of nature, "Stone" is a new exploration of rock and stone, drawing on Goldsworthy's work of the last three years. A riverside slab of rock in St Louis, Missouri, glows with the colours of autumn leaves, becomes part of a wall, acquires an overall covering of green leaves, and is cradled in a nest of branches. In a forest in the Lake District, a wall snakes its way through the trees. Sandstone arches progress across the floor of a Dumfriesshire quarry. A dead tree in the Australian outback is miraculously clothed in rust-red sand. Underlying all Goldsworthy's work is a sympathy with and sensitivity to nature, a concern with the interaction between its power, its delicacy and its transience. His creations are not static and immune from the elements but invite the unceasing change that characterizes the natural world.

Stone

Abrams

See the best price to sell, buy, or rent books by GOLDSWORTHY, Andy. BookScouter helps to compare book prices from 25+ online bookstores and 30+ buyback vendors with a single search.

Books by GOLDSWORTHY, Andy