The novelist's final work, a tale of a rich old man--Solomon Rubinstein--a self-appointed reliever of misery, and the young man he hires and teaches about humor, grace, and life

King Solomon

GARY, ROMAIN

Literature & Fiction

Harvill

White Dog

Biographies & Memoirs

Arts & Literature

See notes

Both a personal memoir and a French novelist's encounter with American reality, White Dog is an unforgettable portrait of racism and hypocrisy. Set in the tumultuous Los Angeles of 1968, Romain Gary's story begins when a German shepherd strays into his life: "He was watching me, his head cocked to one side, with that unbearable intensity of dogs in the pound waiting for a rescuer." A lost police canine, this "white dog" is programmed to respond violently to the sight of a black man and Gary's attempts to deprogram it—like his attempts to protect his wife, the actress Jean Seberg; like her endeavors to help black activists; like his need to rescue himself from the "predicament of being trapped, lock, stock and barrel within a human skin"—lead from crisis to grief. Using the re-education of this adopted pet as a metaphor for the need to quash American racism, Gary develops a domestic crisis into a full-scale social allegory.

University of Chicago Press

Promise at Dawn

Classics

Penguin Classic

The Gasp

G.P.Putnam's Sons

Hocus Bogus (The Margellos World Republic of Letters)

By the early 1970s, Romain Gary had established himself as one of France’s most popular and prolific novelists, journalists, and memoirists. Feeling that he had been typecast as “Romain Gary,” however, he wrote his next novel under the pseudonym Émile Ajar. His second novel written as Ajar, Life Before Us, was an instant runaway success, winning the Prix Goncourt and becoming the best-selling French novel of the twentieth century. 
The Prix Goncourt made people all the keener to identify the real “Émile Ajar,” and stressed by the furor he had created, Gary fled to Geneva. There, Pseudo, a hoax confession and one of the most alarmingly effective mystifications in all literature, was written at high speed. Writing under double cover, Gary simulated schizophrenia and paranoid delusions while pretending to be Paul Pawlovitch confessing to being Émile Ajar—the author of books Gary himself had written. 
In Pseudo, brilliantly translated by David Bellos as Hocus Bogus, the struggle to assert and deny authorship is part of a wider protest against suffering and universal hypocrisy. Playing with novelistic categories and authorial voice, this work is a powerful testimony to the power of language—to express, to amuse, to deceive, and ultimately to speak difficult personal truths.

Ajar, Émile

Literary

Yale University Press

By the early 1970s, Romain Gary had established himself as one of France's most popular novelists, journalists, and memoirists. Feeling that he had been typecast as 'Romain Gary', however, he wrote his next novel under the pseudonym Emile Ajar. This book explores his struggle to assert authorship."

Marc Mathieu is a brilliant creator -- a scientist whose experiments have led him to the very essence of man's life-energy. Leading a team of top French physicists, Mathieu develops a method to capture and harness this incredible life-force as it escapes from a man's body at the moment of death. The result is the gasp: a pulsating sphere of energy that looks as harmless as a ping-pong ball but contains a power source that makes the atom obsolete.

The enchanters

PUTNAM

Clean tight unmarked copy with sunned edges and very little wear

LaPromesse de l'Aube

French & European Pubns

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